A Séance Of The Table – The Phenomenological Wasteland (French) a concept by Peter Wullen with undertones by Greg Chapman for which I read an excerpt of Jacques Derrida’s Spectres de Marx was played at David Warmbier’s Spectra Sonic Sound 1.3.2026
Previous note note on A Séance Of The Table – The Phenomenological Wasteland (French). You can listen to it on Peter Wullen’s soundcloud and get an MP3 or on Peter’s audius and get a wav or flac.
editors note: As soon as I saw Neal’s text about The Asphalt World on The Mild Ones – a group I’m also part of – I was hooked. The Asphalt World is very special for me, and the only song I always know how to play on the guitar, albeit on my own lo-fi stripped down way. It instantly felt like his essay belonged on Mondo.
The Asphalt World: Growing Up on Tarmac and Songs
by Neal Reid
Some thoughts I had on The Asphalt World.
I come from a very working-class background. I grew up in inner city Birmingham. It’s hard to really express how boring it was to live where I did, much like Haywards Heath was for Mat and Brett. There was absolutely nothing to do but get pissed or off your tits, which is what we did most of the time. No café culture of restaurants, just booze and drugs, which were everywhere you looked and in everyone we knew. Gossip about who could get what was gold dust, but it was always the older kids who got anything good. As kids, me and my mates couldn’t afford to buy drugs or booze much, so we innovated. We used to sniff butane (lighter fuel), glue, and even deodorant cans through a towel over the top to get high off the fumes. Brett’s songs are laden with drug references and Asphalt World is no exception.
The song reminds me of where I grew up. The connection is primal, it’s not a higher order function, like choosing Asphalt World over Things Can Only Get Better by D-ream for instance. It touches me somewhere deep.
Lots of people lead idyllic lives by the coast, like my best friend who is from South West Wales. Kids would play in streams and swim in the sea and build huts in the woods. We did some of that, of course, Birmingham being famous for its canals if nothing else, but my most vivid memory of my young life is the smell of Tarmac, aka asphalt. It seemed to be with me all the time as progress increasingly drove, quite literally, through our green spaces.
The lyrics themselves seemed impossibly glamorous and ethereal to my 20 year old mind:
I know a girl, she walks the asphalt world She comes to me, I supply her with ecstasy Sometimes we ride in a taxi to the ends of the city Like big stars in the back seat, like skeletons, ever so pretty
The very idea of getting a 7-minute taxi into town was a bit glamorous. We used to walk there and home regularly, although if we were feeling particularly flush, we’d get the bus. The idea that we could ‘fly in a taxi, to the ends of the city, like big stars in the back seat’ was inconceivable, especially as the literal read of that line has the protagonists buying real drugs. ‘I supply her ecstasy.’
The lyrics are so sensual and Brett’s voice gradually increases in urgency; it’s a winter night’s quest for possibly illicit sex, ‘how does she feel when she’s next to you’ and ultimately “the sex turns cruel”; the perilous pursuit of risky drugs and using them for said sex; the guitar, bass and drums turning more frantic, once gentle guitar lines become swirling confusion as the cab speeds up, the racing rhythm section pounding to near panic attack levels as the city lights whoosh by and light the scene, ‘like skeletons, ever so pretty’.
Looking up the train tracks for life.
The Asphalt World lyrics:
I know a girl, she walks the asphalt world She comes to me, I supply her with ecstasy Sometimes we ride in a taxi to the ends of the city Like big stars in the back seat, like skeletons, ever so pretty I know a girl, she walks the asphalt world
But where does she go and what does she do? And how does she feel when she’s next to you? And who does she love in her time honoured fur? Is it me or her?
I know a girl, she walks the asphalt world She’s got a friend, they share mascara, I pretend Sometimes they fly from the covers to the winter of the river For these silent stars of the cinema, it’s in the bloodstream, it’s in the liver I know a girl, she walks the arse-felt world
But where does she go and what does she do? And how does she feel when she’s next to you? And who does she love in her time honoured fur? Is it me or her? With ice in her blood and a dove in her head Well, how does she feel when she’s in your bed? When you’re there in her arms and there in her legs Well, I’ll be in her head ‘Cause that’s where I go and that’s what I do And that’s how it feels when the sex turns cruel Yes, both of us need her, this is the asphalt world
With ice in her blood and a dove in her head Well, how does she feel when she’s in your bed? When you’re there in her arms and there in her legs Well, I’ll be in her head ‘Cause that’s where I go and that’s what I do And that’s how it feels when the sex turns cruel Yes, both of us need her, this is the asphalt world
Essay originally posted by Neal Reid on The Mild Ones – Suede Fan Group Facebook account on December 29 2025.
