Sigur Rós – The Orchestral Tour with Orquestra Sinfonietta de Lisboa- Sagres Campo Pequeno, Lisboa, 17.09.2026.

© Tiago Cortez / Everything is New

A friend wisely advised me to pack extra tissues for Sigur Rós’ concert – a warning I foolishly brushed off as dramatic. Yet, as the concert began at 9:15pm inside a completely packed venue, the sweeping strings of Blóðberg took hold, and tears were already streaming down my face before the opening piece even finished.

For over three decades since forming in Reykjavík in 1994, the Icelandic post-rock icons – celebrated for Jónsi’s signature bowed guitar, soaring falsetto, and otherworldly lyrics in Icelandic and Vonlenska – have built a legacy on ambient, cinematic grandeur.

© Tiago Cortez / Everything is New

Hearing that catalog backed by the Orquestra Sinfonietta de Lisboa felt like the ultimate realization of their vision. Every added layer of instrumentation continuously elevated Sigur Rós’ already stunning compositions into soaring symphonic experiences across two profoundly emotional sets.The first set unfolded with remarkable intimate power.

By the fourth song, 8, the mood grew intensely emotional as bright, radiant lights flooded the arena, perfectly mirroring the sheer brilliance and clarity of Jónsi’s voice. Von followed as one of the night’s emotional peaks, drawing passionate applause, but it was with the seventh piece, Starálfur that the texture dramatically transformed.

The instantly recognizable opening notes sparked immediate warmth across the crowd, and as percussion finally entered the soundscape, it injected a rhythmic surge that had the audience bursting with enthusiasm.

© Tiago Cortez / Everything is New

Set I came to an exquisite close around 10:05pm with Varðeldur, featuring a mesmerizing moment where a lyric soloist joined the orchestra, leaving the room spellbound.The emotional intensity only deepened in Set II, which opened to massive enthusiasm with Untitled #1 – Vaka. The band and the orchestra seamlessly balanced delicate instrumental moments – such as the beloved Ylur and the orchestra-focused Sé lest with explosive grandeur.

The undisputed climax arrived during Ára bátur, where the exquisite voices of the Coro Ricercare joined the stage to elevate the music to celestial heights. The choir’s participation brought a staggering, resonant depth to the performance, commanding the most thunderous reaction of the entire night.

© Tiago Cortez / Everything is New

That triumphant energy carried seamlessly into Hoppípolla, with choir, orchestra, and band harmonizing in pure euphoria. By the time the quiet echoes of Avalon faded out, the room erupted into a standing ovation that lasted for long, uninterrupted minutes. A fitting tribute to a night of overwhelming catharsis.

Stepping out into the Lisbon night with tear-stained cheeks, I realized we hadn’t just attended a concert, but shared in a rare moment of pure, collective grace.

© Tiago Cortez / Everything is New

When The Room Changes – Changing the Conditions

Mark Francis – Audio Division II, 2026

When The Room Changes – Changing the Conditions is the after the Pause return post on The Litening Room HQ , my men’s practice.

When The Room Changes – Changing the Conditions is a practical note on changing our surroundings, creating space, and how a different environment can change what becomes possible. It can be read at The Listening Room HQ site.

Why Sessions at The Listening Room HQ Matter

Flora Bowley – I Will Stand By You

Why Sessions at The Listening Room HQ Matter. Reading can open a door, but insight needs a place to live. The Listening Room HQ – my men’s practice – sessions offer men a rare space to speak freely and discover clarity through deep, attentive listening. You can book a session at: https://www.thelisteningroomhq.com/p/sessions.html

Amazing Songs & Other Delights #97 – The Of Sea & Cake edition now on Mixcloud

Three men standing and sitting in a minimalist gallery space, with one man seated on a stool and two men standing nearby. The room features a plain white background and concrete flooring.
The Sea and Cake

My radio show Amazing Songs & Other Delights #97 – The Of Sea & Cake edition is now available on mixcloud.

Amazing Songs & Other Delights airs on Yé Yé Radio 1st and 3rd Monday of the Month, 3-4pm (London time) repeating 3rd and 4th Monday of the Month.

For some reason I had the programme title for a while. Probably, because of Sea and Cake, the band that opens and closes the show. Since I recently went ocean swim again and I like cake, it was a perfect match. Ideas and life catching and matching up.

You can read more about the programme here.

Tracklist:
01: The Sea and Cake – Four Corners
02: Dhani Harrison (Live at George Fest) – Savoy Truffle
03: Air – La Femme d’Argent
04: Queens Of The Stone Age – Monsters In The Parasol
05: The Beach Boys – Catch A Wave (Stereo/Remastered 2001)
06: Deerhoof – Milk Man
07: Cake – Distance
08: Stereolab – Lo Boob Oscillator
09: Brian Eno – By This River (2004 Digital Remaster)
10: Lupe Fiasco – Cake
11: Can – Vitamin C
12: Everything But The Girl – Temperamental
13: The Sea and Cake – Parasol

All previous shows on mixcloud:
www.mixcloud.com/infoyeye/ | www.mixcloud.com/MondoBizarreMagazine

One Year of The Polymath – Returning to the Vessel and the New Moon in Virgo at The Polymath

Marc Francis – Signals, 2026

The Polymath turns one year old. After the Pause I’m back writing to that beloved vessel.

One Year of The Polymath – Returning to the Vessel and the New Moon in Virgo is a look back at its first year, the ideas it holds, what stays, what disappears, and what comes next. The post can be read on The Polymath site.