Good aafternoon. We’re late again for our Monday usual song. Once more, with good cause. We waited to bring you Room Ty Segall’s new single from Three Bells his new upcoming album. Have a good afternoon.
(Three Bells is out January 26th on Drag City Records.)
Amazing Songs & Other Delights #53 The Fórum Sons edition airs tomorrow, Monday 6th, 314pm (London time) on Yé Yé Radio:https://yeyeradio.com/ (or on the app)
The Fórum Sons edition is mine and Pedro Rios’ (one of print Mondo’s writers and current Ipsilon, Público’s culture suplement,editor) homage to the thrilling, crazy days of Fórum Sons music and much else online forum that saw Portuguese music writes, musicians and music lovers endlessly debate the virtues, or flaws, of a given artist or band. And boy, could we debate. And argument.
Those were the times of no one, but us, have heard of Antony and The Johnsons The White Stripes and Queens of the Stone Age. Of Wolf Eyes, Xiu Xiu, Deerhoof, Lightning Bolt. As well as of loving Low, Daniel Johnston or Mark Eitzel.
On Fórum Sons life long friendships were forged, marriages came to be a and ended there, writers were enlisted – I lost count of how many people ended up on print Mondo through Fórum Sons. We lost people too, namely Fernando Magalhães, a beloved veteran Portuguese music critics. Even a five aside Fórum Sons team was born.
My first Fórum Sons display name, Monsters in the Parasol, for years shared with my by then husband, is from Rated R, the second album of The song is part of my choices. My second Fórum Sons name Miss Library became the dj name I used when I lived in Lisboa and my dj sets were called Amazing Songs & Other Delights. Pedro Rios display name on Fórum Sons was AKA Idiot. For real! No one ever said Fórum Sons was the most sane,logical, serious place on earth, but it was an extraordinary place. We miss Fórum Sons dearly. Fasten your seat belts, you’re in for quite the sonic ride.
Tracklist:01 – Antony & The Johnsons – Be My Husband (Raquel); 02 – Aphex Twin – Xtal (Rios); 03 – Boxhead Ensemble – Still Burning (Rios); 04 – Daniel Johnson – Mountain Top (Raquel); 05 – Deerhoof – This Magnificent Bird Will Rise (Rios); 06 – Giant Sand – 1972 (Raquel); 07 – Mark Eitzel – Move Myself Ahead (Raquel); 08 – Lightning Bolt – Ride the Sky (Rios); 09 – Low – (That’s How You Sing) Amazing Grace) Rios) ;10 – Mogwai – Punk Rock (Rios); 11 – Mr. David Viner – This Boy Don’t Care (Rios); 12 – Queens Of The Stone Age – Monster In The Parasol (Raquel); 13 – The White Stripes – Hotel Yorba (Raquel); 14 – Sonic Youth – Mote (Rios); 15 – Turbonegro – Prince of the Rodeo (Raquel); 16 – Wolf Eyes – Stabbed in the Face (Rios); 17- Xiu Xiu – I Luv the Valley OH (Rios)
words: Marcos Leal (edited and freely translated by Raquel Pinheiro); photos: Paulo Pacheco
In a downpour night in Guimarães, a sold out room listened to The Cinematic Orchestra. Born in 1999 within the nu-jazz and downtempo electronic aestetic, with a cinematic approach to compositions, as their name gives away, they presented Dziga Vertov’s, The Man With a Movie Camera (1929).
The soundtrack was created for Porto European Capital of Culture in 2001 originally presented to a, sold out Coliseu, in Porto. “Dear viewers. What you’re about to witness is an experiment”, appeared on the screen. It was what a, single man seated on stage, wrote on a typewriter, telling the audience what they were about to witness. On the center of the stage, a white frame, with a window to Vertov’s world and a camera that would project upon the big screen for all the audience to see as in a film theater.
With a “man with a movie camera” on stage commanding and coordinating the visual side of the performance, Cinematic Orchestra started with The Projectionist”, developing their music in perfect sincrony with the images being worked on stage, to complement the listening experience and arise near transe sensations. The progressive melodies that do not reach climax, leave the listener suspended and the geometric, caleidoscopic images join to hypnotize the viewer. It was really as announced at the beginning, an audio visual experience.
The concert did not finish without an encore. Ode to the Big Sea was the chosen track. This time the man with the movie camera targeted the audience that saw itself on the big screen while the camera lens run through the seats. It was funny to see people’s expressions and reactions that stood up to applaud a surprising performance.
Gustavo Hochman photographed Wave-Gotik-Treffen Festival 2023, in Leipzig, for Mondo Bizarre Magazine. What better time to showcase is amazing photos than the mourning and festive season of Halloween/All Saints Day/Dia de Los Muertos?
You can see more of Gustavo’s photos from Wave-Gotik-Treffen on our Instagram: Instagram.com/mondobizarremagazine over the next few days.