Amazing Songs & Other Delights # 78 – The Debuts & More edition by Raquel Pinheiro, Monday 7th @ Yé Yé Radio

My radio show Amazing Songs & Other Delights # 78 – The Debuts & More edition airs Monday, 7th, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com(or on the app).

How many times will I write debut album is anyone’s guess. Other than debut album, collaborations, a couple of super groups (oh mine! are the 70s back?… ) and nineteen songs can be found on this edition of Amazing Songs & Other Delights. Scots abound too. Can you slop them all?

The musical genres are varied, at times in the same song. Folk, folk adjacent, dance music, americana, indie noise, hip-hop, romantic music, gentle pop, and some other flavours. Agrupamento Musical Os Tais’s Liga Pra Mim and Calvin Harris’ Smoke The Pain Away are examples of musical cross pollination.

Agrupamento Musical Os Tais are rappers Mike El Nite and the duo João Não & Lil Noon. Agrupamento Musical Os Tais is one of those things that to fully grasp you may need to be Portuguese and aware of our bandas de baile (electric ball bands that played, and still play, local clubs, associations, our equivalent of workers men’s clubs, fetes, carnivals and the likes). Liga Pra Mim is from their debut album Dance, Romance. Dance, Romance has shades of everything, from pimba (wikipedia is your friend), to kizomba, through hip-hop, house, a dash of pop, all wrapped in deliberated tacky elegance.

Alan Sparhawk with Trampled by Turtles is Alan Sparhawk of Low and bluegrass-folk band Trampled by Turtles.

The 90s is the third single by super group Butler, Blake & Grant. Super group being a bit of a joke. No stadium tours and 20 gear trucks, or Spinal Tap drama in sight. Butler, Blake & Grant are musician, songwriter and producer Bernard Butler, Norman Blake, of Teenage Fanclub, and James Grant of Love and Money fame. Their debut album has just come out. The 90s is sung and written by Bernard.

Sweet Peace was written by me and Bill Rivers for my 3rd anniversary 3rd anniversary show and is now on Swim the Universe the new Oh Bobby (Bill Rivers & Simon Hayward) album.

Mister Romantic is actor John C. Reilly musical alter-ego. Dream, a romantic, 1920s vibe song, is the first single from debut album What’s Not To Love?

Scottish singer and musician Alasdair Roberts teamed up with another Scot, Scottish Gaelic singer Màiri Morrison to sing The Bonny House of Airlie, a traditional Scottish ballad of the XVII century. As is traditional in these sort of ballads The Bonny House of Airlie tells a tragic real story, the burning of the castle of the Earl of Airlie castle and the murder of his family.

Lies is a song by The Hard Quartet,  another super group, formed by Stephen Malkmus, of Pavement, Matt Sweeney of Superwolf, Emmett Kelly and  Jim White.

God Knows by Tunde Adebimpe, of T.V. On The Radio, and Trey Calloway’s The Ballad of Righteous close the show. The Ballad of Righteous is a classic americana tradition storytelling song.

Tracklist:
01: Agrupamento Musical Os Tais – Liga Pra Mim
02: Alan Sparhawk with Trampled by Turtles – Stranger
03: Beirut -Guericke’s Unicorn
04: Bill Fox – Terminal Way
05: Butler, Blake & Grant – The 90s
06: Calvin Harris – Smoke The Pain Away
07: Courting – After You
08: Flávio Torres – Vamos
09: Màiri Morrison and Alasdair Roberts The Bonny House of Airlie
10: Mark Fry – Not On The Radar
11: Mister Romantic – Dream
12: Model/Actriz – Doves
13: Oh Bobby – Sweet Peace
14: Reb Fountain – He Commands You To Jump Into The Sea
15: Sex Beat – This Machine Kills No One
16: The Hard Quartet – Lies (Something You Can Do)
17: The Ophelias – Salome
18 Tunde Adebimpe – God Knows
19: Trey Calloway – The Ballad of Righteous and Wrong

All previous shows on mixcloud: https://www.mixcloud.com/infoyeye/playlists/amazing-songs-other-delights | www.mixcloud.com/MondoBizarreMagazine

The Legendary Tigerman, Casa da Música, 01.04.2025

Mondo Bizarre Magazine/Marcos Leal

words: Paulo Carmona (edited by Raquel Pinheiro); photos: Marcos Leal

A gentleman is always a gentleman, and rock’n’roll is no exception.The Legendary Tigerman, Paulo Furtado’s pseudonym, is a well of talent. He is a performance artist par excellence and has the ability to surpass himself. We see it again and again, but we always expect something magical to happen. And it did!

