Amazing Songs & Other Delights #20 The They Play a Telecaster, So Does Carlos edition by Carlos Fortes & Raquel Pinheiro @ Yé Yé Radio

Fender American Telecaster Blue with CB5 Bula neck pickup, 5-position switch (Bula installation) © Carlos Fortes

The beautiful Telecaster that illustrates this posts belongs to Carlos Fortes (Mão Morta/Um Zero Amarelo). For those, like me, more geeky inclined, it’s a Fender American Telecaster Blue with CB5 Bula neck pickup, 5-position switch (Bula installation). For Amazing Songs & Other Delights #20 The They Play a Telecaster, So Does Carlos edition tomorrow (Monday 14th) on Yé Yé Radio: https://yeyeradio.com/ or on the app from about 2:20pm to 4pm, Carlos and I picked 25 songs played/written with a Telecaster or predominantly played/written with one, including two of his – Sem Perdão by Um Zero Amarelo chosen by him and Budapeste by Mão Morta chosen by me. This is the first of the twin shows – the Stratocaster edition will be aired in a couple of weeks. A while ago I had asked Carlos if he preferred a Telecaster or a Stratocaster, he said he liked both, having no preference for one over the other. Coupled with Francisco Silva (Old Jerusalem) love of Telecasters – another source of endless conversations and inspiration – the idea for the shows was born.

With its Telecaster name the guitar created by Leo Fender, in his Southern California company, was introduced in 1951. Leo had originally named the guitar 1950 Broadcaster (the Broadcaster was introduced in 1950), but complains from other makers made him change it to Telecaster. The Fender Telecaster turned 70 in 2021. The basic Telecaster guitar remains similar to its 1951 version. Not all Telecasters are Fender. Other makers produce their version of a Telecaster. Some players alter features in their Telecasters, turning them more unique and special. Our 25 songs include Prince’s iconic Hohner Madcat Telecaster, Carlos’ own Fender Telecaster with custom build Bula pickup and 5-position switch installation, also from the hands of Bula – a friend of Carlos who custom builds pickups. Telecasters with B-Benders are also represented in the hands of Clarence White and Jack White. Jeff Beck’s Telecaster from The Yardbirds’ Ever Since The World Began is the one he gave to Jimmy Page (Page named it Dragon) with which Page plays Led Zeppelin’s Stairway to Heaven. We included a variety of players and eras to showcase the History and versatility of the Telecaster. From Muddy Waters to P.J. Harvey through Graham Coxon, Syd Barret, Johnny Marr, Keith Richards, Chrissie Hynde, Jimi Hendrix, Johnny Greenwood, Britt Daniel and more there is over one and an half hour of songs with Telecaster and those who play it.

All previous shows: /www.mixcloud.com/infoyeye/ | www.mixcloud.com/raquelpinheiro/

Amazing Songs & Other Delights #19 – The Ich Gehe Jetzt edition by Raquel Pinheiro @ mixcloud

Monday, January 31st, 2022
Running Time: 56:12
Tracklist:
01 – Jay-Jay Johanson – She Doesn’t Live Here Anymore
02 – The Strollers – Hit The Road Jack (Percy Mayfield’s song)
03 – 13th Floor Elevators – You’re Gonna Miss Me
04 – David Bowie – Changes (1999 Remaster)
05 – Dorival Caymmi – Canção da Partida
06 – Richard Hawley – Leave Your Body Behind You
07 – Josh Rouse – James
08 – Einstürzende Neubauten – Ich Gehe Jetzt
09 – Queens of The Stone Age – Gonna Leave You
10 – The Escorts – By The Time I Get to Phoenix (Jimmy Webb’s song)
11 – Jello Biafra & D.O.A. – We Gotta Get Out of This Place (The Animals’ cover)
12 – Anita Lane – Bella Ciao
13 – The Smiths – Death At One’s Elbow (2011 Remaster)
14 – Manic Street Preachers – I’m Leaving You for Solitude
15 – Robbie Williams – No Regrets
16 – Jacobites (Nikki Sudden & Dave Kuswort) – It’ll All End Up In Tear (2019 Remaster)