My radio show Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition is now available on mixcloud.
In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light. We’re also in Hanukkah – the festival of lights – season (sundown of Sunday December 14 to nightfall of Monday December 22). And, of course Yule that coincides with Winter Solstice and Christmas. You can read more about the programme here.
Tracklist: 01: The Zombies – This Will Be Our Year 02: The Altons – Your Light 03: Todd Rundgren – I Saw The Light (2015 remaster) 04: The Offline – La belle en lumière 05: Damh the Bard – On Midwinter’s Day 06: Popol Vuh – Aguirre I (L’Acrime di Rei) 07: The Sound – Winning 08: Tom Hiddleston – I Saw The Light live in the Wittertainment studio (Hank Williams cover) 09: Nick Drake – River Man 10: The Smiths – There Is a Light That Never Goes Out (2011 Remaster) 11: Aztec Camera – Wall Out To Winter (extended version) 12: Wilco – Sky Blue Sky 13: Love & Money – Winter 14: The Stone Roses – I Am The Resurrection
I read a metaphysics/philosophy text in French — an excerpt from Jacques Derrida’s Spectres de Marx — for Peter Wullen’s A Séance Of The Table – The Phenomenological Wasteland (French), with sustained notes by Greg Chapman.
You can listen to it and get an MP3 on SoundCloud, or if you prefer a WAV or FLAC file, you can find it on Peter’s Audius page: Audius link.
A Séance Of The Table – The Phenomenological Wasteland (French)
Sustained notes by Greg Chapman (Silver Apples, To Live And Shave In L.A., …) Voice by Raquel Pinheiro (Mondo Bizarre Magazine) Concept, idea & conoction by Peter Wullen
“Elle devient quelqu’un, elle prend figure. Cette densité ligneuse et têtue se métamorphose en chose surnaturelle, en chose sensible insensible, sensible mais insensible, sensiblement suprasensible.”
“Mais cette transcendance n’est pas toute spirituelle, elle garde ce corps sans corps dont nous avons reconnu qu’il faisait la différence du spectre à l’esprit. Ce qui passe les sens passe encore devant nous dans la silhouette du corps sensible qui pourtant lui manque ou nous reste inaccessible. Marx ne dit pas sensible et insensible, sensible mais insensible, il dit : sensible insensible, sensiblement suprasensible. La transcendance, le mouvement en supra, le pas au-delà.”
Extrait de Jacques Derrida, Spectres de Marx, Editions du Seuil, 2024.
My radio show Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition is broadcasted Monday 15 December, 3-4pm (London time), repeating Monday December 22 – my birthday – same hour on Yé Yé Radio: yeyeradio.com (or on the app).
In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light. We’re also in Hanukkah – the festival of lights – season (sundown of Sunday December 14 to nightfall of Monday December 22). And, of course Yule that coincides with Winter Solstice and Christmas.
Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition begins with the year’s promise, renewal with The Zombies’ This Will Be Our Year, and concludes with The Stone Roses danceable I Am The Resurrection, a welcoming to the turn, the return of the night, as well as an homage to the recently departed Mani.
There’s sunlit songs, there’s Popol Vuh’ Aguirre I (L’Acrime di Rei) with its somber tone, Aztec Camera’s Wall Out To Winter (extended version) is deliberated. It honors the walk, that Winter is a time of going inwards, not to cut short. The two I See The Light – Todd Rundgren’s and Tom Hiddleston singing Hank Williams’ one – add to the sense of clarity, hope.
Tracklist: 01: The Zombies – This Will Be Our Year 02: The Altons – Your Light 03: Todd Rundgren – I Saw The Light (2015 remaster) 04: The Offline – La belle en lumière 05: Damh the Bard – On Midwinter’s Day 06: Popol Vuh – Aguirre I (L’Acrime di Rei) 07: The Sound – Winning 08: Tom Hiddleston – I Saw The Light live in the Wittertainment studio (Hank Williams cover) 09: Nick Drake – River Man 10: The Smiths – There Is a Light That Never Goes Out (2011 Remaster) 11: Aztec Camera – Wall Out To Winter (extended version) 12: Wilco – Sky Blue Sky 13: Love & Money – Winter 14: Stone Roses – I Am The Resurrection
words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Nuno Lopes
Noiserv is a brilliant project, conceived by a brilliant artist gifted with an unusual, multifaceted creative capacity.
David Santos, the driving force and sole member of the project, is a talented multi-instrumentalist who manages to capture an audience’s full attention, despite barely being able to move, far too occupied playing instruments, recording, sequencing, and performing all at once, offering his audience live music that almost always grows in dynamic range until it reaches its melodic peak.
