Penelope and the Ducks – Underwater Woman: Swimming In The Sea
Returning to Swimming in the Atlantic is my new post at The Polymath site.
After more than twenty years away from ocean swimming, I returned to swim in the Atlantic. Returning to Swimming in the Atlantic is a very personal thing, and post, to mr. Sea swimming, bodily memory, presence, the North Atlantic coast of Porto, Foz, rediscovering a relationship that had never truly disappeared. You can read it here.
As usual, Wave-Gotik-Treffen was captured through the lens of Gustavo Hochman this year supported by image editor Milena Katzman.
Wave-Gotik-Treffen is the world’s largest gothic festival. It also includes Punk, Rivethead, Romanticism, Steampunk, Victoriana and other alternative and subcultures.
Gustavo Hochman, our photographer, was the only photographer allowed in a fashion show in a medieval castle.
We also photographed Covenant and She Past Away, the two main bands present at Wave-Gotik-Treffen 2026. You can find Covenant on photolog-1 and She Past Away on photolog-2.
Wave-Gotik-Treffen is the world’s largest gothic festival. It also includes Punk, Rivethead, Romanticism, Steampunk, Victoriana and other alternative and subcultures.
Gustavo Hochman, our photographer, was the only photographer allowed in a fashion show in a medieval castle.
We also photographed Covenant and She Past Away, the two main bands present at Wave-Gotik-Treffen 2026. She Past Away are represented here.
My radio show Amazing Songs & Other Delights #97 – The Of Sea & Cake edition is broadcasted Monday 1 and 8 June, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com to (or on the app).
Tracklist: 01: The Sea and Cake – Four Corners 02: Dhani Harrison (Live at George Fest) – Savoy Truffle 03: Air – La Femme d’Argent 04: Queens Of The Stone Age – Monsters In The Parasol 05: The Beach Boys – Catch A Wave (Stereo/Remastered 2001) 06: Deerhoof – Milk Man 07: Cake – Distance 08: Stereolab – Lo Boob Oscillator 09: Brian Eno – By This River (2004 Digital Remaster) 10: Lupe Fiasco – Cake 11: Can – Vitamin C 12: Everything But The Girl – Temperamental 13: The Sea and Cake – Parasol
Wave-Gotik-Treffen 2026 phptolog 1 is the first of four photologs covering the festival.
photos: Mondo Bizarre Magazine/Gustavo Hochman; edited by Milena Katzman for Mondo Bizarre Magazine.
We have attended Wave-Gotik-Treffen, in Leipzig, since 2019 – minus the pandemic years – and 2026 is no exception.
As usual, Wave-Gotik-Treffen was captured through the lens of Gustavo Hochman this year supported by image editor Milena Katzman.
Wave-Gotik-Treffen is the world’s largest gothic festival. It also includes Punk, Rivethead, Romanticism, Steampunk, Victoriana and other alternative and subcultures.
Gustavo Hochman, our photographer, was the only one allowed in a fashion show in a medieval castle. We have one photo from the session here. More to come.
We also photographed Covenant and She Past Away, the two main bands present at Wave-Gotik-Treffen 2026. Covenant are represented here.
You can find links to all previous photo logs on Mondo’s site: here.
When Sadness Becomes Mortal – On the Death of Marjane Satrapi is a post on The Listening Room HQ – my men’s practice and The Polymath sister site – prompted by The death of artist Marjane Satrapi, said by those close to her to have followed a year of profound sadness after losing her husband, raises questions about grief, loss, the brain, and the hidden impact of sorrow on men’s lives. You can read it on The Listening Room HQ site: https://www.thelisteningroomhq.com/2026/06/when-sadness-becomes-mortal-on-death-of.html
words: Paulo Carmona (edited by Raquel Pinheiro) photos: Daniela Tedim
Ladies & Gentlemen — welcome to the celebration of sound.
I cannot remember attending a concert at the Porto Coliseum, and there have surely been well over fifty by now,with such outstanding sound. And this is precisely where I want to begin. Credit must be given to the entire team of musicians and technicians who allow us to experience music in its purest and most beautiful state.
Father John Misty appeared on stage in all his musical splendour, surrounded by musicians capable of performing at the very highest level of what I consider quality music.
What happened there was magic. It was moving, overwhelming, and capable of making the hairs stand up on the head of even a centenarian with no hair left to stand. Everything in that music was perceptible, everything was tangible, everything was everything.
A consummate performer, possessing the natural poise of his essence as a cult artist, he wandered across the stage like a siren whose song captivates the audience with a visceral diplomat’s passport.
With a set built around 21 songs from his already long career, which from the very first second sent the audience, who almost completely filled the Coliseum, into raptures, there was no shortage of favourites such as Mr Tillman, Chateau, Buddy’s Rendezvous, Mental Health, the joyfulness of Novel contrasting with the nostalgic introspection of Magic Mountain and the agonised, warlike energy of Payoff in flashes of rhythmic poetry. She Cleans Up, of course, and finally the magnificent Mahashmashana.
That scarlet red backdrop, the deep blue tones and the lighting did the rest, and everything was simply… just perfect!