All previous shows:

https://www.mixcloud.com/infoyeye/ | https://www.mixcloud.com/raquelpinheiro/

O Salgado Faz Anos… Fest, Maus Hábitos, Porto, 29.01.2022

29/01: Salgado turned nine

10000 Russos © Neno Costa

text: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota

After a fasting tour of the sun, Salgado’s party returned for its 9th edition at Maus Hábitos. As usual in previous editions the line-up presented an appealing variety of musical proposals, making for choices between the concerts that took place on the three stages of a sold out venue. As usual, the people turned out in droves, filling the night with a friendly atmosphere, tinged with reunions and …beer. The highlight goes to 10000 Russos, a band from Porto that opened the evening, with themes from their latest album Superiertia (2021) in a renewed psychedelic incursion, dense and rich in sound textures and healthy evocations. On the Stockahusen stage, the most breathable, the Gãrgoola were a good surprise, in a shamanic performance that left a taste for more. Salgado Stage crowded, suffocating. In the background, Samuel Úria (Um Gajo Com Pés De Roque Enrole) emerged from the human barrier that prevented progression, and the chords of a well-behaved punk set the audience on fire. Stage change. Inescapable for lovers of full-bodied rock with contagious psychedelia, Gator The Alligator electrified the Super Rock Stage before another good surprise, the creative and irreverent performance of Unsafe Space Garden. Return to Stockhausen stage for O Manipulador, where Manuel Molarinho orchestrated the pedal mattress that unfold and transfigured, with creative singularity, a well-manipulated bass guitar. With Salgado Stage overflowing with Pluto (Manuel Cruz and Peixe), Super Bock stage was an alternative for a dip in emotions unconfined by the punk energy of Galician Kings Of The Beach, closing the set of performances which program had to undergo some readjustments due to circumstances. A note of recognition is required for Maus Hábitos’ workers, for their professionalism and friendliness, on a laborious and particularly demanding night. Happy birthday to Salgado.

Gãrgoola © Telma Mota
Samuel Úria © Telma Mota
Gator The Alligator © Telma Mota

29/01: O Salgado fez nove anos

Unsafe Space Garden © Neno Costa

texto: Neno Costa; fotos: Neno Costa & Telma Mota

Depois de uma volta ao sol de jejum, a festa do Salgado regressou para a sua 9.ª edição nos Maus Hábitos. O programa, como tem sido usual nas edições anteriores, apresentou uma variedade apelativa de propostas musicais, obrigando a escolhas entre os concertos que se desenrolaram nos três palcos de uma casa esgotada dias atrás. Como tem sido hábito, o público acorreu em peso, tingindo a noite com um ambiente simpático, tingido de reencontros e…cerveja. Destaque para os portuenses 10000 russos com temas do seu último álbum, Superiertia (2021), numa incursão psicadélica renovada, densa e rica de texturas sonoras e saudáveis evocações a abrir a noite. No palco Stockahusen, o mais respirável, os Gãrgoola constituíram uma boa surpresa, numa performance xamânica que soube a pouco. O Palco Salgado apinhado, sufocante. Ao fundo, Samuel Úria (Um Gajo Com Pés De Roque Enrole) emergiu da barreira humana que impedia a progressão e os acordes de um punk bem comportando incendiou o público. Mudança de palco. Incontornáveis para os apreciadores de um rock encorpado de psicadelismo contagiante, os Gator The Alligator eletrificaram o Palco Super Rock antes de mais outra boa surpresa, com a atuação criativa e irreverente dos Unsafe Space Garden. Retornou-se ao palco Stockhausen para O Manipulador, onde Manuel Molarinho orquestrou o tapete de pedais que desmultiplicaram e transfiguraram, com singularidade criativa, um baixo bem manipulado. Com o Palco Salgado a transbordar com Pluto (Manuel Cruz e Peixe), o palco Super Bock foi alternativa para um mergulho nas emoções desconfinadas pela energia punk dos galegos Kings Of The Beach, fechando o périplo de atuações cujo programa teve que sofrer alguns reajustes por força das circunstâncias. Impõe-se uma nota de reconhecimento para os trabalhadores dos Maus Hábitos, pelo profissionalismo e simpatia, numa noite laboriosa e particularmente exigente. Parabéns ao Salgado.

O Manipulador © Telma Mota
Pluto © Telma Mota
Kings Of The Beach © Telma Mota