Amazing Songs & Other Delights #102 An Autumn Feeling edition – by Raquel Pinheiro Monday 02 & 09 November on Yé Yé Radio

A picturesque autumn landscape featuring two white houses on rolling hills with vibrant orange and yellow foliage, a full moon in the sky, and a black dog walking along a fence path.
Debbie Criswell – When Will All The Leaves Fall

Amazing Songs & Other Delights #102 An Autumn Feeling edition is broadcasted Monday 02 & 09 November, 3-4pm London time, on Yé Yé Radio: yeyeradio.com to (or on the app).

Amazing Songs & Other Delights #102 An Autumn Feeling edition is a simple, cozy, gentle, seasonal programme with songs and instrumentals that mention Autumn or feel autumnal. Along with a few more upbeat ones.

As it tends to be common on my Amazing Songs & Other Delights the songs arrive from different decades and have different genres, although one could say Amazing Songs & Other Delights #102 An Autumn Feeling edition leans towards indie, indie folk, with a few dance and rock vibes. Of course a couple of orchestral presences appear too.

The Bluestones were an extremely recent re-find. My friend Wayne and his son were going to their concert in London. I was surprised, not having following the band in years. Wayne told me they had a new album, I said I will check it. And here it is Lux Interior.

A song written in homage to Lux Interior of the Cramps, that is also perfect for a time between Halloween & Samhain – the beginning of the Celt Winter – All Saints Day, All Souls Day and the New Moon in Scorpio November 9, the day Amazing Songs & Other Delights #102 An Autumn Feeling edition has its second broadcast.

A perfect season to be with our inner light.

Tracklist:
01: Laura Veirs – Little Deschutes
02: The Kinks – Autumn Almanac
03′ The White Stripes – Dead Leaves and the Dirty Ground
04: A Certain Ratio – Who’s To Say (3rd Peel Session)
05: Eve Cassidy – Autumn Leaves with The London Symphony Orchestra
06: Queens of the Stone Age – Sunday
07: The Bluetones – Lux Interior
08: Vince Guaraldi – The Great Pumpkin Waltz
09: Everclear – Fire Maple Song
10: Led Zeppelin – Ramble On
11: Erica Buettner – When It Goes
12: The Adventure Babies – Camper Van
13: Prickly Pear – At The End
14: Oh Bobby – Water

The Bluetones

The Bluestones – Lux Interior lyrics

Time ran out
On all that flailing about
And the need to live
Well something had to give
It was some punchline
Had the stars and planets aligned?
So I played along
Let the cosmos sing its song

And I knew nothing was true

And here you are
In the shotgun seat of the car
And it’s me at the wheel
Don’t mean that seals the deal
If I hold my nerve
And I surf just ahead of the curve
Might I hear you say
You miss me when I’m away

And it proves nothing was true
Until you

And your name
Cuts through the din
Like a guillotine
Like a tambourine
And your taste
Cuts through the space
Like a guillotine
Like a tambourine

And it proves nothing was true
Until you

And your name
Cuts through the din
Like a guillotine
Like a tambourine
And your taste
Cuts through the space
Like a guillotine
Like a tambourine

And your name
Cuts through the din
Like a guillotine
Like a tambourine

All previous shows on mixcloud:
www.mixcloud.com/infoyeye/ | www.mixcloud.com/MondoBizarreMagazine

Esquecimento Global  a Play by Luca Argel and José Nunes – a note on

© Ricardo Silva/Mondo Bizarre Magazine

We went to the press rehearsal of Esquecimento Global (Global Forgetness) a purpose written play with libretto by Luca Argel and José Nunes, music by Luca Argel for Teatro Municipal de Matosinhos Constantino Nery.

Esquecimento Global is based on The Threepenny Opera by Bertolt Brecht
with music by Kurt Weill, and A Ópera do Malandro by Chico Buarque.

Esquecimento Global is a tragic-comedy set in current times – it was written just a few months ago – in which a love story meets social and political critique.

We will soon have a more thorough preview of the play. – Here’s our preview/review preview/review of the play

The performances of Esquecimento Global at Teatro Municipal de Matosinhos Constantino Nery take place on 6 and 7 November at 21:30 (9:30pm), and on 8 November at 16:00 (4pm). Tickets are €7.50.

