Good morning with our Middle of the Week Song – Two For His Heels by Richard Hawley. Have a nice day.
BDRMM, Mouco, Porto, 06.04.2024.

words: Marcos Leal (freely translated by Raquel Pinheiro); photos: Marcos Leal.
Hull band Bdrmm awaited first concert in Porto finally happened. Bdrmm came to download their electric showgaze mantle upon an audience split between a sound delight and happy talk.It was remarkable the way the band was applauded and cherished by the audience, leaving the quarter rather pleased, and, in a way, apparently surprised with such reaction, multiplying thanks you at each song. For about one and a half hour Bdrmm downloaded a stream of songs that satisfied the wishes of their fans, starting with Alps, carrying on with Be Careful.

Then, melodically loud with songs like Gush, Push/Pull, Happy, one of their greatest hits, here almost unrecognisable among a deluge of distortion, until, at, last, arriving at a good Port, um thrilling cheering by from the audience and thanks by Bdrmm.

Efterklang – Getting Reminders
Hi with Getting Reminders by Efterklang (feat. Zack Condon of Beirut). Have a nice afternoon.
Amazing Songs & Other Delights #63 – The Say Hello, Wave Goodbye edition by Raquel Pinheiro @ Yé Yé Radio, Monday 8th.

My Amazing Songs & Other Delights #63 – The Say Hello, Wave Goodbye edition is tomorrow Monday, 8th, 3-4pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from the Soft Cell song of the same name, here on a cover by David Gray. The meaning refers to saying hello to something new, goodbye to an old, beloved one. In this case, the old beloved one is Old Jerusalem that Francisco Silva is retiring with a last concert on the 20th, at Socorro here in Porto. Old Jerusalem’s farewell includes Breeding angels, a demos album that contains Red sun over the interstate – that is also on this week’s programme – a song I have the previledge of known, and often sing on my own home, for a couple of years.
If Francisco is retiring Old Jerusalem, he is bringing, given birth, to The June Carriers that release their debut album Equanimity on the 10th.
And now, beginnings and endings, and metting, and journeys, and the same thing, that yet is, but isn’t, become even more interesting.
My track Big Bang, that opens the show, has the exact same guitar line as The June Carriers’s Pastoral Epigraph, that closes the show. It is a travel from the The Big Bang, from the ends, or beginnings, of The Universe to Earth. The guitar, of course, is played be Francisco on both instrumentals. As for the why and how Francisco’s guitar line ended up on my track, on both tracks, that is for another day.
What my Big Bang and Then June Carriers’ Pastoral Epigraph shows is how the exact same guitar line, although easily recognisable, can feel so different depending of its surrounding, of the musical ambience and creation. Of how two people compose differently with the same guitar line (or any other same musical bit). Other than knowing I was going to use his guitar line, Francisco had no say, nor knew, what I was going to do with it. I didn’t have a clue how he was going to use it on what become The June Carriers’ first album.

My 16 choices for this The Say Hello, Wave Goodbye edition are all about travel, journeys, inner and outer, out in space, on our planet, far from home, standing still. The Modern Lovers’
Dodge Veg o-matic is probably the best going nowhere song ever. Bartleby, the immovable, “I prefer not to” scrivener of Henry Melville’s tale as his very fixed ideais regarding is life, his views, doing, moving, changing in ways others find normal is not for him.
Some journeys don’t end well. Like in the Erlkönig a Schubert lieder, with lyrics by Goethe, in which a father rides madly through the night, on horseback, with his son, whistle the Erlking is enticing the child, that tries to draw dad’s attention. The lieder ends with the blunt “In seinen Armen das Kind war tod” (roughly “in your arms the child is dead”.

Others have twist and turns. Diferentes in perspective, depending where we find ourselves. My photos of the maze from my favourite local park are taken from inside it and I know my way around it because I know from where the whole maze can be seen. However, on a foggy day, I may, and still get lost in it. The colour and black and photo illustrate the same thing seen in two different ways.
Tracklist:
01 – Raquel Pinheiro – Big Bang (radio edit)
02 – Old Jerusalem – Red sun over the interstate
03 – Franz Schubert – Erlkönig (Op. 1, D. 328 – Wer reitet so spät sung by Dietrich Fischer-Dieskau)
04 – The Modern Lovers – Dodge Veg o-matic
05 – Bernard Butler – Camber Sands
06 – The Fugs – Bartleby The Scrivener
07 – Elton John – Goodbye Yellow Brick Road
08 – David Gray – Say Hello, Wave Goodbye (Soft Cell cover)
09 – The Beatles – Drive My Car
10 – The Clash – Lost In The Supermarket
11 – Kings of Leon – Going Nowhere (live in Nashville)
12 – Siouxie & The Banshees – The Passenger (Iggy Pop cover)
13 – The Proclaimers – I’m Gonna Be (500 Miles) (2011 remaster)
14 – Aaron Copland – Going to Heaven! (Emily Dickinson poem, sung by Sanford Sylvan)
15 – Little Eve – The Loco-Motion (remaster)
16 – The June Carriers – Pastoral Epigraph
All previous shows on mixcloud: www.mixcloud.com/infoyeye/ | www.mixcloud.com/MondoBizarreMagazine

Vessel – Pull The Strings
Hi and Happy Sunday with Pull The Strings by Vessel.
Vampire Weekend – Prep-School Gangsters
Good morning with Prep-School Gangsters by Vampire Weekend. Have a nice weekend.
John Cale – How We See The Light
Good morning with our Middle of the Week Song – How We See The Light by John Cale. Have a nice day.
Pop Dell’Arte, Hard Club, Porto, 29.03.2024.

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos Hiliana Melo
On stage, more than showbiz, more than show off, give rock’n’roll truth. As it is in its essence. Unpretentious and genuine. That is what Pop Dell’Arte is. That is it, and it is very good.

Sonorously speaking it is complex in construction, structure, form. Bass, drums and guitar played by Zé Pedro Moura, Ricardo Martins and Paulo Monteiro are extremely competent performing the songs as well as on their own, leaving an impression with the daring passion the music flows to our senses. João Peste’s voice is what we were used to over decades. Intense and very charismatic. At times powerful and resounding, at times sarcastic, dragged, and insolent filled of an apparent juvenile innocence. Take note, apparent! Maybe that is why he and his companions can make Pop Dell’Arte’s music seem so fresh. Each concert is a celebration. An hymn to the band’s aesthetic conscience and its survival along its life spam.

This concert didn’t deviate from it, and that is good. It started with Star Wars and Em Creta, through Avanti Marinaio, Planet Lakroon, Panoptical Architecture for Empty Streets in a Silent City, Wil’n’Chic, Be Bop and Sonhos Pop, and, towards the end Freaky Dance and My Funny Ana Lana. A great celebration, no doubt.Is it me or this more thrilling, frantic, alternative as well as pop side of rock as its strongest expression in a time references were few, but, indisputably, remarkable.

Catherine Graindorge – Joan
Hi with Joan by Catherine Graindorge. Have a nice afternooon.
