Winten & Maple Glider, Socorro, Porto, 20.09.2024. | Piquenique Dançante Sobre a Relva, Parque de São Roque, Porto, 22.09.2024.

Winten © Raquel Pinheiro

words, photos & videos: Raquel Pinheiro

Walking blind into concerts is something I enjoy a lot. I was neither familiar with Winten or Maple Glider songs. My reason to go to their respective concerts at Socorro was to meet a old friend I hadn’t seen in over a decade.

Winted © Raquel Pinheiro
Maple Glider © Raquel Pinheiro

I was pleasantly surprised with Winten and Maple Glider gentle songs and music. Winten more inclined towards heartbreak and love sceneries and scenario in a frail, tone; Maple Glider, although not dissimilar, has a more sober and mature tone.

Maple Glider © Raquel Pinheiro
Piquenique Dançante Sobre a Relva © Raquel Pinheiro

Piquenique Dançante Sobre a Relva (Dancing Picnic on the Lawn) is an event held yearly at a park or garden in Porto. This year it was near by me at the wonderful Parque de São Roque on Saturday 21 and Sunday 22 September.

I only attended on Sunday. It was the first time I went to Parque de São Roque dressed up. And it was joyous and fun. Lots of people on the lawn and labyrinth area, seated on blankets, kids running and playing around – the monitors turned to the audience provided a great racing and dancing track for children that were freely allowed to run upon them. Since I also stood on them during Wolf Manhattan, I can attest it’s great fun.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro

It was great to see friends, acquaintances, so many new faces and watch friends playing.

West 11 © Raquel Pinheiro
Population 5 © Raquel Pinheiro

West 11 share Phil King (guitar) and Mark Kingston (bass with) Population 5 and have Beth Hirsch on vocals. They are, or were in this instance, a serene band. Heavily contrasting with the raucous, electric in every sense, groovy surfy Population 5. Children played a part again when a very young guitarist with his toy guitar took to the stage having Phil and Fernando Barbedo (Population 5’s other guitarist) as his wing men.

Population 5 © Raquel Pinheiro
Wolf Manhattan © Raquel Pinheiro

Wolf Manhattan are João Viera’s latest incantation. The sad, happy story of a singer-songwriter, lonely in his bedroom that takes his show on the road, accompanied with several eye catching guitars, hair colour and clothes. Cool songs, entertaining atmosphere.

Wolf Manhattan © Raquel Pinheiro

Between bands André Rio played cover on a small stage on the middle of the lawn’s fountain, leading to a sing-a-long.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro
André Rio © Raquel Pinheiro

I didn’t stay to see Irmãos Catita. Home and my guitar were calling.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro

Amazing Songs & Other Delights #70 – The True Love edition by Raquel Pinheiro, Monday 23

Hello! My radio programme Amazing Songs & Other Delights is back with new editions. The first one, called The True Love Edition airs Monday 23, 3-4pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).

The name of this editon comes from the opening and closing songs, True Love the new song by Jane’s Addiction, and True Love Will Find You In The End by Daniel Johnston. Between them there are fifteen other songs some of which also mention love. As often in my Amazing Songs & Other Delights there is a variety of genres, well known bands and artists along newcomers and hidden gems.

Tracklist:
01: Jane’s Addiction – True Love
02: A 90s new man called Stan – Sushi feat. Adamski
03: Anthony Moore – Earthbound Misfit
04: Black Toska – Three Silver Nails
05: Cosmic Room 99 – E Corp
06: Fernando Triste – Escuro
07: Franz Ferdinand – Audacious
08: Good Sad Happy – Shaded Tree
09: Jonas – Bato À Porta
10: Kingbird – There Were Things That Needed Forgiven
11: Laurie Anderson – Road to Mandalay
12: Primal Scream – Love Insurrection
13: Terry Gross – Sales Pitch
14: The Heavy Heavy – Feel
15: Tindersticks – Always a Stranger
16: Virgem Suta – Amor Ao Avesso
17: Daniel Johnston – True Love Will Find You In The End

All previous shows on mixcloud: Yé Yé Radio mixcloud/ | Mondo Bizarre Magazine mixcloud

Grupo Operário do Ruído, Open Rehearsal, Associação de Moradores da Bouça, Porto, 13.09.2024.

© Renato Cruz Santos

A View From Within

words: Raquel Pinheiro; photos: Renato Cruz Santos/Cultura em Expansão

A week ago me and my colleagues from Grupo Operário do Ruído, a parte experimental-exploratory-avant ensemble connect to Sonoscopia were in the depths of our Open Rehearsal, after months of hours long reharsals.

© Renato Cruz Santos

Being part of the group has been a very interesting experience. I elected the electric guitar as my main instrument, in itself a challenge. I’m far more familiar with an electric bass than with an electric guitar. Most of my other instruments are as peculiar and unique as Grupo Operário do Ruído: a couple of plastic beads necklaces, a children’s melodica, mismatched drum sticks, empty spices bottles, and more, and our claribones, what I call our odd purpose build mix of trombone and clarinet.

© Renato Cruz Santos

Many instruments we use were build on previous years of the existence of Grupo Operário do Ruído, some like my guitar, the traditional drums, the tambourine are convencional. My use of the electric guitar is anything but convencional. We’re often asked what we do, what we play. We’re still working on the musical piece directed by António Serginho and Carlos Guerreiro, to which we all contribute.

I would say we’re much close to an orchestra than a rock band. The musical, sound, and other approaches are wide. As you can see on the photos we do not use staves. There are structured rhythm parts, solo and free style parts, corporal movement, a bit of singing. Each of us, one more than others depending of what we play, swap our instruments, according to the section we’re playing.

None of the above explains much other than a little of the mechanics of this year in Grupo Operário do Ruído. It’s not easy to explain as it is a sound experience composed of a million details.

© Renato Cruz Santos

I’ve been asked if I felt nervous playing in front of an audience. I didn’t. I didn’t even notice the audience that surrounded us. We’re concentrated on what we’re playing as well as in the hand instructions of António Serginho tailor made for us, and therefore different than standard conductor instructions.

© Renato Cruz Santos

No, I’m not letting our music out. 😉 Not right now. 🙂 We sound brilliant!

We have our Final Presentation at Conservatório de Música do Porto, December 8, 7pm. Come see us!

© Renato Cruz Santos

Bill MacKay, Understage – Rivoli, Porto, 13.09.2024.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP

Guitar Poetry

words & video by Raquel Pinheiro; photos: João Octávio Peixoto/TMP

To say Bill MacKay’s concert was extraordinary, would be underwhelming. Sublime is a better word. Transcendental, another good one. Those words still don’t do justice to the music, guitar, playing, singing. In fact, being there is the only thing that would do it justice.

Beauty, poetry spoken with an electric guitar as I’ve seldom heard it. Bill sings too, and tells little stories about the songs, however, his visual, sound, poetic mastery of the guitar is the domain of few.

The songs from MacKay’s latest album Locus Land (by the way it’s Terra do Gafanhoto, Bill 🙂 ) gain a different, spiritual, otherworldly dimension live. They become a time within time. A time of gentleness, until the final piece served: Arcadia. Bill stood up to play Arcadia in full, distortion mode adding a sharp dramatic contrast to the tone of the concert.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP