Russian Circles + Helms Alee, Hard Club, Porto, 29.03.2022

Russian Circles © Telma Mota
Helms Alee © Telma Mota

text: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota

Helms Alee
Seattle’s trio Helms Alee returned to Portugal, ensuring they were a stimulating opening act, combining a rough sound texture with well-matched and creative melodic brushstrokes, avoiding the most commonplaces of noise rock. Portentous bass and energetic drums, refreshed by an intense guitar Helm Alee fulfilled the first part of the concert almost without fault (it seems that in Lisbon it was better), leaving our mouths watering to be better listened to.

Russian Circles
With a well-defined identity, Russian Circles belong to the sound universe of excellent composers of instrumental post-rock, such as Mono or Godspeed You! Black Emperor (some great concerts promoted by Amplificasom are fondly remembered).
Masters of an energy purified from the gratuitousness of the formulas that inhabit some worlds of the heaviest sounds, the Chicago trio saluted those who sold out Hard Club’s Sala 2 with a first-class sonic trip. The pretext of their latest album Blood Year (2019), which promotion was cur short by the pandemic, served as a ride to revisit some of the many brilliant themes that inhabit Russian Circles seven studio albums.
In fact, only two themes from their latest work were included in the proposed menu -Arluck and Quartered- the first as an opening painting the air with Brian Cook’s portentous bass, followed by Dave Turncrantz’s vigorous beat dilating the walls of the room, merging with Mike Sullivan’s irreproachable guitar electrifying the hanging heads. A lingering guitar riff filled the air with Afrika (Guidance, 2016), on a journey from primordial ingenuity to an indefinable urgency to lead to redemptive hope. Subjective landscapes, yes, but also one of the merits of some aphonic bands, as is the case. Harper Lewis (Station, 2008) continued the well-woven progression of the line up, with punchy rhythmic phrases hand in hand with moving and fresh melodic clearings.
The first clear chords of Quatered progressed until collapsing in an eloquent and overwhelming harmonic avalanche. If digitally reproduced sound is tasty, live is even more superlative, full-bodied, crisp and immersive. Tuned like clocks, without scenic artifice or gestural theatrics Russian Circles guided the audience’s emotions through dynamic and fluid bridges between unique landscapes such as Deficit (Memorial, 2013), 309 (Empros, 2011), Conduit (recent theme) and Vorel. (Guidance, 2016) ending with Youngblood (Station, 2008) in a well-constructed visceral intensity to finish off an impeccable concert that we already miss.

Helms Alee © Telma Mota

texto: Neno Costa; fotos: Telma Mota

Helms Alee
O trio de Seattle Helms Alee regressou a Portugal, assegurando uma primeira parte estimulante, conjugando uma textura sonora áspera com pinceladas melódicas bem conjugadas e criativas, evitando os lugares mais comuns no noise rock. Baixo portentoso e bateria enérgica, refrescadas por uma guitarra intensa, os Helm Alee cumpriram a primeira parte do concerto quase sem mácula (parece que em Lisboa esteve melhor), deixando água na boca para melhores audições.

Russian Circles
Com uma identidade bem definida, os Russian Circles pertencem ao universo sonoro de compositores exímios nos trilhos do post-rock instrumental como são, por exemplo, os Mono ou os Godspeed You! Black Emperor (recorda-se com saudade alguns dos grandes concertos promovidos pela Amplificasom).
Senhores de uma energia depurada da gratuitidade das fórmulas que habitam alguns territórios das sonoridades mais pesadas, o trio de Chicago brindou todos quantos esgotaram a sala 2 do Hard Club com uma viagem sónica em primeira classe. O pretexto do seu último álbum “Blood Year”(2019), cuja promoção se viu amputada pela pandemia, serviu de boleia à revisitação de alguns dos muitos temas brilhantes que habitam os sete álbuns de estúdio dos Russian Circles. Com efeito, somente dois temas do seu último trabalho integraram a ementa proposta -Arluck e Quatered-, com o primeiro a abrir o concerto e a pintar o ar com o baixo portentoso de Brian Cook, seguido pela batida vigorosa de Dave Turncrantz a dilatar as paredes da sala, fundindo-se com a guitarra irrepreensível de Mike Sullivan a eletrificar as cabeças penduladas. O riff prolongado da guitarra encheu o ar com Afrika (Guidance, 2016), numa viagem da ingenuidade primordial até uma urgência indefinível para desembocar numa esperança redentora. São paisagens subjetivas, sim, mas esse é, também, um dos méritos de algumas bandas afónicas, como é o caso. Harper Lewis (Station, 2008) deu continuidade à progressão bem tecida do alinhamento, com frases rítmicas enérgicas de mão dada com clareiras melódicas, comoventes e frescas.
Os primeiros acordes de Quartered, límpidos, progrediram até desabar numa avalancha harmónica, eloquente e arrebatadora. Se o som reproduzido digitalmente é saboroso, ao vivo é ainda mais superlativo, encorpado, nítido e envolvente. Afinados como relógios, sem artifícios cénicos ou teatralidade gestual, os Russian Circles guiaram as emoções do público através de pontes dinâmicas e fluidas entre paisagens únicas como Deficit (Memorial, 2013), 309 (Empros, 2011), Conduit (tema recente) e Vorel (Guidance, 2016) terminando com Youngblood (Station, 2008) numa intensidade visceral bem construída a rematar um concerto irrepreensível que deixou saudades.

