Good morning with Cancel Me (I’m Tired) by Fat Dog. Have a nice weekend.
The Difference Between Effective Action and Activity at The Listening Room HQ
The Difference Between Effective Action and Activity the new post on The Listening Room H – The Polymath sister site and my men’s practice – is a follow up of The Difference Between Action and Contact. It talks of when life feels overwhelming, more activity isn’t always the answer. Learn why effective action, discernment and rest often create real change. It can be read on The Listening Room HQ site:
https://www.thelisteningroom.com/2026/07/the-difference-between-effective-action.html
Baby Suicida – Menina Bonita
Good morning with our Middle of the Week Song – Menina Bonita by Baby Suicida. Have a nice day.
Silly Boy Blue – 33 Porto, Porto, 20.06.2026.
Swing on a Summer Afternoon, or the Great Panoply of Rock ‘n’ Roll
words: Paulo Carmona (edited by Raquel Pinheiro)
photos: Ricardo Silva
On 20 June, Silly Boy Blue took to the stage at number 33 on the iconic, almost mythical Rua de Sá da Bandeira, right in the heart of Porto, for what felt like an intimate yet celebratory gathering among friends, invited guests, their audience, and a handful of curious passers-by.
The musical landscape of the band inhabits is no stranger to us – indie rock with a healthy dose of Britpop, together with all the subgenres that naturally gravitate around it.
That said, Silly Boy Blue have its own sound, its own alchemy, and its own style, something that is by no means easy to achieve within the broad ecosystem of that musical universe.
I would like to highlight, from the outset, the vocal work of every member of the quartet. Their voices work together seamlessly, reaching a remarkably high standard of execution. Outstanding.
From Again and Again, through Away We Go, Did You Say Something, This City and Man on a Wire, to Jesus, Temptation and By The Window, the band remains cohesive throughout, navigating a melodic carousel of crescendos and diminuendos that are at times intense and abrasive, at others introspective and bittersweet.
If we close our eyes, we hear a band of gifted young musicians. If we open them, we see a group of grown men who still have all the mojo exactly where it belongs. Funny guys.
Cabrita – Good Morning
Hi! We know it’s afternoon, but we’re going with Good Morning by Cabrita. Have a nice afternoon.
Capricorn Full Moon, June 30 – The Things That Continue at The Polymath
Capricorn Full Moon, June 30 – The Things That Continue is my new post at The Polymath site. Between the Gemini New Moon and the Capricorn Full Moon, what quietly continued? Reflections on tending what remains alive, creativity, the sea, conversation and the slow work of growing a meaningful life. You can read it at The Polymath site: https://www.thepolymathisme.com/2026/06/capricorn-full-moon-june-30-things-that.html
Downtown Boys – Yellow Sun
Hi and Happy Sunday with Yellow Sun by Downtown Boys.
The Morning Stars – Down To Earth
Good morning with Down To Earth by The Morning Stars. Have a nice weekend.
YHWH Nailgun – RCA Radioclube Agramonte, Porto, 18.06.2026.
words: António Carvalho (edited by Raquel Pinheiro)
photos: Ricardo Silva
It was before a nearly full audience that the New Yorkers YHWH Nailgun returned to northern Portugal, after their debut at the Mucho Flow festival last November. Despite being dubbed by an American publication as “the last good band left in New York” (an exaggerated title, in my opinion), it’s clear from the first minute that there’s a spark of originality in their sound.
It’s difficult to define, but it seems easy to categorize it somewhere between post-punk and noise, a wide field in which some no wave bands from their city moved in the eighties. Their music is strongly anchored in Sam Pickard’s drumming, with its fast, elaborate and highly percussive rhythms (the use of rototoms helps immensely), inviting bodies to move.
Zack Borzone’s guttural voice and stage presence are other key elements, although the words he utters are difficult to understand. The sound of Saguiv Rosenstock’s highly processed guitar, achieved with a huge array of distortion pedals, is angular and dissonant, functioning almost like a second voice.
Dissonance is also present in Jack Tobias’ synthesizers, in a tone that is sometimes urgent, sometimes serene. The combination of these elements, meticulously interpreted, ever present and full of shifts and small explosions, results in something that confirms the cliché “first you find it strange, then it becomes ingrained.”
They began by playing their second album, released weeks ago, which curiously is only 11 minutes long and has 10 tracks, all around the minute mark. I even think they played it in its entirety, just like the tracks from their debut album that came after, released last year.
Zach immerses himself in his lyrics, as if exorcising inner demons, which contrasts with his angelic and contemplative pose between songs, looking at the faces in the audience. In less than an hour, they left people wanting more, as if they could deliver it and we could process it.
They have a somewhat mysterious and haunting appeal (perhaps that’s why the legendary 4AD recently signed them) and are the result of a successful experiment, such is the unique and cohesive outcome.
They’re not a band for the masses, but there will certainly be a vast minority who will want to get to know them and exchange strangeness for familiarity.
There’s a photo gallery on our Instagram: http://www.instagram.com/mondobizarremagazine/
Field Notes – Solstice Roads at The Polymath
Field Notes – Solstice Roads my new post on The Polymath site is Field Notes from a Solstice journey between Porto and Lisboa. A day of buses, trains, sea water, unexpected encounters, a lost scarf, and the quiet arrival of summer. It can be read here.
Mondo Bizarre Magazine 