© Mondo Bizarre Magazine/Marcos Leal

An almost sold out Sala Suggia, dressed up to welcome the hottest rocker Portugal and his much-cherished women from Femina, on the 15th anniversary of the iconic album. A memorable evening that moved me to the limits of the most insolent glamour of my youth. This wonderful ability of rock’n’roll never ceases to seduce and amaze.

© Mondo Bizarre Magazine/Marcos Leal

Phoebe Killdeer, Maria de Medeiros, Rita Red Shoes, Claudia Efe and her partner – Sara Badalo – brought the intended charm and sensuality only within the reach of the Ladies of rock.Helena Coelho, who will be the mother of Paulo’s child in a few months, was also called to the stage to perform Summertime, alongside Ray.

The songs of Femina were played in full with an enviable technical rigor, with adjustments here and there. There was still room left for songs such as Keep it Burning, New Love and Ghost Rider, from the album Zeitgeist (2023).

© Mondo Bizarre Magazine/Marcos Leal

April Fools’ Day was rammed by the truth of rock’n’roll, which continues to be the fountain of youth for many like Paulo Furtado.The bar was risen again. This year is promising!

© Mondo Bizarre Magazine/Marcos Leal

Mão Morta, Casa da Música, Porto, 30.03.2025

© Mondo Bizarre Magazine/Telma Mota

words: Marcos Leal (edited by Raquel Pinheiro); photos: Telma Mota

“Good evening. Welcome to the spectrum of fascism” – This is how Adolfo Luxúria Canibal greeted the audience at Casa da Música, after several songs from Viva La Muerte, their new conceptual nine songs album being performed.

Adolfo, the band, and male choir were dressed as if part of a revolutionary movement. Adolfo, with an assertive stance, standing on a platform, gestured, and, with his deep, hoarse voice, recited the songs’ lyrics like a speech, akin to a political rally.

Mondo Bizarre Magazine/Telma Mota

It was, undoubtedly, a highly political concert. That is not new for Mão Morta, but not in the fashion of Viva La Muerte. In reality we live in, with, the rise of far-right movements, and the establishment of oligarchies and totalitarian regimes. With Viva La Muerte Mão Morta reaffirm themselves even more as a band of political and social intervention.

The band perfectly reproduced the stylistic variations of the album, ranging from the folk/jazz influences of Liberdade to the doom-like tones of Pensamento Único. Between songs, various recordings of thinkers, philosophers, and revolutionaries, such as Tim Leary and Angela Davis, further emphasized the political context of the show.

The concert followed the album’s sequence, opening with Deus Pátria Autoridade with its choral voices, and closing with Viva La Muerte!, the title track. Thus, the finale echoed with the sentence “Ninguém nasceu para ser servil e morrer” (“Nobody was born to be servile and die”)repeated until the last chord—a final message to take home and into life.

Viva La Muerte:
01: Deus Pátria Autoridade
02: Corre Corre Corre
03: É Proibido
04: Ressentidos e Ressabiados
05: A Liberdade
06: Pensamento Único
07: Líder Povo Nação
08: Ratoeira Bélica
09: Viva La Muerte!

Mão Morta are:
Adolfo Luxúria Canibal (vocals)
Miguel Pedro (drums, electronics)
Antonio Rafael (keyboards, electronics)
Vasco Vaz (guitar)
Ruca Lacerda (guitar, percussion, drums)
Rui Leal (bass, double bass)

Choir:
Fernando Pinheiro (conductor)
Jorge Barata
Lucas Lopes
Paulo Santos Silva
Tiago Regueiras