Amazing Songs & Other Delights #83 – The 4th anniversary edition by Raquel & The Astro Travellers @ Yé Yé radio , Monday 14th

Maren Devine – Flower Cake

My radio show Amazing Songs & Other Delights turned. The 4th anniversary edition airs Monday 14th, 3-4:10pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).

This year, the anniversary programme is a little different than usual. Trials and tribulations didn’t allow for the several costumary purpose composed pieces, aside from mine and Francisco Silva’s Lucid One. The lyrics of Lucid One have my poem 80 as starting point, adapted to song by Francisco’s chatgpt, then, on a second round of singing the song, by him. It was a very interesting creative experience.

My Loss and December: Death, Sérgio Rocha’s Seclusões (excerpt), digei de bairro’s MG B GT (pre-master), Ned Swarbrick’s Mr. O’Brien (mix 1.1), João Diogo Zagalo’ Lotar n.º 4 and Boxmonsters’ Holligans and Car Crash fall under that umbrella.

I picked two songs composed on purpose for previous anniversary editions. Mine and Francisco’s When Joe Came By, from the 1st anniversary edition, and Sweet Peace, by Bill Rivers and I, from last year’s anniversary show, here on Oh Bobby (Bill Rivers & Simon Wayward) version, from their album Swim The Universe.

There’s the usual assortment of songs, another round of surprises, picked for me by a few friends.

Because the songs represent me, because I may like them… Because…

Manuel Carvalho picked The Pixies’ Hey; António Cunha Suki Waterhouse’s Supersad, Paulo Navarro caroline’sTell Me I Never New That (feat. Caroline Polachek), Matt Hutchison Lyn Collins’ Think (About It) and Rui Pimenta Why Don’t You Stay by American Music Club.

As for both Francisco’s instrumental acoustic version of The Asphalt World and my soft instrumental electric stripped down version of The Asphalt World. Francisco thought it a odd choice for me to plays as far as Suede’s covers go, and sent me an impromptu short version of it.

At 0:55 it’s most likely the world’s shortest version of The Asphalt World. Mine runs past 10 minutes. It’s a one go, raw, unfiltered, no effects, aside from a little vibrato arm, and my micro jack amp distortion, no solos, also impromptu, played on a kitchen bench, purely for the joy of it version. Most of what seems effects, it’s my fretting fingers.

Lucid One lyrics
Sleepless nights, stuck in motion
Elevators fade, no clear emotion
Crex crex crex — the artach calls
Lucid tiles in echo halls

The megaphone speaks, louder than books
Slogans win where no one looks
Moral weight too hard to lift
We float inside this aimless drift

The empire of futility
Masqueraded as ability
Symbols fail, the noise gets loud
We vanish slowly in the crowd

Resperidone, the new tea brew

Quiet minds in static view
Fork in the road, by the sea we stand
Bathymetry traced in soul and sand

Invisible paths, the labyrinth sings
We mistook noise for gravity’s rings
You want the house still, free of harm
But the woman bangs the pots — her charm

The empire of futility
Attired in nobility
Mirrors turn, the spiral grows
Stagnant waters, no one knows
(Francisco Silva & Raquel Pinheiro)

Poem #80
poem 80
sleepless nights,
stuck
perpetual movement
fading through the elevator
crex crex crex crex makes the artach
hearth and home
lucid tiles echoing
the megaphone is easier than read serious books
slogans are easier than moral inventory.
the empire of futility
disguised as art, intellectualism
the sound mirrors, a spiral
a stagnant pool of nothingness
resperidone, the new chamomile
there’s a road with a fork
for you and me by the sea
bathymetry of the soul
invisible pathways
labyrinth, the song
mistaken noise for gravity
symbols for substance
brought us here
you want the house quiet
but a woman bangs the pots
monks don’t worry about money
terror dreams, rage
somatic overload
the lucid one in a house of somnambulists
fog can’t be fought, what it erases
is watched
don’t go back to sleep
the messiness of desire
recycle, renewal, redemption
like a benediction
all the plants are watered
(Raquel Pinheiro)

Tracklist:
01: Francisco Silva & Raquel Pinheiro – When Joe Came By
02: Raquel Pinheiro – Loss
03: Pixies – Hey (Manuel Carvalho)
04: Sérgio Rocha – Seclusões (excerpt)
05: Francisco Silva & Raquel Pinheiro – Lucid One
06: digei de bairro – MG B GT (pre-master)
07: Suki Waterhouse – Supersad (António Cunha)
08: Boxmonsters – Holligans
09: Francisco Silva – The Asphalt World (acoustic excerpt)
10: Talking Heads – Burning Down the House (Raquel Pinheiro)
11: caroline – Tell Me I Never New That feat. Caroline Polachek (Paulo Navarro)
12: Raquel Pinheiro – The Asphalt World
13: Oh Bobby – Sweet Peace – (*)
14: Lyn Collins – Think (About It) (Matt Hutchison)
15: Ned Swarbrick – Mr. O’Brien (mix 1.1)
16: João Diogo Zagalo – Lotar n.º 4
17: Boxmonsters – Car Crash
18: Raquel Pinheiro – December: Death
19: American Music Club – Why Don’t You Stay (Rui Pimenta)

