words: Paulo Carmona (translated and edited by Raquel Pinheiro) photos: Daniela Tendim
Suede are like a top-quality Port. Once “vintage”, forever vintage. The years pass and the quality improves unequivocally. They never disappoint, never waver, never compromise. Whenever they step onto a stage they are completely focused, always ready to give their best, and their best is of a very high standard.
As it was at Super Bock Arena, in Porto, where they came to present their latest album – Antidepressants – to their newest friends and to those who have followed them for years. A quick glance around the room was enough to realise that Suede captivate every generation.
If Simon Gilbert and Mat Osman are the band’s unquestionable maestros, thanks to their experience and talent, cohesive and brilliant in their rhythmic execution, then Richard Oakes and Neil Codling provide the stylised melodies that shape and define the Suede sound.
As for Brett Anderson – the lead singer – he ought to be the subject of a scientific study. A remarkable performer, an absolute stage monster. He seems to run on batteries that never run out, radiating an emotional energy capable of stirring a bear in the depths of hibernation. I would say he is a teenager recycled at supersonic speed. The audience adores him, every gesture, every mannerism, every swing of his body.
From the setlist chosen for this show, it must be said that they swept across their vast repertoire, with particular emphasis on songs from the latest album — very well received by the audience, it should be noted — but also including the epic and iconic songs of old, songs that belong to all times. I would highlight Trash, Can’t Get Enough and Everything Will Flow, which drove the crowd into complete delirium, and, of course, The Beautiful Ones, which figuratively brought the whole arena down.
Brett did not confine himself to the pit and ventured straight into the middle of the crowd. Amid shouts, tears, applause, hugs and kisses, he somehow managed to slip back onto the stage to close the concert in total apotheosis.
Grab your glasses, and yell from the bottom of your lungs! Cheers, Suede!
The Band: Brett Anderson – lead vocals Mat Osman – bass Simon Gilbert – drums Richard Oakes – guitar Neil Codling – guitar, keyboards, backing vocals.
Setlist: Disintegrate Antidepressants Trash Animal Nitrate We Are the Pigs Personality Disorder Sabotage New Generation Filmstar Can’t Get Enough June Rain She Still Leads Me On Shadow Self Trance State The Wild Ones (acoustic Brett Anderson & Richard Oakes) Everything Will Flow So Young Metal Mickey Beautiful Ones Dancing with the Europeans
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is now available on mixcloud.
Amazing Songs & Other Delights new editions are broadcasted on Yé Yé Radio: yeyeradio.com (or on the app) first and third Monday of the Month 3-4pm (London time), respective repeats second and fourth Monday of the month.
Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics edition title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return. You can read more about the programme here.
Tracklist: 01: Richard Wagner – Parsifal, Act II: Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S. Howard – Autoluminescent
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.
There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.
The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.
Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.
Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.
Ficamos Por Aqui is from Enterro (Burial) Paus final album.
Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).
Mark Lanegan is present twice. In Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.
Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.
Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.
The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.
Tracklist: 01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S Howard – Autoluminescent
John Williams Waterhouse – The Lady of Shallot (1888)
The Lady of Shalott (1842) by Alfred, Lord Tennyson
I’m sometimes asked what a Mayan Soul Map looks like, or what to expect from a reading that includes Mayan. I’m a member of The Mild Ones, a Suede fan community. Today, is Brett Anderson’s birthday, and I share a Mayan Soul Map Synthesis, exploring his Birth Kin, current cycle, Venus phase, and more on The Polymath’s site.
Here’s an excerpt of my Brett Anderson Mayan Soul Map Synthesis: “Brett’s birth essence holds a deep, crystalline clarity: the need to question, to refuse easy answers, and to stand as a voice of integrity for the collective. His life path is not solitary. Warrior at Crystal tone suggests that his strength is found in weaving himself into group purpose, holding vision within a wider band of seekers. Brett’s full Mayan Soul Map Synthesis can be read here.