Here I am, still looking like an internationally woman of mystery on cold, windy late afternoon by the salt marshes. My radio programme Amazing Songs & Other Delights now airs new editions the first and third Monday, 3-4pm (London time) of the month, respective repeats, second and fourth Monday of the month, on Yé Yé Radio: https://yeyeradio.com/ (or on the app)
My radio show Amazing Songs & Other Delights that airs every other Monday, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app). Amazing Songs & Other Delights #84 – The It Resonates edition can now be listened to on mixcloud.
You can read more about Amazing Songs & Other Delights #84 – The It Resonates edition here.
From Monday October 6 onwards Amazing Songs & Other Delights new editions are every 1st and 3rd Monday of each month, repeats every 2nd and 4th Monday of each month. The hour remains the same: 3-4pm (London time).
Tracklist: 01: Sigtryggur Berg Sigmarsson – Resilience 02: Liz Hogg – Curl 03: The Divine Comedy – Invisible Thread 04: Ned Swarbrick – When The Wind Blows (Live at City Varieties Music Hall) 05: Trademark Issues – Song for a Non-Touring Band 06: Massimo Silverio – Zoja 07: Tulpa – Let’s Make A Tulpa! 08: Miguel Feraso Cabral – Cenografia 09: Swimming Pools And Movie Stars – Never Let Go 10: The Cords – When You Said Goodbye 11: Noiserv – A casa das rodas quadradas feat. Milhanas 12: Glo-Worm – Change of Heart 13: Holly Golightly – Miss Fortune 14: Senhor Vulcão feat The Legendary Tiger Man – Rock N Roll 15: AVTT/MPTN – The Avett Brothers · Mike Patton – Eternal Love 16: Glyders – Shadow Stone 17: Anthony Moore – No Parlez 18: Hidrogenesse – A la Muerte 19: Umlaut – Grumpy Library
My radio show Amazing Songs & Other Delights is back with new edition from Monday 22nd September, every other Monday, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
Amazing Songs & Other Delights #84 – The it Resonate edition is composed of 18 songs and 1 instrumental that resonate with me at once. It’s a gentle early Autumn programme, still with echoes of late Summer.
01: Sigtryggur Berg Sigmarsson – Resilience 02: Liz Hogg – Curl 03: The Divine Comedy – Invisible Thread 04: Ned Swarbrick – When The Wind Blows (Live at City Varieties Music Hall) 05: Trademark Issues – Song for a Non-Touring Band 06: Massimo Silverio – Zoja 07: Tulpa – Let’s Make A Tulpa! 08: Miguel Feraso Cabral – Cenografia 09: Swimming Pools And Movie Stars – Never Let Go 10: The Cords – When You Said Goodbye 11: Noiserv – A casa das rodas quadradas feat. Milhanas 12: Glo-Worm – Change of Heart 13: Holly Golightly – Miss Fortune 14: Senhor Vulcão feat The Legendary Tiger Man – Rock N Roll 15: AVTT/MPTN – The Avett Brothers · Mike Patton – Eternal Love 16: Glyders – Shadow Stone 17: Anthony Moore – No Parlez 18: Hidrogenesse – A la Muerte 19: Umlaut – Grumpy Library
My 4th anniversary radio show is now available on mixcloud.
This year, the anniversary programme is a little different than usual. Trials and tribulations didn’t allow for the several costumary purpose composed pieces, aside from mine and Francisco Silva’s Lucid One.
The lyrics of Lucid One have my poem 80 as starting point, adapted to song by Francisco’s chatgpt, then, on a second round of singing the song, by him. It was a very interesting creative experience. Francisco and I also both this very different impromptu versions of Suede’s The Asphalt World.
You can read more about the show, the Astro Travellers, my “band” contributions and it’s creative process here. The lyrics of Lucid One and poem 80 are below, along with the show tracklist.