All previous shows on mixcloud: https://www.mixcloud.com/infoyeye/playlists/amazing-songs-other-delights|www.mixcloud.com/MondoBizarreMagazine

Amazing Songs & Other Delights #82 – The It’s Summer edition by Raquel Pinheiro @ mixcloud

My radio show Amazing Songs & Other Delights is now available on mixcloud.

It’s a beautiful, fresh, Summer radio programme. You can read about it here.

Tracklist:
01: Franz Ferdinand – Build It Up ft. Johnny Marr
02: Cass McCombs – Peace
03: Robert Robertson – Broken Arrow
04: Harry Styles – Watermelon Sugar
05: Pressyes – The Sunlighttt
06: The Durutti Collumn – Sketch For A Summer
07: Jeanines – Coaxed A Storm
08: AL Guitar Duo – Reencontro (feat. Pedro Jóia)
09: Panda Bear – Virginia Tech
10: The Go-Betweens – Two Heads
11: Laufey – Lover Girl
12: The Rebels – California Dreamin’
13: Weezer – Island In The Sun
14: Lightheaded – The Garden
15: James Yorkston – Love Luck (feat. Johanna Söderberg)
16 – Forth Wanderers – Bluff
17: Swansea Sound – Pacior’Fan
18: Sydney Minsky Sargeant – I Dont Wanna
19 – April March – Laisse Tomber Les Filles

All previous shows on mixcloud: Ye Ye mixcloud | www.mixcloud.com/MondoBizarreMagazine

Guitar Wolf, Barracuda, Porto, 29.06.2025.

© Mondo Bizarre Magazine/Telma Mota

words: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota – reel on our insta @mondobizarremagazine

Punk is not dead in the land of the rising sun. Such was proved – and how proved it was! – by Guitar Wolf in a remarkable concert at the temple of Porto’s most daring sounds, Barracuda.

© Mondo Bizarre Magazine/Telma Mota

The Japanese trio, formed in 1987 – of which original line-up only survivor is guitarist Seiji – presented themselves with an irreverent, captivating stance, invoking the country that bequeathed them tempura and arigato, before toppling the sonic reactors upon the human mass that seized up in a sea for extreme sweat and heat until the last chord.

Punk rock of the best origin, in an omnipresent tribute to the Ramones, provided a sound that transcends the more canonical formula, entwining a power noise with criative particularities able to sustain songs like Fujiyama Attack and Jet Generation.

© Mondo Bizarre Magazine/Telma Mota

Dead Kennedys, Hard Club, Porto, 25.06.2025.

© Mondo Bizarre Magazine/Telma Mota

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Telma Mota

Just kids. Some because they were it, some because they had been it. From 16 to 70, all were represented. Like recicled teenagers, unrestrained, in frantic rodeo mode. Parody, fun, good mood and peaceful provocation, mixed with punk rock and classic hardcore, served in a cold sweat-sour typical of that generation, was what Dead Kennedys brought on their luggage and spilled, at once, on stage. We have a video of the raw punkness on our insta instagram.com/mondobizarremagazine/

© Mondo Bizarre Magazine/Telma Mota

It was impossible to remain indifferent to all the human warmness. Interactivity and symbiosis between band and audience. Those waiting for punk is not dead spirit got it, in double serving, with jumps, screams, crowd surfing and mosh among heat and sweat.

The Dead Kennedys run through all their landmark songs, from Police Truck through Kill the Poor, Too Drunk To Fuck, Nazi Punks, to Holiday in Cambodia, with endless energy. Only after a few verbal outbursts an stings realized most of the audience understood English perfectly well.

© Mondo Bizarre Magazine/Telma Mota

East Bay Ray (guitar) and Klaus Flouride (bass), Dead Kennedys’ main core, were up to the demands, interacting with the audience when necessary. Steve Wilson, on drums, gave it all to be at D.H. Peligro’s level, and did it very well, not withdrawing from remember the band’s late drummer.

Above all, the concert showed punk spirit is alive and well, and it’s transversal to several generations, and still a war cry against oppression and oppressors. As for old people? Which old people? I saw none. What else?…

© Mondo Bizarre Magazine/Telma Mota