Russian Circles © Telma Mota

Set A Light – Lester Bangs Special by Raquel Pinheiro & Rui Pimenta @ Yé Yé Radio, Saturday, 30th, 7pm (gmt+1)

Set A Light Lester Bangs Special is a sound film/sound collage by Raquel Pinheiro & Rui Pimenta dedicated to music critic and larger than life person Lester Bangs who died 40 years ago today at the age of 33. It airs today, Saturday 30th on Yé Yé radio: https://yeyeradio.com/ at 7pm (gmt+1): (or on the app). Was Lester the greatest rock critic ever? Who knows. Jim DeRogatis thought he may, at least, be “America’s greatest rock critic”. Textbook Case by Birdland with Lester Bangs is one of the song featuring Lster himself that can be heard on the show. The full tracklist is below the text.

Bangs wrote for Creem, Rolling Stone, The Village Voice and several other publications. He was excessive, passionate, unmerciful and honest when it came to write about music. Is too blunt a thing? Again, who knows, but Lester often certainly was. He also didn’t shy from confrontation, even in interviews. His interview with Lou Reed, originally published in Let It Rock in November 1973 is such an example: https://www.theguardian.com/music/2011/nov/08/lou-reed-lester-bangs-interview Is that even an interview or is it a roasters fight? Hard to say, but it may be better not to try it at home, or if we happen to be interviewing someone. Lester and Lou can pull it off, the rest of us are mere mortals. Did he took it to far when he played typewriter on stage at Cobo Hall in Detroit with the J. Geils Band? Who’s to know. What it is knows is that his riff, sorry, typewriting inclued “VDKHEOQSNCHSHNELXIEN(&H-SXN(E@JN?”. And that, afterwards, Lester destroyed the typewriter like a proper rock star. You don’t get it? Nor do we. Or do we? … If you think we’re making it up just to make things more interesting, we’re not. The story is told by the man himself in My Night of Ecstasy With the J. Geils Band that is part of Lester’s posthumous writings Psychotic Reactions and Carburetor Dung—The Work of a Legendary Critic: Rock ‘n’ Roll As Literature and Literature As Rock ‘n’ Roll, edited by Greil Marcus.

Set a Light Lester Bangs Special starting point is Almost Famous, Cameron Crowe’s film in which Philip Seymour Hoffman, another larger than life person, plays bangs and Patrick Fugit as 15 years old William Miller (William, the teenage wanna be music writer. Lines from the movie and inter-weaved with Lester’s own bands, or bands he played with, bands he trashed like MC5’s Kick out the Jams – does Detroit Sucks? we don’t think so, but, who knows … Maybe Lester did… – bands he loved, Teenage Jesus And The Jerks, bands who mentioned him in their songs, R.EM., Scott B. Sympathy and even a band he liked, at least early on and wrote a kind of despondent, but honest and unmerciful? biography about Blondie. There are a little over 60 minutes of a few things Lester Bangs on this special Set a Light. All things Lester Bangs would require a whole day show and we may (who are we kidding, we would) still fall short.

Set A Light is a forthcoming regular radio show by Raquel Pinheiro & Rui Pimenta that focus on things, and people, around and behind a band/artist. From music writers to producers through graphic designers, photographers, fans, and others/more.