Lucid One lyrics Sleepless nights, stuck in motion Elevators fade, no clear emotion Crex crex crex — the artach calls Lucid tiles in echo halls
The megaphone speaks, louder than books Slogans win where no one looks Moral weight too hard to lift We float inside this aimless drift
The empire of futility Masqueraded as ability Symbols fail, the noise gets loud We vanish slowly in the crowd
Resperidone, the new tea brew
Quiet minds in static view Fork in the road, by the sea we stand Bathymetry traced in soul and sand
Invisible paths, the labyrinth sings We mistook noise for gravity’s rings You want the house still, free of harm But the woman bangs the pots — her charm
The empire of futility Attired in nobility Mirrors turn, the spiral grows Stagnant waters, no one knows (Francisco Silva & Raquel Pinheiro)
poem 80 sleepless nights, stuck perpetual movement fading through the elevator crex crex crex crex makes the artach hearth and home lucid tiles echoing the megaphone is easier than read serious books slogans are easier than moral inventory. the empire of futility disguised as art, intellectualism the sound mirrors, a spiral a stagnant pool of nothingness resperidone, the new chamomile there’s a road with a fork for you and me by the sea bathymetry of the soul invisible pathways labyrinth, the song mistaken noise for gravity symbols for substance brought us here you want the house quiet but a woman bangs the pots monks don’t worry about money terror dreams, rage somatic overload the lucid one in a house of somnambulists fog can’t be fought, what it erases is watched don’t go back to sleep the messiness of desire recycle, renewal, redemption like a benediction all the plants are watered (Raquel Pinheiro)
Tracklist: 01: Francisco Silva & Raquel Pinheiro – When Joe Came By 02: Raquel Pinheiro – Loss 03: Pixies – Hey (Manuel Carvalho) 04: Sérgio Rocha – Seclusões (excerpt) 05: Francisco Silva & Raquel Pinheiro – Lucid One 06: digei de bairro – MG B GT (pre-master) 07: Suki Waterhouse – Supersad (António Cunha) 08: Boxmonsters – Holligans 09: Francisco Silva – The Asphalt World (acoustic excerpt) 10: Talking Heads – Burning Down the House (Raquel Pinheiro) 11: caroline – Tell Me I Never New That feat. Caroline Polachek (Paulo Navarro) 12: Raquel Pinheiro – The Asphalt World 13: Oh Bobby – Sweet Peace 14: Lyn Collins – Think (About It) (Matt Hutchison) 15: Ned Swarbrick – Mr. O’Brien (mix 1.1) 16: João Diogo Zagalo – Lotar n.º 4 17: Boxmonsters – Car Crash 18: Raquel Pinheiro – December: Death 19: American Music Club – Why Don’t You Stay (Rui Pimenta)
Joaquin Sorolla y Bastida, Strolling along the Seashore (1909)
My radio show Amazing Songs & Other Delights #82 – The It’s Summer edition airs Monday 30th, 3-4pm (gmt+1) on Yé Yé Radio: till yeyeradio.com (or on the app).
As the name says, it’s summer. Therefore, let’s celebrate it. Nearly all the songs, from Franz Ferdinand – Build It Up ft. Johnny Marr to Sydney Minsky Sargeant – I Dont Wanna have just been released or are recent.
There are two indie oldies, The Durutti Collumn’s Sketch For A Summer and The Go-Betweens’ Two Heads. As tends to be the case with my shows, indie and mainstream go hand in hand, although here there are several pop breezy indie alternative songs. But Harry Styles and Laufey pair with Jeanines or April March. There’s an acoustic guitar instrumental, AL Guitar Duo – Reencontro (feat. Pedro Jóia), and the customary Mamas & the Papas classic California Dreamin’, here in covered by The Rebels.
Tracklist: 01: Franz Ferdinand – Build It Up ft. Johnny Marr 02: Cass McCombs – Peace 03: Robert Robertson – Broken Arrow 04: Harry Styles – Watermelon Sugar 05: Pressyes – The Sunlighttt 06: The Durutti Collumn – Sketch For A Summer 07: Jeanines – Coaxed A Storm 08: AL Guitar Duo – Reencontro (feat. Pedro Jóia) 09: Panda Bear – Virginia Tech 10: The Go-Betweens – Two Heads 11: Laufey – Lover Girl 12: The Rebels – California Dreamin’ 13: Weezer – Island In The Sun 14: Lightheaded – The Garden 15: James Yorkston – Love Luck (feat. Johanna Söderberg) 16 – Forth Wanderers – Bluff 17: Swansea Sound – Pacior’Fan 18: Sydney Minsky Sargeant – I Dont Wanna 19 – April March – Laisse Tomber Les Filles
My radio show Amazing Songs & Other Delights # 78 – The Debuts & More edition airs Monday, 7th, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com(or on the app).
