Jim Jarmusch & Jozef van Wissen, Casa da Música, Porto, 13/07/2025.

© Mondo Bizarre Magazine/Telma Mota

words: Marcos Leal (edited by Raquel Pinheiro); photos: Telma Mota

Jim Jarmusch, the independent filmmaker behind iconic cinematic works with the soul of a musician, and Jozef van Wissem, the maestro of the lute, performed a concert that felt like it had drifted out of a somber yet beautiful dream.

With tracks like The Unclouded Day and Concerning Celestial Hierarchy, the concert opened as a kind of secular meditation, where van Wissem’s lute chords engaged in a delicate conversation with Jarmusch’s textured guitar layers.

© Mondo Bizarre Magazine/Telma Mota

The soundscape was meditative, with van Wissem’s fingerpicking bordering on hypnotic, and Jarmusch’s slow, dense guitar seeming suspended in time, adding waves of reverb and feedback to the folk serenity of the lute.

Their chemistry was defined by minimalism and transcendence: few notes, vast space, and a deeply cinematic aura. Tracks like The Unclouded Day and Only Lovers Left Alive pulled the audience into a world where the soundtrack itself was the lead character.

© Mondo Bizarre Magazine/Telma Mota

But the most surprising moment came during the encore.After a performance drenched in introspection, the two returned to the stage and, without warning, standing tall with guitars raised, launched into a track driven by an electronic beat—more pulsating, more visceral, almost danceable.

The audience stirred, though still somewhat restrained by the mood shaped earlier. It felt as if they had tugged us back to Earth, just to prove that even masters of silence know how to erupt in sound when they choose to.

The Listening Room HQ – My Men’s Practice, Readings & Maps

Van Gogh Sunflowers
Vincent van Gogh, Sunflowers 4th version, Arles, 1888.

The Listening Room HQ is my men’s practice, readings, and maps — a side of me many of you may not yet be familiar with.

It is a dedicated space where I integrate my background in neurobiology, neuroscience, and genetics with intuitive, somatic practices, connecting the soul, the cosmic, the creative, and the other maps that guide this work.

It’s a new adventure, shaped by years of study and lived experience.

The sessions are designed specifically for men — thoughtful, often private individuals navigating challenges such as burnout, emotional numbness, or creative blocks. These are not therapy sessions, but they are grounded in presence, clarity, and a non-judgmental approach.

In addition to the sessions, I offer readings and maps that combine Human Design, Mayan Cosmology, and Western Astrology. These are available to all genders and serve as tools for self-reflection and guidance. You can learn more about the services here.

The Listening Room HQ blends science with intuition, offering a space for men to explore and connect with themselves in a meaningful way.

My work is shaped by an artistic lens, and INTJ’s clarity.

Amazing Songs & Other Delights #83 – The 4th anniversary edition by Raquel & The Astro Travellers @ Yé Yé radio , Monday 14th

Maren Devine – Flower Cake

My radio show Amazing Songs & Other Delights turned. The 4th anniversary edition airs Monday 14th, 3-4:10pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).

This year, the anniversary programme is a little different than usual. Trials and tribulations didn’t allow for the several costumary purpose composed pieces, aside from mine and Francisco Silva’s Lucid One. The lyrics of Lucid One have my poem 80 as starting point, adapted to song by Francisco’s chatgpt, then, on a second round of singing the song, by him. It was a very interesting creative experience.

My Loss and December: Death, Sérgio Rocha’s Seclusões (excerpt), digei de bairro’s MG B GT (pre-master), Ned Swarbrick’s Mr. O’Brien (mix 1.1), João Diogo Zagalo’ Lotar n.º 4 and Boxmonsters’ Holligans and Car Crash fall under that umbrella.

I picked two songs composed on purpose for previous anniversary editions. Mine and Francisco’s When Joe Came By, from the 1st anniversary edition, and Sweet Peace, by Bill Rivers and I, from last year’s anniversary show, here on Oh Bobby (Bill Rivers & Simon Wayward) version, from their album Swim The Universe.

There’s the usual assortment of songs, another round of surprises, picked for me by a few friends.

