The Listening Field: Creativity as Navigation is the new post on The Polymath.
A luminous, subtle guide to creativity as navigation. Learn how artists, polymaths, and creators can open, listen, and translate inspiration without forcing output. Presence, resonance, and subtle alignment guide the process. You can read it here.
The Listening Field: Creativity as Navigation pairs with The Listening Field: How Men Heal When They Are Truly Heard at The Listening Room HQ.
Hildegard von Bingen has been a source of wonder for me – and for countless others – across the centuries. Her life and work span theology, music, natural science, and creative practice, and her integrated approach to knowledge still resonates deeply today. For example on Hildegard von Blingin’ s cover of Chappell Roan’s Pink Pony Club.
On my second post on The Polymath I explore how her visionary thinking continues to inspire ways of living and working as a polymath, and how her example invites us to connect the threads of our own diverse interests. Read more about Hildegard von Bingen as a Source of Continuous Inspiration here:
Johannes Vermeer – Officer and Laughing Girl – 1658
On Being a Polymath is my first post on The Polymath my site on being a Polymath and all things Polymathic.
On Being a Polymath is a post about exploring curiosity, depth, and the art of connecting ideas at the heart of being a Polymath. Polymath is a space, for my endless curiosity on a number of subjects.
On Polymath creative lives, maps, and readings that illuminate threads often unseen are explored. Each reflection is an invitation—to expand perspective, engage intuition, and cultivate resonance across disciplines.
Whether you are a musician, writer, artist, or thinker, the journey is about integrating insight, practice, and imagination. Polymath journeys through tools, readings, and reflections that support your exploration and inspire your own creative path, as well as mine.Polymath is a companion of The Listening Room HQ, that also has a dedicated area to maps & readings.