The End of an Epoch and The Begining of The Year of The Fire Horse at The Polymath

Robert Zietara – 2020

In The End of an Epoch and The Begining of The Year of The Fire Horse is my concise overview on The Polymath The Polymath of the end of an epoch meeting the beginning of the Lunar Year of the Fire Horse. A structural reset, from diffusion to direction, from dissolution to ignition. It can be read on The Polymath site.

The Sieve Year: What Remained at The Polymath & The Listening Room HQ

Claude Monet, Les Peupliers au bord de l’Epte, 1891

The Sieve Year: What Remained is the closing reflection on my Sieve Year, speaks of what remains after the filtering, and how the next cycle begins in quiet clarity. It can be read both at The Polymath and The Listening Room HQ.

It closes The Sieve Year posts, pairing with The Sieve Year – Field Notes at The Polymath and The Sieve Year – Quiet Alchemy at The Listening Room HQ.

The Guitar, Alchemy, The Star, Neptune, and Listening Again at The Polymath

Amadeo de Souza-Cardoso, Guitarra, 1916

The Guitar, Alchemy, The Star, Neptune, and Listening Again at The Polymath sees me reflecting on the Guitar, Alchemy, The Star, and revisiting large electro-acoustic works. A personal perspective as Neptune moves into Aries, opening new creative and perceptual pathways that you can read at The Polymath site.

New Moon In Capricorn – January 18, 2026 at The Polymath

The New Moon In Capricorn – January 18, 2026 is the new post on The Polymath site. site.

A symbolic and astrological reflection on the Capricorn New Moon (Jan 18, 2026), Pluto in Aquarius, and the approaching Saturn–Neptune conjunction in Aries. On structural truth, quiet authority, and the end of intimidation-based systems. You can read it here.

Art and Music That Knows When to Arrive at The Polymath

Wassily Kandinsky – Transverse Line, 1923

Art and Music That Knows When to Arrive, a new post on The Polymath site is about art and music that arrive at the right time, including my electroacoustic work Europa with saxophone, and A Séance Of The Table, Derrida’s on my voice for Peter Wullen and Greg Chapman meeting sound and concept. You can read Art and Music That Knows When to Arrive here.