Following its Matosinhos premiere, the play is scheduled to travel to Teatro Municipal da Covilhã on 27 November at 21:30 (9:30pm) and Centro Cultural Vila Flor, in Guimarães, on 12 December at 21:30 (9:30pm).

https://mondobizarremagazine.com/2026/11/04/esquecimento-global-a-play-by-luca-argel-and-jose-nunes-preview-review/

© Ricardo Silva/Mondo Bizarre Magazine

David J, Nick Zimmer, Zumi Rosow – Prince Stash

Good morning with our Middle of the Week Song the fabulous Prince Stash by David J, Nick Zimmer, Zumi Rosow.

There are songs, and there are songs. What  David J (Bauhaus/Love and Rockets), Nick Zimmer (Yeah Yeah Yeahs) and Zumi Rosow (Black Lips) created in Prince Stash belongs to the second. A psychedelic incantation about 1960s counter-culture Prince Stash. In the 60s he toured with Vince Taylor Band, worked with The Beatles and The Rolling Stones, and more. He is an artist, alchemist, esoteric writer.

Prince Stash – Prince Stanislas Klossowski de Rola is the son of painter an artist Balthus (Count Balthasar Klossowski de Rola) and Baroness Antoinette de Watteville.

And, as the song’s lyrics say, he does indeed lives in an Italian castle. If you’re as curious about him you as I am you can take a look at his site https://princestash.com/ It’s as fascinating as he is.

There’s also a very interesting interview in The Guardian.

If there’s a song I would have liked to have written, this is one of them. Prince Stash is a true gem of a song.

Prince Stash © Sandy Grigsby

Prince Stash lyrics

Makumba

You pass like a ghost
Through the tapestry of time
Sorcerer and magus
Groover divine

Dandy and shaman
Aristocrat dude
Impeccable manners
Oh, you’re never rude

King’s Road sage
Aquarian mod
With a lock of Brian Jones’ hair
A talisman keepsake
Kept in the box
And sequestered in the Nowhere

Through a haze of incense
And hashish smoke
You conjure up a djinn
As the ghosts of Nico, Anita
And Marianne step in

You and your exotic harem
You and your fine vintage wine
You with a ring on each finger
Living the life sublime
Living the life sublime

With the Madcap in the mountains
Only one of you came back
With the Nazz in Notting Hill
Vince Taylor soon to crack

You with alchemical secrets
You with your drums full of rain
As you practice meditation
In the fast lane
In the fast lane

On and on and on you go
Prince Stash

On and on and on you go
Prince Stash

On and on and on you go
Prince Stash

On and on and on you go
Prince Stash

Prince Stash

Prince Stash

Through ventricle connection
You surge like a current
Oxygen and blood

An electrical storm
The dissemination of occult knowledge
The removal of masks

In your Italian castle
The walls have taken an oath

King Dude – Armazém 22, Gaia, 14.10.2026.

© Ricardo Silva/Mondo Bizarre Magazine

words: Telma Mota (freely translated by Raquel Pinheiro)
photos: Ricardo Silva

King Dude, or TJ Cowgill, a dark, sombre American Lucifer with an ironic sense of humour, accompanied by Gary Gonzalez, a quiet, shy Orthodox Christian park ranger, delivered a fine concert, as expected, at Armazém 22 in Gaia.

A packed venue, filled with friends from the goth dark folk scene (in this case, with country, blues and metal influences), welcomed this duo with the cult-like devotion and reverence they deserve.

King Dude told some of his stories and shared personal experiences with the warm authenticity that characterises him, in acoustic communion with his loyal audience.

He played eleven songs from his usual setlist, opening with Sunset Skies and closing with Silver Crucifix, leaving the remaining eight songs for the audience to choose.

Iconic songs such as Velvet Rope, Vision in Black and Barbara Anne followed, along with a hellish rendition of I Wanna Die at 69 that definitively stole the last breaths from the most unsuspecting hearts, like a rebel leader of the fallen angels.

King Dude embodies human musical intimacy, with all its fragilities and its crooked, visceral and profound corners.

With his deep, excavated baritone voice, he leaves the true Lucifer’s light on stage, a bard of crossroads whose allegiance remains proudly undefined.

It is always a pleasure to see him, hear him and savour every detail of his songs about love, sex, mortality and spirituality. Love you man!

There’s also an accompanying photo gallery on Mondo’s Instagram: http://www.instagram.com/mondobizarremagazine/

© Ricardo Silva/Mondo Bizarre Magazine