Sala Suggia of Casa da Música, though not sold out, was very respectably filled to welcome Noiserv, and David delivered exactly what was expected, or even more.
The concert revolved around his new album, 7305, the artist’s fifth full-length record. Another remarkable work whose spacious, contemplative sound carries us into landscapes with the atmosphere of a northern lights sky.
All one had to do was close one’s eyes and let the sound take us anywhere. Long Journey and Resumidamente opened the way for older pieces such as The Sad Story Of a Little Town and Don’t Say Hi, If You Don’t Have Time For A Nice Goodbye. The set list moved fluidly between tracks from the new album and selections from earlier periods.
Special note must go to A Self-Conversation Is To Loud For An Empty Room, singular and unsettling in its beauty, performed entirely on acoustic guitar.
Noiserv also presented tracks featuring collaborations with A Garota Não (Cátia Oliveira) and Milhanas, the latter appearing onstage to perform A Casa das Rodas Quadradas, where their two voices intertwined in perfect synergy. The staging and lighting were superb, fully worthy of that iconic Porto hall.
It was a warm, celebratory evening, not least because David is an excellent storyteller with a wonderful sense of humour. We all left happy.
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is now available on mixcloud.
Amazing Songs & Other Delights new editions are broadcasted on Yé Yé Radio: yeyeradio.com (or on the app) first and third Monday of the Month 3-4pm (London time), respective repeats second and fourth Monday of the month.
Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics edition title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return. You can read more about the programme here.
Tracklist: 01: Richard Wagner – Parsifal, Act II: Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S. Howard – Autoluminescent
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.
There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.
The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.
Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.
Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.
Ficamos Por Aqui is from Enterro (Burial) Paus final album.
Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).
Mark Lanegan is present twice. In Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.
Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.
Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.
The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.
Tracklist: 01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S Howard – Autoluminescent
John Williams Waterhouse – The Lady of Shallot (1888)
The Lady of Shalott (1842) by Alfred, Lord Tennyson
My radio show Amazing Songs & Other Delights # 88 – We’re in Autumn edition is now on mixcloud. Amazing Songs & Other Delights airs new editions the first and third Monday of the month, 3-4pm (London time), respective repeats second and fourth Monday of the month, same hour, on Yé Yé Radio: yeyeradio.com (or on the app).
We’re in Autumn in a simple, mostly gentle an autumnal programme, mixing genres, but essentially staying with songs of the indie-alternative and folk universe. You can read more about the programme here.
Tracklist: 01: Bill Callahan – The Man I’m Supposed to Be 02: Citizen – Yellow Love 03: Duncan Browne – A Dwarf In A Tree (A Cautionary Tale) 04: Guns N’ Roses – November Rain 05: Iron & Wine – Autumn Town Leaves 06: Karen Dalton – How Sweet It Is 07: Moe Bandy – Hank Williams, You Wrote My Life 08: New Order – Blue Moon 09: The Greenhorns – There Is An End 10: R.E.M. – So. Central Rain 11: The Kinks – Autumn Almanac 12: The Tears – Two Creatures 13: Xico Gaiato ft. Rossana | Roda da Máscara 14: Yo La Tengo – Autumn Sweater
Amazing Songs & Other Delights # 87 – The To Remember Who I Am edition airs Monday 3 November 2025, 3-4pm (London time) and repeats Monday November 10 on Yé Yé Radio: yeyeradio.com (or on the app).
This edition title is both a reminder to myself and a words play with Tracy Vandal & John Mercy’s song.
Lammergeiers’ ITB is the band’s – a little hard to spot – version of Suede’s Introducing The Band.
Alicia Edelweiss is a suggestion by Bettina Korn and Ruth Lyon a suggestion by Martin Swarbrick. Their respective songs, Leonie and November were picked by me.
My beloved Sugar are back with a new single, House of Dead Memories, their first in thirty years. There’s also Tracy Vandal & John Mercy with Alex Kapranos of Franz Ferdinand and much more.
Tracklist: 01: Lammergeiers – ITB 02: Alicia Edelweiss – Leonie 03: Ruth Lyon – November 04: Sugar – House of Dead Memories 05: Jesse Sykes & The Sweet Hereafter – Dead End Pools 06: Guided By Voices – (You Can’t Go Back To) Oxford Talawanda 07: Miranda – I Wish 09: Brian Bilston and The Catenary Wires – Might Have, Might Not Have 10: Oliver Sim – Telephone Games 11: Bela Noia – Não quero mais 12: AUA Drop – Painkiller No. 2 13: Leatherette – Hey There (x) 14: Tracy Vandal & John Mercy – To Remember Who You Were feat Alex Kapranos 15: Cass McCombs – Missionary Bell