Mondo Bizarre Magazine Concerts of the Year, Raquel Pinheiro, Records of the Year

Best of 2024

My best of 2024 are records, concerts, a book and an exhibition that filled my soul, touched me, or left a strong impression. Art forms that early this year still resonate, and remain close to my heart.

In late April 2024 I wrote an essay with Deep Emotions, a single from Good Grief, Bernard Butler third solo album and his first in 25 years as starting point. It was my second essay for Mondo. Along with, earlier in 2024, the listening parties of Rafael Toral’s Spectral Evolution it was the beginning of marvels, emotional perils and tribulations, and new paths.

The albums by Rafael and Bernard are healing records. Basalto merges melancholia, drama, romanticism. Vini Reilly is a Record Store Day re-issue of the 1989 album by Durutti Column. If there is a musician, composer, guitarist that has been with me since I’m a kid and has an influence how I see, approach, the electric guitar, Vini Reilly is him. I become aware of Ned Swarbrick when Bernard made a shout-out for support acts, and I liked Ned’s music. His ep has been a constant since.

As the Universe would have it, in 2024 Bernard played in Portugal for the first time, solo or otherwise. It was an amazing concert. 2024 was also the year of Old Jerusalem’s last concert. Old Jerusalem and Francisco Silva, the man behind it, have been part of Mondo’s favourites for decades. Francisco also begun being part of mine, in a different capacity, in 2022 when we wrote our first song together. Old Jerusalem last concert was intimate, poignant, a gathering of friends.

Records:
Bernard Butler – Good Grief (355 Recordings)
Rafael Toral – Spectral Evolution (Moikai/Drag City Records)
Basalto – Blunt Knives (self-release)
The Durutti Column – Vini Reilly (rsd2024)
Ned Swarbrick – Michelangelo EP (self-release)

Concerts:
Bernard Butler – Casa da Música, Porto
Orquestra Barroca Casa da Música & Coro Casa da Música performing Messiah by Handel – Casa da Música, Porto
Basalto – Passos Manuel, Porto
Bill Mackay – Rivoli, Porto
Sleaford Mods – Casa da Música, Porto
Old Jerusalem – Socorro, Porto
Tindersticks – Casa da Música, Porto

Book:
Miranda July – All Fours (Riverhead Books)

Exhibition:
Cláudia Clemente – Plastic Bitch, Mira Fórum, Porto

Mondo Bizarre Magazine Concerts, Reviews

Rafael Toral, Understage-Rivoli, Porto, 04.10.2024.

© João Octávio Peixoto/TMP

words: Raquel Pinheiro; photos: João Octávio Peixoto/TMP

We’re literally seated, in the dark, in the Rivoli’s underbelly. My old friend Rafael Toral is presenting his new album Spectral Evolution. Spectral Evolution is a single continuous instrumental track. The concert follows the same format.

“There are already too many ruptures in the world, I’m more commited in peace, integration, healing, reconciliation, and this record assumes it.” said Rafael, on an interview, about Spectral Evolution. I wholeheartedly concur with him.

Spectral Evolution, one of my three favourite records of 2024 so far, does have an healing, a come together effect. It’s brings forward emotions, release, serenity.

Here, live, at least where I was seated, for me that was a little disturbed by the sound in itself. It’s part of the nature and the beauty of live music.

I’m not going into technical details or guitar approaches, many of which I’m not even sure or fully aware of. I’ll go with sensations, emotions, a report of how the sound and music reached me, what I made of it.

© João Octávio Peixoto/TMP

A piercing, erthquakerish, lound sound, under, or along which, church like and birdsong like music appears. Scratches, signals, noises. It moves towards gentleness, a slight return to higher intensity. There’s a coming and going, a departure, an arrival, a departure, an arrival, a departure. It goes up, higher, louder. It recesses. It floats. It pierces the heart, the muscles, the soul, the senses.

