A Noite do Cometa II – OPO’LAB, Porto, 19.09.2026.

Manga Cava © Telma Mota/Mondo Bizarre Magazine

words: Telma Mota (freely translated by Raquel Pinheiro); photos: Telma Mota

The second edition of A Noite do Cometa once again surprised and reaffirmed its restless attitude, always refreshing in its commitment to promoting emerging Portuguese bands.

This time, the fusion of different musical genres travelled through the sounds of the chosen projects with spirit, elegance and youthful energy.

Carlos Raposo & Alexandre Manuel Pinto © Telma Mota/Mondo Bizarre Magazine

The event began with what was called a Prólogo (Prologue) surprise, bringing together Carlos Raposo and Alexandre Manuel Pinto in a string duet. Carlos, on the 10-string viola campaniça, accompanied by Alexandre on classical guitar, opened the event in the best possible way, with original pieces inspired by traditional music, somewhere between folk and pades.

Well played and performed, it set the tone for a musical night marked by freedom and diversity.

Next came the young bands Manga Cava, Mordo Mia and Lesma, which, in the words of organiser Garcia, were not chosen to fit into a mere playlist, but because they were capable of “altering the night for one another”. Interspersed with the consistently quality music of Jorge Monteiro’s DJ set, they took to the stage with attitude.

Manga Cava, a four-piece girly indie pop punk rock band, recently released the EP Retrato da menina abandonada no lixo. They are ironic, noisy and competent. Joana and Maria sing, accompanied by their guitars, raw songs energised by bass and drums. Among their original songs, they performed one by Pega Monstro, a band from the underground scene with which they identify.

Mordo Mia © Telma Mota/ Mondo Bizarre Magazine

Mordo Mia added discomfort, in an unusual mixture of musical genres. Guitar, violin, keyboards, bass and drums come together in an intense and extraordinary amalgam that makes us pay attention to the details through which they communicate complex and contradictory feelings. Surprising for a band made up of people so young. Still a somewhat immature sound, but promising.

To complete the emerging trio, Lesma, a girls’ band made up of three friends who released their first album, É mentira, in 2025 through Saliva Diva. Raw, strong and direct punk rock which, through Rita Mira’s voice, gains a particularly interesting life, with lyrics delivered in a machine-gun verbal register, reflecting current personal and generational concerns, so many and so intense that they almost trip over one another in streams of muffled screams. An excellent performance, delivered with confidence and commitment.

Fugly © Telma Mota/Mondo Bizarre Magazine

To finish, the comet exploded with the performance of Fugly, a Porto garage-rock band that began its activities ten years ago, but has performed little lately. Nevertheless, they retain their intensity, with their two noisy guitars, precise bass and an energetic drum kit that tears through everything and drives the band’s live performance. With an explicit anti-fascist message delivered from the stage, their vocalist Jimmy finished by expressing the hope we all want to hold on to while there is still “road to travel”…

After these magnificent high-octane live moments, the night entered its epilogue, provided by the already very well-known rock ’n’ roll DJ Rodas, owner of the recently closed Barracuda bar.

And so another special night of musical comet unfolded at OPO’LAB. Long may it be repeated.

© Telma Mota/Mondo Bizarre Magazine

Why Sessions at The Listening Room HQ Matter

Flora Bowley – I Will Stand By You

Why Sessions at The Listening Room HQ Matter. Reading can open a door, but insight needs a place to live. The Listening Room HQ – my men’s practice – sessions offer men a rare space to speak freely and discover clarity through deep, attentive listening. You can book a session at: https://www.thelisteningroomhq.com/p/sessions.html

Luke Haines & Mike Smalle – The Black Maria, O

Good morning with our Middle of the Week Song – The Black Maria, O by Luke Haines & Mike Smalle.

The Black Maria, O is a 1887 song by  Irish-American lyricist, Edward Harrigan and composer David Brahma was performed in New York as part of the musical comedy, McNooney’s Visit.

The song is included in From the Tombs the second album by Bring Your Own Hammer. From the Tombs features late XIX century and early XX century songs related to  crime, law and order among the Irish Diaspora and Ireland interpreted for the XXI century by different artists.

Have a nice day.

Amazing Songs & Other Delights #99 – The Luminous edition by Raquel Pinheiro on Yé Yé Radio Monday 21 & 28 September

Johnny Marr photo © Andrew Cotterill

My radio show Amazing Songs & Other Delights #99 – The Luminous edition edition is broadcasted Monday 21 and 28 September, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).

After a pause and repeat shows I’m back to new editions.

As soon as I became aware Johnny Marr was having an auction of his guitars, amps, and memorabilia at Christie’s 17 September I knew how the snow begun. Spin is taken from Johnny’s upcoming album The Age of Everything.

The last song, Bernard Butler singing The Irish Goodbye – one of his new songs live from the Irish Embassy in London for RTE (the Iris national broadcaster) 100th anniversary – was also decided.

The other songs, aside from Lucinda Williams version of The Beatles’ While My Guitar Gently Weeps that I have played before – appeared from different sources and fitted the programme flow and imaginary.

There’s a second Johnny Marr presence. He plays the guitars on Meredith Sheldon’s Once We Were Dust album which I found through his Instagram.

The guitars, or most of them, Johnny plays on Spin and Diamonds Like are no longer his, have changed hands at the auction.

The songs vary in gente, in age, in being from lost albums, or just released. Together they form a diverse tapestry I like.