Tracklist:

01 – Almost Famous – Introducing Mr. Lester Bangs

02 – Lester Bangs – Let It Blurt

03 – Almost Famous – if you like Lou Lester Bangs to William Miller

04 – Lou Reed – Walk On The Wild Side

05 – Almost Famous – do you take drugs Lester Bangs to William Miller

06 – John Coltrane – This Are A Few of My Favourite Things & Typewriter

07 – Almost Famous -an assignment Lester Bangs to William Miller

08 – Silence (from John Cage’s 4’33) & Black Sabbath (Planet Caravan)

09 – Almost Famous – honest Lester Bangs to William Miller

10 – Teenage Jesus And The Jerks – I Woke Up Dreaming – (from the No New Work LP, 1978, compiled and produced by Brian Eno)

11 – Lester Bangs – About Music

12 – Roxy Music – Just Like You

13 – Birdland with Lester Bangs – Textbook Case

14 – Lester Bangs – on Beatles Nostalgia (1981)

15 – John Lennon – Gimme Some Truth

16 – Lester Bangs and The Delinquents – I Just Want to Be a Movie Star

17 – Almost Famous – women Lester Bangs to William Miller

18 – Blondie – Little Girl Lies (Live at El Mocambo, Toronto, August 3rd, 1978 – FM Radio Broadcast)

19 – Count Five – Psychotic Reaction

20 – The J. Geils Band – So Sharp

21 – Almost Famous – unmerciful Lester Bangs to William Miller

22 – MC5 – Borderline (live at Detroit’s Grande Ballroom)

23 – Almost Famous – starry eyes Lester Bangs to William Miller

24 – R.E.M. – It’s The End Of The World As We Know It (And I Feel Fine)

25 – Scott B. Sympathy – Lester Bangs Stereo Ghost

26 – Almost Famous – the day it ceases to the dumb it’s the day it ceases to be real Lester Bangs to William Miller

Set A Light – Lester Bangs Special by Raquel Pinheiro & Rui Pimenta @ Yé Yé Radio, Saturday, 30th, 7pm (gmt+1)

Set A Light Lester Bangs Special is a sound film/sound collage by Raquel Pinheiro & Rui Pimenta dedicated to music critic and larger than life person Lester Bangs who died 40 years ago tomorrow at the age of 33. It airs tomorrow, Saturday 30th on Yé Yé radio: https://yeyeradio.com/ at 7pm (gmt+1): (or on the app) Was Lester the greatest rock critic ever? Who knows. Jim DeRogatis thought he may, at least, be “America’s greatest rock critic”. – show’s tracklist below the text.

Bangs wrote for Creem, Rolling Stone, The Village Voice and several other publications. He was excessive, passionate, unmerciful and honest when it came to write about music. Is too blunt a thing? Again, who knows, but Lester often certainly was. He also didn’t shy from confrontation, even in interviews. His interview with Lou Reed, originally published in Let It Rock in November 1973 is such an example: https://www.theguardian.com/music/2011/nov/08/lou-reed-lester-bangs-interview Is that even an interview or is it a roasters fight? Hard to say, but it may be better not to try it at home, or if we happen to be interviewing someone. Lester and Lou can pull it off, the rest of us are mere mortals. Did he took it to far when he played typewriter on stage at Cobo Hall in Detroit with the J. Geils Band? Who’s to know. What it is knows is that his riff, sorry, typewriting inclued “VDKHEOQSNCHSHNELXIEN(&H-SXN(E@JN?”. And that, afterwards, Lester destroyed the typewriter like a proper rock star. You don’t get it? Nor do we. Or do we? … If you think we’re making it up just to make things more interesting, we’re not. The story is told by the man himself in My Night of Ecstasy With the J. Geils Band that is part of Lester’s posthumous writings Psychotic Reactions and Carburetor Dung—The Work of a Legendary Critic: Rock ‘n’ Roll As Literature and Literature As Rock ‘n’ Roll, edited by Greil Marcus.

Set a Light Lester Bangs Special starting point is Almost Famous, Cameron Crowe’s film in which Philip Seymour Hoffman, another larger than life person, plays bangs and Patrick Fugit as 15 years old William Miller (William, the teenage wanna be music writer. Lines from the movie and inter-weaved with Lester’s own bands, or bands he played with, bands he trashed like MC5’s Kick out the Jams – does Detroit Sucks? we don’t think so, but, who knows … Maybe Lester did… – bands he loved, Teenage Jesus And The Jerks, bands who mentioned him in their songs, R.EM., Scott B. Sympathy and even a band he liked, at least early on and wrote a kind of despondent, but honest and unmerciful? biography about Blondie. There are a little over 60 minutes of a few things Lester Bangs on this special Set a Light. All things Lester Bangs would require a whole day show and we may (who are we kidding, we would) still fall short.

Set A Light is a forthcoming regular radio show by Raquel Pinheiro & Rui Pimenta that focus on things, and people, around and behind a band/artist. From music writers to producers through graphic designers, photographers, fans, and others/more.