Hadn’t seen Rafael in person in a while it wasn’t no much a case of reconciliation, or even reconnection – we connect through his music, and in the usual current ways – more the joy, the affection, the hugs, the kind and godspeed farewell words in the now emptiness of a minutes before filled room. It was a good-bye matching the essence of Spectral Evolution.

© João Octávio Peixoto/TMP
Mondo Bizarre Magazine Middle of the Week Song, Reviews

Bernard Butler – Camber Sands

Good morning with our Middle of the Week song – Camber Sands by Bernard Butler. Camber Sands is the opening song from

Good Grief is Bernard Butler third solo album and his first in 25 years. Have listened to the song live on assorted youtube recordings I was curious to hear how the album version sounded like. There are shades of Bowie, snippets of lost dancehalls mood, murmurs of a land between countryside and the intangible real.

The video takes me back to an array of memories. Road trips with my dad. Going up and down my country distributing print Mondo or, years before, as a road manager finding myself in numerous small, unknown places.The lyrics “back to 83” when the possibilities were endless. The music to a certain house, by the sea, with its garden, pine tress, endless joy. And another house, close by, in pastels colours, hidden behind walls among an amazing garden.

For me, the song also conveys melancholia of childhood memories, of love found, and lost and found. Songs become ours. Each of us will put their own experiences, feelings, emotions to them. Making someone who hardly cries, me, shed tears is a gesture. Hats of to you, Bernard. Have a nice day everyone.

[Good Grief is out on 355 Recordings 31st May]

Mondo Bizarre Magazine Concerts, Reviews

The Legendary Tigerman, Hard Club, Porto, 23.03.2024.

© Mondo Bizarre Magazine/Daniela Tedim

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Daniela Tedim

One thing is certain – Something new will happen. The Man is in constant innovation.
Is that cool? … It is. In this particular instance it is. There is a coherence in the manner and presentation in synchrony with the idyosincrasies of mi artist-performer. It is in aesthetics and the imaginary that Paulo Furtado’s art of music takes a different short cut, but the vanishing point between rock’n’roll evens goes away and returns to him. A dynamic present on Zeitgeist – the new album played at this concert.

© Mondo Bizarre Magazine/Daniela Tedim

The rebelious gentleman presented a well structured setlist, starting with Everyone, One More Time, Good girl and Naked Blues, wandering between the before and the now in a frenzy of contagious emotions that seethed throughout the room with shades of insolent eroticism that insists on watering our garden on a pouring rainy day. Motorcycle Boy was also played, and, towards, the end Fix of Rock’n’roll.

© Mondo Bizarre Magazine/Daniela Tedim

Very well accompanied on stage by Filipe Rocha (bass), Cabrita (sax), Mike Ghost (drums) and Sara Badalo (vocals) who, with her remarkable and sensual voice has a highlighted role on Zeitgeist.
The show never stops because there is no time to waste. We’re on the last round and hips haven’t stop moving at the rhythm of such incendiary rock’n’roll. Guests Ray and Best Youth join the party adding colour to the scenery.

© Mondo Bizarre Magazine/Daniela Tedim

Already among the audience Paulo Furtado punchily asks what is supreme glory. Until someone gets the right answer: Love! He ends up upon the back bar. No one wants a K.O. We all want a mutually agreed and quite sweaty satisfaction.
I maintain this Legendary Tigerman is our most genuine case of pure, raw, é o nosso caso mais genuíno de rock’n’roll, even on the latest record in which keyboards and samplers a la carte are enequivally present. With the bar raised quite high, in my view, he remains a rock’n’roll guru. Legendary, no doubt.
Vive le Rock!

© Mondo Bizarre Magazine/Daniela Tedim
Mondo Bizarre Magazine Concerts, Reviews

Wolf Manhattan, Mouco, Porto, 24.02.2024.