How many times will I write debut album is anyone’s guess. Other than debut album, collaborations, a couple of super groups (oh mine! are the 70s back?… ) and nineteen songs can be found on this edition of Amazing Songs & Other Delights. Scots abound too. Can you slop them all?
The musical genres are varied, at times in the same song. Folk, folk adjacent, dance music, americana, indie noise, hip-hop, romantic music, gentle pop, and some other flavours. Agrupamento Musical Os Tais’s Liga Pra Mim and Calvin Harris’ Smoke The Pain Away are examples of musical cross pollination.
Agrupamento Musical Os Tais are rappers Mike El Nite and the duo João Não & Lil Noon. Agrupamento Musical Os Tais is one of those things that to fully grasp you may need to be Portuguese and aware of our bandas de baile (electric ball bands that played, and still play, local clubs, associations, our equivalent of workers men’s clubs, fetes, carnivals and the likes). Liga Pra Mim is from their debut album Dance, Romance. Dance, Romance has shades of everything, from pimba (wikipedia is your friend), to kizomba, through hip-hop, house, a dash of pop, all wrapped in deliberated tacky elegance.
Alan Sparhawk with Trampled by Turtles is Alan Sparhawk of Low and bluegrass-folk band Trampled by Turtles.
The 90s is the third single by super group Butler, Blake & Grant. Super group being a bit of a joke. No stadium tours and 20 gear trucks, or Spinal Tap drama in sight. Butler, Blake & Grant are musician, songwriter and producer Bernard Butler, Norman Blake, of Teenage Fanclub, and James Grant of Love and Money fame. Their debut album has just come out. The 90s is sung and written by Bernard.
Sweet Peace was written by me and Bill Rivers for my 3rd anniversary 3rd anniversary show and is now on Swim the Universe the new Oh Bobby (Bill Rivers & Simon Hayward) album.
Mister Romantic is actor John C. Reilly musical alter-ego. Dream, a romantic, 1920s vibe song, is the first single from debut album What’s Not To Love?
Scottish singer and musician Alasdair Roberts teamed up with another Scot, Scottish Gaelic singer Màiri Morrison to sing The Bonny House of Airlie, a traditional Scottish ballad of the XVII century. As is traditional in these sort of ballads The Bonny House of Airlie tells a tragic real story, the burning of the castle of the Earl of Airlie castle and the murder of his family.
Lies is a song by The Hard Quartet, another super group, formed by Stephen Malkmus, of Pavement, Matt Sweeney of Superwolf, Emmett Kelly and Jim White.
God Knows by Tunde Adebimpe, of T.V. On The Radio, and Trey Calloway’s The Ballad of Righteous close the show. The Ballad of Righteous is a classic americana tradition storytelling song.
Tracklist: 01: Agrupamento Musical Os Tais – Liga Pra Mim 02: Alan Sparhawk with Trampled by Turtles – Stranger 03: Beirut -Guericke’s Unicorn 04: Bill Fox – Terminal Way 05: Butler, Blake & Grant – The 90s 06: Calvin Harris – Smoke The Pain Away 07: Courting – After You 08: Flávio Torres – Vamos 09: Màiri Morrison and Alasdair Roberts The Bonny House of Airlie 10: Mark Fry – Not On The Radar 11: Mister Romantic – Dream 12: Model/Actriz – Doves 13: Oh Bobby – Sweet Peace 14: Reb Fountain – He Commands You To Jump Into The Sea 15: Sex Beat – This Machine Kills No One 16: The Hard Quartet – Lies (Something You Can Do) 17: The Ophelias – Salome 18 Tunde Adebimpe – God Knows 19: Trey Calloway – The Ballad of Righteous and Wrong
Today is World Poetry Day. Here is my favourite poem:
The Love Song of J. Alfred Prufrock by T.S. Eliot S’io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma percioche giammai di questo fondo Non torno vivo alcun, s’i’odo il vero, Senza tema d’infamia ti rispondo.
