The Park, The Yellow Football and The Brutalist Factory – Field Notes is a note about Early morning walks, being barefoot through the park, a hidden path to an abandoned factory, and an unexpected yellow football moment of play and quiet joy. You can read it at The Polymath.
My radio show Amazing Songs & Other Delights #94 – Of Art & Image edition is now available on mixcloud.
Of Art & Image edition has 15 songs that refer to art, artists, mostly painters, and image, both still and motion. You can read more about the programme here.
Tracklist 01: Don McLean – Vincent 02: Manic Street Preachers – Interiors (Song for Willem de Kooning) 03: Death Cab for Cutie – Photobooth 04: The Passions – Iâm in Love With a German Film Star 05: John Cale – Magritte 06: Modern Lovers – Pablo Picasso 07: David Bowie – Andy Warhol 08: Bauhaus – Bela Lugosi’s Dead 09: Duran Duran – Girls On Film 10: The Kinks – Picture Book 11: Spoon – I Turn My Camera On 12: Paul Simon – Kodachrome 13: Dire Straits – In the Gallery 14: John Mayer – 3×5 15: Manic Street Preachers – Kevin Carter
words: Paulo Carmona (translated and edited by Raquel Pinheiro) photos: Daniela Tendim
Suede are like a top-quality Port. Once âvintageâ, forever vintage. The years pass and the quality improves unequivocally. They never disappoint, never waver, never compromise. Whenever they step onto a stage they are completely focused, always ready to give their best, and their best is of a very high standard.
As it was at Super Bock Arena, in Porto, where they came to present their latest album – Antidepressants – to their newest friends and to those who have followed them for years. A quick glance around the room was enough to realise that Suede captivate every generation.
If Simon Gilbert and Mat Osman are the bandâs unquestionable maestros, thanks to their experience and talent, cohesive and brilliant in their rhythmic execution, then Richard Oakes and Neil Codling provide the stylised melodies that shape and define the Suede sound.
As for Brett Anderson – the lead singer – he ought to be the subject of a scientific study. A remarkable performer, an absolute stage monster. He seems to run on batteries that never run out, radiating an emotional energy capable of stirring a bear in the depths of hibernation. I would say he is a teenager recycled at supersonic speed. The audience adores him, every gesture, every mannerism, every swing of his body.
From the setlist chosen for this show, it must be said that they swept across their vast repertoire, with particular emphasis on songs from the latest album â very well received by the audience, it should be noted â but also including the epic and iconic songs of old, songs that belong to all times. I would highlight Trash, Can’t Get Enough and Everything Will Flow, which drove the crowd into complete delirium, and, of course, The Beautiful Ones, which figuratively brought the whole arena down.
Brett did not confine himself to the pit and ventured straight into the middle of the crowd. Amid shouts, tears, applause, hugs and kisses, he somehow managed to slip back onto the stage to close the concert in total apotheosis.
Grab your glasses, and yell from the bottom of your lungs! Cheers, Suede!
Š Mondo Bizarre Magazine/Daniela Tendim
The Band: Brett Anderson – lead vocals Mat Osman – bass Simon Gilbert – drums Richard Oakes – guitar Neil Codling – guitar, keyboards, backing vocals.
Setlist: Disintegrate Antidepressants Trash Animal Nitrate We Are the Pigs Personality Disorder Sabotage New Generation Filmstar Can’t Get Enough June Rain She Still Leads Me On Shadow Self Trance State The Wild Ones (acoustic Brett Anderson & Richard Oakes) Everything Will Flow So Young Metal Mickey Beautiful Ones Dancing with the Europeans
, my men’s practice and The Polymath sister site, speaks of how in a restless world, strength often begins with simple acts of attention. A reflection on tending to the people and responsibilities closest to us, and the quiet discipline of noticing what is within reach and can be read here.