© Mondo Bizarre Magazine/Paulo Carmona

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Paulo Carmona

A contagious happiness, as if was thick fog, immediately came upon the audience. Wolf Manhattan’s cheerful music collides with the time period of its creation – during the pandemic – which leads to believe (I may be wrong) it was a very effective way that João Viera, such an alternative pop music chameleon, found to buffer that distressing period. Among the chaos, an artist soul emerges as one of the best medicines for humanity.

We were given an amusing, intelligent performance, created by sound and improvised theatre. There were rabbits, ghosts and aligattors with raving multiple signs in which shaking your butt dancing, grotesque and fantasy go hand in hand with the rocking of an hypnotic merry-go-round.

© Mondo Bizarre Magazine/Paulo Carmona

As for Wolf Manhattan’s songs, that join juicy electronic pop, alternative indie-pop-rock with a certain beat, Back to Her, Wanna go Back, Voices in My head and, of course, Sometimes attended the celebration. I would have far more to say,but prefer to tie with João Vieira’s own words to us “I want much more than a concert. A performance, a story, an imaginar, an universe, something different than just a music show.”,grounded, according João, in his be all – David Bowie. And he pulled it off. David Bowie??? – What else!

© Mondo Bizarre Magazine/Paulo Carmona
Mondo Bizarre Magazine EXTRA!, Listening Party

Extra #124 – Rafael Toral – Spectral Evolution – Listening Party, Wednesday 21st

Extra #124 is for the listening party of my friend Rafael Toral new album. Spectral Evolution is put Friday 23rd on Moikai via Drag City.

There are two listening parties for the Spectral Evolution tomorrow, Wednesday 21st. 10am (gmt/London time) and 7pm (gmt/London time). The conversation will e guided by Rafael Toral in Portugal, Jim O’Rouke in Japan and Fred Somsen in London. https://rafaeltoral.bandcamp.com/album/spectral-evolution – Link for listening party.

World hours for London’s time (gmt) Listening Party.

.

Mondo Bizarre Magazine Concerts, Reviews

Lanterns On The Lake, Mouco, Porto, 27.01.2024.

© Mondo Bizarre Magazine/Paulo Carmona

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Paulo Carmona

Many went to Mouco to New Castle band Lanterns On The Lake first concert in Porto.

The band started with The Likes Of Us, Real Life and Every Atom. Right there it shows the band is instrumentaly very competent. Be it 9n the rhythm or the melodic section. The harmonic sequences are irreproachable.

Hazel Wilde’s lead vocals are impregnated with loud, vibrating sounds that perfectly dress the songs, fully tailored for her vocal range. As it is said, it fit like a glove. Indie rock set Mouco’s the room on fire with Blue Screen Beams, When It All Comes True and Rich Girls. Paul Gregory’s guitar is so intense that it is impossible for bodies not to vibrate with its riffs.

Before the encore, Hazel jokes a little with the cliché saying they will no behind that door and be right back with a few more song, which generates laughter. After the show, I wandered around and was left with the impression of a friend’s gathering in which between people who did not knew each other well. Music does such things.

Mondo Bizarre Magazine Concerts, Reviews

Jozef van Wissem, Salão Novo Ático-Coliseu, Porto, 21.02.2024.

© Mondo Bizarre Magazine/Marcos Leal

words: Marcos Leal (freely translated by Raquel Pinheiro); photos: Marcos Leal

Jozef van Wissem presented The Night Dwells In The Day, his latest album, last Sunday at Salão Novo Ático-Coliseu, Porto.

With his usual gloomy image of long hair and painted eyes, Jozef played his lute compositions. Interestingly, the first tracks were instrumental, some pre-recorded sounds supporting the slow, minimal, lute music. A few of the more electronic sounds displayed a certain sound experimentation leading to a strange, somehow dissonant contrast between the classic sound of the string instrument e the modemsoubd coming out of the laptop by Jozef’s side.