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question …
Oh, do not ask, “What is it?” Let us go and make our visit.
In the room the women come and go Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep.
And indeed there will be time For the yellow smoke that slides along the street, Rubbing its back upon the window-panes; There will be time, there will be time To prepare a face to meet the faces that you meet; There will be time to murder and create, And time for all the works and days of hands That lift and drop a question on your plate; Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea.
In the room the women come and go Talking of Michelangelo.
And indeed there will be time To wonder, “Do I dare?” and, “Do I dare?” Time to turn back and descend the stair, With a bald spot in the middle of my hair — (They will say: “How his hair is growing thin!”) My morning coat, my collar mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin — (They will say: “But how his arms and legs are thin!”) Do I dare Disturb the universe? In a minute there is time For decisions and revisions which a minute will reverse.
For I have known them all already, known them all: Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume?
And I have known the eyes already, known them all— The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume?
And I have known the arms already, known them all— Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!) Is it perfume from a dress That makes me so digress? Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin?
Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows? …
I should have been a pair of ragged claws Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully! Smoothed by long fingers, Asleep … tired … or it malingers, Stretched on the floor, here beside you and me. Should I, after tea and cakes and ices, Have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed, Though I have seen my head (grown slightly bald) brought in upon a platter, I am no prophet — and here’s no great matter; I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid.
And would it have been worth it, after all, After the cups, the marmalade, the tea, Among the porcelain, among some talk of you and me, Would it have been worth while, To have bitten off the matter with a smile, To have squeezed the universe into a ball To roll it towards some overwhelming question, To say: “I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all”— If one, settling a pillow by her head Should say: “That is not what I meant at all; That is not it, at all.”
And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor— And this, and so much more?— It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: “That is not it at all, That is not what I meant, at all.”
No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse; At times, indeed, almost ridiculous— Almost, at times, the Fool.
I grow old … I grow old … I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
My Amazing Songs & Other Delights #73 – The New Things edition is now on mixcloud.
Tracklist: 01: Peter Perrett – Mixed Up Confucius 02: Naima Bock – Feed My Release 03: Ritta Tristany – Esquina do Chile 04: Gavin Friday – Stations of the Cross 05: Rossana – Inglaterra 06: Tess Parks – California’s Dreaming 07: Fabiana Palladino – Drunk 08: Velatine – Orange to Black 09: Paul Victor – Passport 10: Tunde Adebimpe – Magnetic 11: Rose City Band – Lights on the Way 12: David J Moriarty & Adam Baranello – Fade 13: Raoul Vignal – Icarus 14: Young Knives – Dissolution 15: Brick Briscoe & Kim Giani – Grands Boulevards 16: The Chefs – I’ll Go To 17: Dean & Britta & Sonic Boom – Pretty Paper
My Amazing Songs & Other Delights #72 – The Ecosystem edition is now on mixcloud.
Of late, I’ve been coming upon the word ecosystem from different sources. Or happen upon lyrics, or otherwise that mention the concept that we’re all one, we’re connected, that we depend on each other.
That concept is part of Body Count’s Comfortably Numb version of Pink Floyd’s Comfortably Numb the song that opens this edition. Ice-T writes and says: “Listen… ’cause I’ve been on both sides of the gun As you stand before me we’re all here as one We gotta come together or our chances are none Maybe I’m just a dreamer, too many obstacles” (full lyrics here)
An ecosystem implies environment and those in it interacting, forging connections, relationships, one thing leading to another. That is how both Mondo and Yé Yé came to be. The longer text about My Amazing Songs & Other Delights #72 – The Ecosystem edition can be read here.