Tracklist:
01: Johnny Marr – Spin
02: Velcro Dog – The Gonzo Futurist Manifesto
03: The Pineapple Thief – God Knows
04: Susanna Hoffs – Casablanca
05: Bikini Body – Leipzig (ft. Ben Katzman)
06: Meredith Sheldon – Diamonds Like
07: Soft Science – Spinning
08: Cesária Evora – Sonsente
09: Filipe Karlsson – Rota
10: The Go – Secular Century Man
11: Lucinda Williams – While My Guitar Gently Weeps
12: Garcia – Quando Não Estás
13: Railcard – Flannelette
14: Yoko Ono – Never Say Goodbye (2026 Remaster)
15: Ex_Re – Radio Station
16: Prince – I Am You
17: Bernard Butler – The Irish Goodbye (live at RTE 100)

All previous shows on mixcloud: Yé Yé Radio mixcloud | Mondo Bizarre Magazine mixcloud

Sigur Rós – The Orchestral Tour with Orquestra Sinfonietta de Lisboa – Sagres Campo Pequeno, Lisboa, 17.09.2026.

© Tiago Cortez / Everything is New

A friend wisely advised me to pack extra tissues for Sigur Rós’ concert – a warning I foolishly brushed off as dramatic. Yet, as the concert began at 9:15pm inside a completely packed venue, the sweeping strings of Blóðberg took hold, and tears were already streaming down my face before the opening piece even finished.

For over three decades since forming in Reykjavík in 1994, the Icelandic post-rock icons – celebrated for Jónsi’s signature bowed guitar, soaring falsetto, and otherworldly lyrics in Icelandic and Vonlenska – have built a legacy on ambient, cinematic grandeur.

© Tiago Cortez / Everything is New

Hearing that catalog backed by the Orquestra Sinfonietta de Lisboa felt like the ultimate realization of their vision. Every added layer of instrumentation continuously elevated Sigur Rós’ already stunning compositions into soaring symphonic experiences across two profoundly emotional sets.The first set unfolded with remarkable intimate power.

By the fourth song, 8, the mood grew intensely emotional as bright, radiant lights flooded the arena, perfectly mirroring the sheer brilliance and clarity of Jónsi’s voice. Von followed as one of the night’s emotional peaks, drawing passionate applause, but it was with the seventh piece, Starálfur that the texture dramatically transformed.

The instantly recognizable opening notes sparked immediate warmth across the crowd, and as percussion finally entered the soundscape, it injected a rhythmic surge that had the audience bursting with enthusiasm.

© Tiago Cortez / Everything is New

Set I came to an exquisite close around 10:05pm with Varðeldur, featuring a mesmerizing moment where a lyric soloist joined the orchestra, leaving the room spellbound.The emotional intensity only deepened in Set II, which opened to massive enthusiasm with Untitled #1 – Vaka. The band and the orchestra seamlessly balanced delicate instrumental moments – such as the beloved Ylur and the orchestra-focused Sé lest with explosive grandeur.

The undisputed climax arrived during Ára bátur, where the exquisite voices of the Coro Ricercare joined the stage to elevate the music to celestial heights. The choir’s participation brought a staggering, resonant depth to the performance, commanding the most thunderous reaction of the entire night.

© Tiago Cortez / Everything is New

That triumphant energy carried seamlessly into Hoppípolla, with choir, orchestra, and band harmonizing in pure euphoria. By the time the quiet echoes of Avalon faded out, the room erupted into a standing ovation that lasted for long, uninterrupted minutes. A fitting tribute to a night of overwhelming catharsis.

Stepping out into the Lisbon night with tear-stained cheeks, I realized we hadn’t just attended a concert, but shared in a rare moment of pure, collective grace.

© Tiago Cortez / Everything is New

When The Room Changes – Changing the Conditions

Mark Francis – Audio Division II, 2026

When The Room Changes – Changing the Conditions is the after the Pause return post on The Litening Room HQ , my men’s practice.

When The Room Changes – Changing the Conditions is a practical note on changing our surroundings, creating space, and how a different environment can change what becomes possible. It can be read at The Listening Room HQ site.

Amazing Songs & Other Delights #97 – The Of Sea & Cake edition now on Mixcloud

Three men standing and sitting in a minimalist gallery space, with one man seated on a stool and two men standing nearby. The room features a plain white background and concrete flooring.
The Sea and Cake

My radio show Amazing Songs & Other Delights #97 – The Of Sea & Cake edition is now available on mixcloud.

Amazing Songs & Other Delights airs on Yé Yé Radio 1st and 3rd Monday of the Month, 3-4pm (London time) repeating 3rd and 4th Monday of the Month.

For some reason I had the programme title for a while. Probably, because of Sea and Cake, the band that opens and closes the show. Since I recently went ocean swim again and I like cake, it was a perfect match. Ideas and life catching and matching up.

You can read more about the programme here.

Tracklist:
01: The Sea and Cake – Four Corners
02: Dhani Harrison (Live at George Fest) – Savoy Truffle
03: Air – La Femme d’Argent
04: Queens Of The Stone Age – Monsters In The Parasol
05: The Beach Boys – Catch A Wave (Stereo/Remastered 2001)
06: Deerhoof – Milk Man
07: Cake – Distance
08: Stereolab – Lo Boob Oscillator
09: Brian Eno – By This River (2004 Digital Remaster)
10: Lupe Fiasco – Cake
11: Can – Vitamin C
12: Everything But The Girl – Temperamental
13: The Sea and Cake – Parasol

All previous shows on mixcloud:
www.mixcloud.com/infoyeye/ | www.mixcloud.com/MondoBizarreMagazine