Set A Light Lester Bangs Special
Tracklist:
01 – Almost Famous – Introducing Mr. Lester Bangs
02 – Lester Bangs – Let It Blurt
03 – Almost Famous – if you like Lou Lester Bangs to William Miller
04 – Lou Reed – Walk On The Wild Side
05 – Almost Famous – do you take drugs Lester Bangs to William Miller
06 – John Coltrane – This Are A Few of My Favourite Things & Typewriter
07 – Almost Famous -an assignment Lester Bangs to William Miller
08 – Silence (from John Cage’s 4’33) & Black Sabbath (Planet Caravan)
09 – Almost Famous – honest Lester Bangs to William Miller
10 – Teenage Jesus And The Jerks – I Woke Up Dreaming – (from the No New Work LP, 1978, compiled and produced by Brian Eno)
11 – Lester Bangs – About Music
12 – Roxy Music – Just Like You
13 – Birdland with Lester Bangs – Textbook Case
14 – Lester Bangs – on Beatles Nostalgia (1981)
15 – John Lennon – Gimme Some Truth
16 – Lester Bangs and The Delinquents – I Just Want to Be a Movie Star
17 – Almost Famous – women Lester Bangs to William Miller
18 – Blondie – Little Girl Lies (Live at El Mocambo, Toronto, August 3rd, 1978 – FM Radio Broadcast)
19 – Count Five – Psychotic Reaction
20 – The J. Geils Band – So Sharp
21 – Almost Famous – unmerciful Lester Bangs to William Miller
22 – MC5 – Borderline (live at Detroit’s Grande Ballroom)
23 – Almost Famous – starry eyes Lester Bangs to William Miller
24 – R.E.M. – It’s The End Of The World As We Know It (And I Feel Fine)
25 – Scott B. Sympathy – Lester Bangs Stereo Ghost
26 – Almost Famous – the day it ceases to the dumb it’s the day it ceases to be real Lester Bangs to William Miller

Amazing Songs & Other Delights #25 The Bernard Butler edition by Raquel Pinheiro @ Yé Yé Radio’s mixcloud

Amazing Songs & Other Delights #25 is The Bernard Butler edition.

It pairs with The Steve Albini edition that was broadcast a fortnight ago. From Suede to Bert Jansch through Duffy, Black Kids, Mark Eitzel, Pet Shop Boys and Bernard’s latest collaboration with Jessie Buckley (Jessie Buckley & Bernard Butler with songs written and played by Bernard in a 1950s Gibson tuned in DADGAD ) the show has 17 songs – one of them the same, I’m Tired in its original 1998 vocals and its 2021 vocals that I particularly relate to – that showcase Bernard’s work as a songwriter, guitarist, producer. When considering which photo to use to illustrate this post Victoria Wai’s photo of Bernard in Gosford, this past January come to mind.


For me the photo has several meanings, triumph over adversity, defiance, gratitude, humbleness, laying oneself bare, as the way Bernard played his song in December 2021 and early 2022, which requires both vulnerability and strength.


Like with Steve Albini I’ve learned a lot from Bernard and felt inspired by him. Francisco Silva (Old Jerusalem) and I even put some of Bernard’s collaborative songwriting ideas and tips to good use and wrote a collaborative song. Since, again, I don’t want to write the longest post ever, I’ll let the songs speak for themselves. And, yes that famous 1961 cherry red Gibson ES-355 features in several of them.

Monday, 25th April 2022
Running time: 01:14:08

Tracklist:
01 – Bernard Butler – I’m Tired (1998 Original Vocals)
02 – Ben Watt – Forget with Bernard Butler and David Gilmour (live Islington Assembly Hall 19.05.2014
03 – Catherine Anne Davies & Bernard Butler – Sabotage (Looks so Easy)
04 – Bert Jansch – I Cannot Keep From Crying (Traditional)
05 – Black Kids – Listen to Your Body Tonight
06 – Duffy – Stop
07 – Jessie Buckley & Bernard Butler – The Eagle & The Dove
08 – Mark Eitzel – The Road
09 – McAlmont & Butler – Back for Good (Take That cover for 1 Love by NME & War Child, 2002)
10 – Natalie McCool – Thin Air feat. Bernard Butler
11 – Pet Shop Boys – Burning the Heather (radio edit)
12 – Sam Lee – Lay This Body Down with Bernard Butler and Mara Carlyle (Live at Rak Studios)
13 – Suede – Where The Pigs Don’t Fly
14 – Teleman – 23 Floors Up
15 – The Venus in Furs – Bitter-Sweet (Roxy Music cover)
16 – Trans – Thinking About a Friend
17 – Bernard Butler – I’m Tired (2021 vocals)

All previous shows:
https://www.mixcloud.com/infoyeye/stream/ |https://www.mixcloud.com/raquelpinheiro/

[photo: © Victoria Wai]