My radio show Amazing Songs & Other Delights # 77 – The Spring is Here edition is now on mixcloud. Amazing Songs & Other Delights airs every other Monday, 3-4pm (gmt+1) on YÊ YÊ Radio: yeyeradio.com (or on the app).
Tracklist: 01: The Learning Station – Spring Is Here 02: Bill Callahan – Spring 03: Elis Regina & Tom Jobim – Ãguas de Março 04: Everything But The Girl – I Don’t Want To Talk About It 05: Glazyhaze – Not Tonight 06: Henry Silence – Gamble 07: Jonathan Richman – Springtime in New York 08: M.Ward – Here Comes The Sun Again 09: Manic Street Preachers – Raindrops Keep Falling On My Head 10: Morcheeba – I Am The Spring 11: Now – In PatheĖcolor 12: Pale Blue Eyes – Travel Day 13: Rufus Wainwright – Rebel Prince 14: Saint Etienne – Spring 15: Stereolab – Pop Quiz 16: The Beach Boys – Be Still (2001 remastered) 17: The Gentle Spring – Sugartown 18: The Bunch – The Locomotion
words: Paulo Carmona (edited by Raquel Pinheiro); photos: Marcos Leal
The dark, rainy night seemed to have been ordered on purpose for the recital of strong emotions and deep feelings that would adorn room Sala Dois of Hard Club.
And who better than an experience, talented and, above all, theatrical musician to deliver.
Gavin Friday was thar man. Coming from the late 70s the post-punk, founding member of the legendary Virgin Prunes – pioneer band that inspired many alternative music projects – Gavin presented Ecce Homo, his most recent solo work.
Ecce Homo is impregnated with love, longing, loss, lamentations, anguish and strong experiences. An ellipse of throbbing emotions.
However, despite this lyrical density, the musicality is exciting. Curious!
Electro rock’n’roll, with many hints of liturgical music and traces of industrial experimentalism, delivered with very different dynamics. Be it powerful and melodic rises, or accentuated descents, at times abrupt, at times contemplative. It makes your skin crawl several times, and forces to you to stretch your neck and close your eyes to feel all of its refined and majestic enchantment.
It was a magnificent performance, in which songs from Ecce Homo predominating, such as: Lovesubzero, Ecce Homo and Lamento, an intense song, in which he recalls the loss of his mother. Virgin Prunes songs like such Sandpaper Lullaby and Caucasian Walk were also played.
I left there thinking that the bar was too high for this year. What next?…
My Amazing Songs & Other Delights # 77 – The Spring is Here edition airs Monday 24th, 3-4pm (gmt) on YÊ YÊ Radio: yeyeradio.com (or on the app).
It’s Spring here in the Northern Hemisphere. I bring you eighteen songs that, to me, have a Spring vibe.
Tracklist: 01: The Learning Station – Spring Is Here 02: Bill Callahan – Spring 03: Elis Regina & Tom Jobim – Ãguas de Março 04: Everything But The Girl – I Don’t Want To Talk About It 05: Glazyhaze – Not Tonight 06: Henry Silence – Gamble 07: Jonathan Richman – Springtime in New York 08: M.Ward – Here Comes The Sun Again 09: Manic Street Preachers – Raindrops Keep Falling On My Head 10: Morcheeba – I Am The Spring 11: Now – In PatheĖcolor 12: Pale Blue Eyes – Travel Day 13: Rufus Wainwright – Rebel Prince 14: Saint Etienne – Spring 15: Stereolab – Pop Quiz 16: The Beach Boys – Be Still (2001 remastered) 17: The Gentle Spring – Sugartown 18: The Bunch – The Locomotion
Today is World Poetry Day. Here is my favourite poem:
The Love Song of J. Alfred Prufrock by T.S. Eliot Sâio credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma percioche giammai di questo fondo Non torno vivo alcun, sâiâodo il vero, Senza tema dâinfamia ti rispondo.
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question âĻ
Oh, do not ask, âWhat is it?â Let us go and make our visit.
In the room the women come and go Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep.
And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.
In the room the women come and go Talking of Michelangelo.
And indeed there will be time To wonder, âDo I dare?â and, âDo I dare?â Time to turn back and descend the stair, With a bald spot in the middle of my hair â (They will say: âHow his hair is growing thin!â) My morning coat, my collar mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin â (They will say: âBut how his arms and legs are thin!â) Do I dare Disturb the universe? In a minute there is time For decisions and revisions which a minute will reverse.
For I have known them all already, known them all: Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?
And I have known the eyes already, known them allâ The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume?
And I have known the arms already, known them allâ Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin?
Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows? âĻ
I should have been a pair of ragged claws Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep âĻ tired âĻ or it malingers, Stretched on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet â and hereâs no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid.
And would it have been worth it, after all, After the cups, the marmalade, the tea, Among the porcelain, among some talk of you and me, Would it have been worth while, To have bitten off the matter with a smile, To have squeezed the universe into a ball To roll it towards some overwhelming question, To say: âI am Lazarus, come from the dead, Come back to tell you all, I shall tell you allââ If one, settling a pillow by her head Should say: âThat is not what I meant at all; That is not it, at all.â
And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floorâ And this, and so much more?â It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: âThat is not it at all, That is not what I meant, at all.â
No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculousâ Almost, at times, the Fool.
I grow old âĻ I grow old âĻ I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
March 19 is Father’s Day here in Portugal. As a kid, I couldn’t stand Dire Straits. Dad, on the other hand, loved them. I lost count of how many times Dire Straits We’re playing on Dad’s workshop or car. Therefore, the Middle of the Week Song is Brothers in Arms by Dire Straits.
I can’t say I have (yet?) came to love everything Dire Straits. It’s more that, for the most part, I play the guitar without a pick, and so does Mark Knopfler. Since I re-start playing guitar I’ve been paying proper attention to Mr. Knopfler guitar playing. So simple, yet so hard to master. Not that I want to emulate, or sound like Mark Knopfler. Knopfler is unique precisely because he developed his own way of playing. However, it’s not easy to find appealing, interesting, pick less electric guitar playing.
This short video features Mark playing, as well as a brief overview of his three favourite guitar players: Hank Marvin, because of whom Knopfler wanted a red guitar (they’re both known for playing a red Fender Stratocaster), Chet Atkins and Stevie Ray Vaughan. Have a nice day everyone.