When Loss Arrives Without Warning is my personal reflection on sudden loss and grief after the unexpected death of a decades-long friend, exploring memory, disorientation, and the quiet ways grief moves through daily life. It can be read at The Listening Room HQ site.
Good morning with Between the Lines the title track of by Saint Sappho ( Zoe Young & Tammy Dyson) debut album that was released yesterday, May 1. Have a nice weekend.
My radio show Amazing Songs & Other Delights # 85 – The Of Love & Loss edition repeats Monday May 4 & 11, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
The title is self explanatory and you can read about the programme here. However, the original reason for show the title become more poignant and heartfelt last Monday, April 27, with the sudden death of my beloved decades long friend Marcos Allen.
Tracklist: 01: The Handsome Family – Far From Any Road 02: A 90s new man called Stan – Disco Dystopian Blues 03: The Auteurs – Show Girl 04: Bettina Korn – Annie’s Song (John Denver cover) 05: Chimehours – Underneath The Earth Alicia Edelweiss 06: The Mercury Rev – Goodness on a Highway 07: Maitland – Einstein-Rosen Bridge 08: Ricardo Reis Soares – Qualquer Coisa 09: Suede – Daddy’s Speeding 10: The Vinegar Tasters – Smokestack 11: The Radio Field – It’s Alright 12: Bill MacKay & Ryley Walker – Land of Plenty 13: Thee Headcoatees – You’re Gonna Lose That Boy 14: Lour – Outro Lado 15: Zea & Drumband Hallelujah Makkum – In lichem fol beloften(feat. Tsead Bruinja) 16: Mark Eitzel – The Last Ten Years
The World of Dex and Mosscap is a post on my beloved books A Psalm for the Wild-Built and A Prayer for the Crown-Shy, written by Becky Chambers, following Dex, a tea monk, and Mosscap, a returning robot, as they move through quiet encounters, open questions, and the search for what people need. It can be read on The Polymath site.
words: António Carvalho (edited by Raquel Pinheiro) photos: António Carvalho
Lovers & Lollypops’ garage, transformed into a concert venue, was the chosen stage for Glyders, a three-piece from Chicago, performing in Porto.
It was a perfect setting. Garage rock is one of the distinctly American strands running through their sound, alongside southern rock, psychedelia, experimentalism, classic rock ’n’ roll, blues, and even country, all filtered in their own way.
The metronomic cadence of Miles Luttrell, the guest drummer on this tour, and the powerful bass lines of Eliza Weber form the rhythmic engine that carries Josh Condon’s guitar lines. He moves between melody and dissonance, between substance and explosion, between clarity and change, between a stable, conventional structure and sudden shifts in cadence and time signatures. Over this, his somewhat cryptic lyrics take shape, supported and expanded by Eliza’s harmonies.
A sense of unity emerges, creating a deep fusion between band and audience, where bodies, legs, and heads respond instinctively. The ten tracks from their two albums sound more intense live, more elusive, even when played right in front of us.
There was even time for an uninterrupted guitar string change, met with enthusiasm by what Josh called a “very polite” audience, and for an encore with the long and multifaceted Steppin’ / Tell Me About the Rabbit.
Rock is alive. It crosses our path, then disappears in a cloud of dust.