Tracklist: 01: Body Count – Comfortably Numb (feat. David Gilmour) 02: Raveloe – Passing Place 03: 12 Roads – Waiting For JB 04: Rowland S. Howard – Shut Me Down 05: Ned Swarbrick – Somebody, Something, Somewhere Else (live York City FC) 06: Mick Harvey – October Boy 07: Johnny Marr – New Town Velocity 08: The Birthday Party – The Friend Catcher 09: Saint Sappho – Grass is Gold 10: Oh Bobby (Bill Rivers and Simon Hayward) – Are You Still There 11: Sorry Monks – One Rule For Them 12: Paradise Lost – The Last Time 13: Harry Howard And The NDE – Sensitive To The Cold 14: Mark Robin White & Adam Lato – Rabbit Hole (Tranquility mix) 15: The Courettes – Shake! 16: A Resistência – Maré Alta
Amazing Songs & Other Delights #72 The Ecosystem edition airs Monday 21st, 3-4:30pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).
Of late, I’ve been coming upon the word ecosystem from different sources. Or happen upon lyrics, or otherwise that mention the concept that we’re all one, we’re connected, that we depend on each other.
That concept is part of Body Count’s Comfortably Numb version of Pink Floyd’s Comfortably Numb the song that opens this edition. Ice-T writes and says: “Listen… ’cause I’ve been on both sides of the gun As you stand before me we’re all here as one We gotta come together or our chances are none Maybe I’m just a dreamer, too many obstacles (full lyrics can be read here.).
An ecosystem implies environment and those in it interacting, forging connections, relationships, one thing leading to another. That is how both Mondo and Yé Yé came to be.
There are a few ecosystems on the programme. Birthday Party that lead to Rowland S. Howard and Mick Harvey. Mick Harvey song October Boy is about Pop Crimes – The Songs of Rowland S. Howard. Harry Howard is Rowland’s brother with whom Mick has played with. Interviewing Mick and Harry (and J.P. Shillo and Genevieve McGuckin) along a group of old friends – an ecosystem – lead to a number of Australian musician starting reaching out and sending their music.
When two weeks ago Bernard Butler was looking for opening acts for his current UK tour the Mild Ones, a Suede fan group, shared the request and so did I, adding I would be listening to Bernard’s choices and pick what I like from those. Raveloe (a Mild One Member herself), Ned Swarbrick, Saint Sappho and Sorry Monks (other Mild One) songs are my choices from Bernard’s selection of opening acts. Meanwhile, Ned and, Tammy Dyson, of Saint Sapho, just joined The Mild Ones. Proof that ecosystems are a real thing and work.
Mark Robin White and 12 roads other Mild Ones. I found them on the group and liked their music. Johnny Marr’s New Town Velocity is from a post by Liza Hadiz, another Mild One. I was mentioning how Johnny Marr solo albums have songs I may select to play, but don’t stay with me long time. Liza asked what I thought of Velocity Girl, her favourite solo Johnny Marr song. I replied it was nice and would one day play it on the show. Johnny Marr influenced Bernard Butler, both have played together.
Oh Bobby are Bill Rivers and Simon Hayward. Bill has been part of my ecosystem for a few year. We did a few song together for my third anniversary show. Bill and Simon created together.
The Courettes are released by Damaged Good, a record label Mondo has been close to for twenty five years. Resistência are a Portuguese supergroup. Although I know some of the musicians, or other musicians from their other bands, I don’t have such a direct connection, but Resistência are an ecosystem themselves.
Resistência means Resistance. Maré Alta (High Tide) is a 1972 song by Fausto Bordalo Dias, José Mário Branco and Sérgio Godinho, three Portugue protest singers, released when Portugal was still a dictatorship. The lyrics mention getting ready because an high tide is arriving and freedom is about to come.
Tracklist: 01: Body Count – Comfortably Numb (feat. David Gilmour) 02: Raveloe – Passing Place 03: 12 Roads – Waiting For JB 04: Rowland S. Howard – Shut Me Down 05: Ned Swarbrick – Somebody, Something, Somewhere Else (live York City FC) 06: Mick Harvey – October Boy 07: Johnny Marr – New Town Velocity 08: The Birthday Party – The Friend Catcher 09: Saint Sappho – Grass is Gold 10: Oh Bobby (Bill Rivers and Simon Hayward) – Are You Still There 11: Sorry Monks – One Rule For Them 12: Paradise Lost – The Last Time 13: Harry Howard And The NDE – Sensitive To The Cold 14: Mark Robin White & Adam Lato – Rabbit Hole (Tranquility mix) 15: The Courettes – Shake! 16: A Resistência – Maré Alta