Because the songs represent me, because I may like them… Because…

Manuel Carvalho picked The Pixies’ Hey; António Cunha Suki Waterhouse’s Supersad, Paulo Navarro caroline’sTell Me I Never New That (feat. Caroline Polachek), Matt Hutchison Lyn Collins’ Think (About It) and Rui Pimenta Why Don’t You Stay by American Music Club.

As for both Francisco’s instrumental acoustic version of The Asphalt World and my soft instrumental electric stripped down version of The Asphalt World. Francisco thought it a odd choice for me to plays as far as Suede’s covers go, and sent me an impromptu short version of it.

At 0:55 it’s most likely the world’s shortest version of The Asphalt World. Mine runs past 10 minutes. It’s a one go, raw, unfiltered, no effects, aside from a little vibrato arm, and my micro jack amp distortion, no solos, also impromptu, played on a kitchen bench, purely for the joy of it version. Most of what seems effects, it’s my fretting fingers.

Lucid One lyrics
Sleepless nights, stuck in motion
Elevators fade, no clear emotion
Crex crex crex — the artach calls
Lucid tiles in echo halls

The megaphone speaks, louder than books
Slogans win where no one looks
Moral weight too hard to lift
We float inside this aimless drift

The empire of futility
Masqueraded as ability
Symbols fail, the noise gets loud
We vanish slowly in the crowd

Resperidone, the new tea brew

Quiet minds in static view
Fork in the road, by the sea we stand
Bathymetry traced in soul and sand

Invisible paths, the labyrinth sings
We mistook noise for gravity’s rings
You want the house still, free of harm
But the woman bangs the pots — her charm

The empire of futility
Attired in nobility
Mirrors turn, the spiral grows
Stagnant waters, no one knows
(Francisco Silva & Raquel Pinheiro)

Poem #80
poem 80
sleepless nights,
stuck
perpetual movement
fading through the elevator
crex crex crex crex makes the artach
hearth and home
lucid tiles echoing
the megaphone is easier than read serious books
slogans are easier than moral inventory.
the empire of futility
disguised as art, intellectualism
the sound mirrors, a spiral
a stagnant pool of nothingness
resperidone, the new chamomile
there’s a road with a fork
for you and me by the sea
bathymetry of the soul
invisible pathways
labyrinth, the song
mistaken noise for gravity
symbols for substance
brought us here
you want the house quiet
but a woman bangs the pots
monks don’t worry about money
terror dreams, rage
somatic overload
the lucid one in a house of somnambulists
fog can’t be fought, what it erases
is watched
don’t go back to sleep
the messiness of desire
recycle, renewal, redemption
like a benediction
all the plants are watered
(Raquel Pinheiro)

Tracklist:
01: Francisco Silva & Raquel Pinheiro – When Joe Came By
02: Raquel Pinheiro – Loss
03: Pixies – Hey (Manuel Carvalho)
04: Sérgio Rocha – Seclusões (excerpt)
05: Francisco Silva & Raquel Pinheiro – Lucid One
06: digei de bairro – MG B GT (pre-master)
07: Suki Waterhouse – Supersad (António Cunha)
08: Boxmonsters – Holligans
09: Francisco Silva – The Asphalt World (acoustic excerpt)
10: Talking Heads – Burning Down the House (Raquel Pinheiro)
11: caroline – Tell Me I Never New That feat. Caroline Polachek (Paulo Navarro)
12: Raquel Pinheiro – The Asphalt World
13: Oh Bobby – Sweet Peace – (*)
14: Lyn Collins – Think (About It) (Matt Hutchison)
15: Ned Swarbrick – Mr. O’Brien (mix 1.1)
16: João Diogo Zagalo – Lotar n.º 4
17: Boxmonsters – Car Crash
18: Raquel Pinheiro – December: Death
19: American Music Club – Why Don’t You Stay (Rui Pimenta)

All previous shows on mixcloud: https://www.mixcloud.com/infoyeye/playlists/amazing-songs-other-delights|www.mixcloud.com/MondoBizarreMagazine