The Week When The Field Opens – The Super Full Moon in Gemini at The Polymath

Cosmic Collage – Full Moon in Gemini

The Week When The Field Opens – The Super Full Moon in Gemini the new post at The Polymath is a clear, atmospheric look at the Gemini Super Full Moon of December 4/5, 2025 , a night of double-sight, thresholds, field shifts, and the quiet rearrangements before Sagittarius and the Solstice.

You can read The Week When The Field Opens – The Super Full Moon in Gemini here.

Raquel Pinheiro’s Europa w/ saxophone was played on Toneshift/TJ Norris November radio show at Radio Camp Free

My Europa w/ saxophone was played on Toneshift/TJ Norris’ November show on radio Camp Free.Toneshift’s November 2025 show is available at: mixcloud.com/camp_fr/toneshift-24th-november-2025 and https://www.tjnorrisart.com/toneshift

Europa is one of the largest moons of Jupiter. It’s part a large electro-acoustic piece I’m working on. It exists with, and without saxophone.

When Francisco Silva heard his bluesy guitar in it, he was surprised at the contrast between it and the colder background – the saxophone version came later. The bluesy guitar represents the cooperish “veins” that can be seen in the image.

Personnel:
Raquel Pinheiro: composition, concept, effects, ambients, sounds, mixing, production
Francisco Silva: guitar
Rui Guerra: saxofone

Raquel Pinheiro – Europa w/ saxophone excerpt

On the programme I’m in excellent company:
Rafael Anton Irisarri
Holger Czukay
Mark Spybey Jasmine Guffond & Robin Storey
Mark Hjorthoy
Euphotic
Sonologyst
Trod Kallevag
Rafael Toral
Annette Vande Gorne
Giuseppe Ielasi + Jack Sheen
@C
Sandor Valy
Illusion of Safety + Z’Ve
Rushab Nandha
Doris Dana
Ma Estrella
Peter Wullen
Brandon Auger

Mayflower Madame, Maus Hábitos, Porto, 27.11.2025.

© Telma Mota/Mondo Bizarre Magazine

words: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota

A welcome surprise on Maus Hábitos stage: Norway’s Mayflower Madame made their Portuguese debut.

Shunning any inflated posturing and maintaining all the discretion they could, the four musicians from Oslo delivered a strong concert, focused on a spotless performance that moved through all three of their albums to date, with a particular emphasis on the most recent, Insight.

Songs such as Lovesick, Paint It All Blue and A Foretold Ecstasy coloured the room with captivating atmospheres, blending – quite fluidly – the sweep of gothic-tinged epics with post-punk exaltation.

Trond Fagernes’s voice, the arrangements, and the rhythm section occasionally summoned cinematic moods, in an immersive performance that did not disappoint.

Decidedly, a band to keep in mind for any Michelin guide to post-sonorities.

© Telma Mota/Mondo Bizarre Magazine