Silently, the audience listened in an introspective mood induced by melancholic baroque lute melodies. In a flashlight leave, Josef returns for an encore. Two more songs in his deeply cavernous voice were sung wrapping those attending in a melodically deeper, obscure ambient.

50 minutes flu by leaving the feeling it wasn’t enough.

© Mondo Bizarre Magazine/Marcos Leal
Mondo Bizarre Magazine Concerts, Reviews

Marty & Olivia Willson-Piper, Hard Rock Cafe, Porto, 30/11/2023.

© João Castro

words: Paulo Carmona (edited and freely translated by Raquel Pinheiro); photos: João Castro & Marcos Leal

Nothing more, nothingless than a colloquial conversation with music. . I’ve seen concerts with audience participation, but I have never witnessed to such close and afable dialogues between musicians and audience. It was really cute to watch.

© Mondo Bizarre Magazine/Marcos Leal

From the start Marty didn’t stop telling jokes, stories, situations and events, and interjecting, in perfect symbiosis with the tone of one song after the other. Irish pub talk. Paraphrasing Marty: “The first song is called blah, blah, blah, is from blah, blah, blah album and was recorded at blah, blah, blah. Verbatim what I write you dear readers. Of course laughing and laughter echoed in unison through the room.

© João Castro

The duo presented itself with electro-acoustic folk guitar, violins, all its musical talent that was enough to the great celebration of their songs Tristesse, She’ll Come Back and Feed Your Mind in growing succession. Helpless You, I Don’t Think So, Almost With You where also sung, always growing to Into My Hands, You Whisper, Water Milkyway and Hopes and Fears.

© João Castro

The Celtic tone impregnated by the violin on the songs is contagious and Marty’s firgerstyle that goes along with is intense, memorable and extremely well performed. The songs breath among silence, rhythm and rather balanced vocals, between close or further from the microphone, depending of the flow and intensity. Brilliant in all its spendour.

© João Castro

Of note, the classical component brought by Olivia’s violin to the cheerful duo’s Celt folk inspired songs. There wasn’t an encore per se. Among clapping and request for more songs they didn’t left the stage. They prompty accept a presented with Melody of the Rain, Grind and Spark.Hard Rock Cafe room was already lively and kept being. Everyone was entitled to selfies, conversation and hugs with Marty and Olivia.

© João Castro

It is always good to feel such warmness from artists that know how to be upon a stage and set all star ways aside. The evening was cold and wet contrasting with what happened at the heart of the city. Pump pump heart.

© Mondo Bizarre Magazine/Marcos Leal
Mondo Bizarre Magazine Concerts, Reviews

Charlemagne Palestine, Igreja Paroquial de Cedofeita, Porto. 21.11.2023.

© André Delhaye

words: Raquel Pinheiro ; photos André Delhaye

American composer Charlemagne Palestine’s performarnce, , as part of Across Ø Around: Mika Vainio A Tribute was a mesmerizing experience of about 50 minutes.

Imersive is a beaten, too worn word, yet, here, for someone like me, who kept closed eyes, pretty much all the time, it is fitting. And quite descriptive.

© André Delhaye

Palestine start playing before the audience took its place in the pews. At first, a low, tremble leaning continuous hum. Given Igreja de Cedofeita seating seating, most people  had their back turned to the pipe organ balcony, facing the empty altar. Having entering the empty room a little earlier, on the side pew, by the altar, that allows to turn and face the pipe organ and player, I had a prime location for allowing the sound, the music to lead and do its magic.

© André Delhaye

And its magic was a wonder world of tonal variations complementing, overlapping, at times almost making disappear, at others leaving it fully raw, a continuous hum. A hum, in itself, the same and diverse. The inflections, the detours, the shades, the sounds, the whispers, the tumoultous, all had its place in a linear-nonlinearsublime performance that included words of prayer in a language only known to Charlemagne Palestine’s and a short percutive moment with a couple of filled whisky glasses clacking against it other. A night to remember.

@ André Delhaye