A Séance Of The Table – The Phenomenological Wasteland (French) at Spectra Sonic Sound

A Séance Of The Table – The Phenomenological Wasteland (French) a concept by Peter Wullen with undertones by Greg Chapman for which I read an excerpt of Jacques Derrida’s Spectres de Marx was played at David Warmbier’s Spectra Sonic Sound 1.3.2026

Previous note note on A Séance Of The Table – The Phenomenological Wasteland (French). You can listen to it on Peter Wullen’s soundcloud and get an MP3 or on Peter’s audius and get a wav or flac.

The Asphalt World: Growing Up on Tarmac and Songs – An Essay by Neal Reid

editors note: As soon as I saw Neal’s text about The Asphalt World on The Mild Ones – a group I’m also part of – I was hooked. The Asphalt World is very special for me, and the only song I always know how to play on the guitar, albeit on my own lo-fi stripped down way. It instantly felt like his essay belonged on Mondo.

The Asphalt World: Growing Up on Tarmac and Songs

by Neal Reid

Some thoughts I had on The Asphalt World.

I come from a very working-class background. I grew up in inner city Birmingham. It’s hard to really express how boring it was to live where I did, much like Haywards Heath was for Mat and Brett. There was absolutely nothing to do but get pissed or off your tits, which is what we did most of the time. No café culture of restaurants, just booze and drugs, which were everywhere you looked and in everyone we knew. Gossip about who could get what was gold dust, but it was always the older kids who got anything good. As kids, me and my mates couldn’t afford to buy drugs or booze much, so we innovated. We used to sniff butane (lighter fuel), glue, and even deodorant cans through a towel over the top to get high off the fumes. Brett’s songs are laden with drug references and Asphalt World is no exception.

The song reminds me of where I grew up. The connection is primal, it’s not a higher order function, like choosing Asphalt World over Things Can Only Get Better by D-ream for instance. It touches me somewhere deep.

Lots of people lead idyllic lives by the coast, like my best friend who is from South West Wales. Kids would play in streams and swim in the sea and build huts in the woods. We did some of that, of course, Birmingham being famous for its canals if nothing else, but my most vivid memory of my young life is the smell of Tarmac, aka asphalt. It seemed to be with me all the time as progress increasingly drove, quite literally, through our green spaces.

The lyrics themselves seemed impossibly glamorous and ethereal to my 20 year old mind:

I know a girl, she walks the asphalt world
She comes to me, I supply her with ecstasy
Sometimes we ride in a taxi to the ends of the city
Like big stars in the back seat, like skeletons, ever so pretty

The very idea of getting a 7-minute taxi into town was a bit glamorous. We used to walk there and home regularly, although if we were feeling particularly flush, we’d get the bus. The idea that we could ‘fly in a taxi, to the ends of the city, like big stars in the back seat’ was inconceivable, especially as the literal read of that line has the protagonists buying real drugs. ‘I supply her ecstasy.’

The lyrics are so sensual and Brett’s voice gradually increases in urgency; it’s a winter night’s quest for possibly illicit sex, ‘how does she feel when she’s next to you’ and ultimately “the sex turns cruel”; the perilous pursuit of risky drugs and using them for said sex; the guitar, bass and drums turning more frantic, once gentle guitar lines become swirling confusion as the cab speeds up, the racing rhythm section pounding to near panic attack levels as the city lights whoosh by and light the scene, ‘like skeletons, ever so pretty’.

Looking up the train tracks for life.

The Asphalt World lyrics:

I know a girl, she walks the asphalt world
She comes to me, I supply her with ecstasy
Sometimes we ride in a taxi to the ends of the city
Like big stars in the back seat, like skeletons, ever so pretty
I know a girl, she walks the asphalt world

But where does she go and what does she do?
And how does she feel when she’s next to you?
And who does she love in her time honoured fur?
Is it me or her?

I know a girl, she walks the asphalt world
She’s got a friend, they share mascara, I pretend
Sometimes they fly from the covers to the winter of the river
For these silent stars of the cinema, it’s in the bloodstream, it’s in the liver
I know a girl, she walks the arse-felt world

But where does she go and what does she do?
And how does she feel when she’s next to you?
And who does she love in her time honoured fur?
Is it me or her?
With ice in her blood and a dove in her head
Well, how does she feel when she’s in your bed?
When you’re there in her arms and there in her legs
Well, I’ll be in her head
‘Cause that’s where I go and that’s what I do
And that’s how it feels when the sex turns cruel
Yes, both of us need her, this is the asphalt world

With ice in her blood and a dove in her head
Well, how does she feel when she’s in your bed?
When you’re there in her arms and there in her legs
Well, I’ll be in her head
‘Cause that’s where I go and that’s what I do
And that’s how it feels when the sex turns cruel
Yes, both of us need her, this is the asphalt world

Essay originally posted by Neal Reid on The Mild Ones – Suede Fan Group Facebook account on December 29 2025.

Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition by Raquel Pinheiro now at mixcloud

The Stone Roses

My radio show Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition is now available on mixcloud.

In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light. We’re also in Hanukkah – the festival of lights – season (sundown of Sunday December 14 to nightfall of Monday December 22). And, of course Yule that coincides with Winter Solstice and Christmas. You can read more about the programme here.

Tracklist:
01: The Zombies – This Will Be Our Year
02: The Altons – Your Light
03: Todd Rundgren – I Saw The Light (2015 remaster)
04: The Offline – La belle en lumière
05: Damh the Bard – On Midwinter’s Day
06: Popol Vuh – Aguirre I (L’Acrime di Rei)
07: The Sound – Winning
08: Tom Hiddleston – I Saw The Light live in the Wittertainment studio (Hank Williams cover)
09: Nick Drake – River Man
10: The Smiths – There Is a Light That Never Goes Out (2011 Remaster)
11: Aztec Camera – Wall Out To Winter (extended version)
12: Wilco – Sky Blue Sky
13: Love & Money – Winter
14: The Stone Roses – I Am The Resurrection

All previous shows on mixcloud: Yé Yé Radio mixcloudMondo Bizarre Magazine mixcloud

Raquel Pinheiro & Greg Chapman on Peter Wullen’s A Séance Of The Table – The Phenomenological Wasteland (French)

I read a metaphysics/philosophy text in French — an excerpt from Jacques Derrida’s Spectres de Marx — for Peter Wullen’s A Séance Of The Table – The Phenomenological Wasteland (French), with sustained notes by Greg Chapman.

You can listen to it and get an MP3 on SoundCloud, or if you prefer a WAV or FLAC file, you can find it on Peter’s Audius page: Audius link.

A Séance Of The Table – The Phenomenological Wasteland (French)

Sustained notes by Greg Chapman (Silver Apples, To Live And Shave In L.A., …)
Voice by Raquel Pinheiro (Mondo Bizarre Magazine)
Concept, idea & conoction by Peter Wullen

“Elle devient quelqu’un, elle prend figure. Cette densité ligneuse et têtue se métamorphose en chose surnaturelle, en chose sensible insensible, sensible mais insensible, sensiblement suprasensible.”

“Mais cette transcendance n’est pas toute spirituelle, elle garde ce corps sans corps dont nous avons reconnu qu’il faisait la différence du spectre à l’esprit. Ce qui passe les sens passe encore devant nous dans la silhouette du corps sensible qui pourtant lui manque ou nous reste inaccessible. Marx ne dit pas sensible et insensible, sensible mais insensible, il dit : sensible insensible, sensiblement suprasensible. La transcendance, le mouvement en supra, le pas au-delà.”

Extrait de Jacques Derrida, Spectres de Marx, Editions du Seuil, 2024.

Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition by Raquel Pinheiro @ Yé Yé Radio Monday 15 & 22

The Stone Roses

My radio show Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition is broadcasted Monday 15 December, 3-4pm (London time), repeating Monday December 22 – my birthday – same hour on Yé Yé Radio: yeyeradio.com (or on the app).

In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light. We’re also in Hanukkah – the festival of lights – season (sundown of Sunday December 14 to nightfall of Monday December 22). And, of course Yule that coincides with Winter Solstice and Christmas.

Amazing Songs & Other Delights # 90 – The Turning Light: To The Solstice edition begins with the year’s promise, renewal with The Zombies’ This Will Be Our Year, and concludes with The Stone Roses danceable I Am The Resurrection, a welcoming to the turn, the return of the night, as well as an homage to the recently departed Mani.

There’s sunlit songs, there’s Popol Vuh’ Aguirre I (L’Acrime di Rei) with its somber tone, Aztec Camera’s Wall Out To Winter (extended version) is deliberated. It honors the walk, that Winter is a time of going inwards, not to cut short. The two I See The Light – Todd Rundgren’s and Tom Hiddleston singing Hank Williams’ one – add to the sense of clarity, hope.

Tracklist:
01: The Zombies – This Will Be Our Year
02: The Altons – Your Light
03: Todd Rundgren – I Saw The Light (2015 remaster)
04: The Offline – La belle en lumière
05: Damh the Bard – On Midwinter’s Day
06: Popol Vuh – Aguirre I (L’Acrime di Rei)
07: The Sound – Winning
08: Tom Hiddleston – I Saw The Light live in the Wittertainment studio (Hank Williams cover)
09: Nick Drake – River Man
10: The Smiths – There Is a Light That Never Goes Out (2011 Remaster)
11: Aztec Camera – Wall Out To Winter (extended version)
12: Wilco – Sky Blue Sky
13: Love & Money – Winter
14: Stone Roses – I Am The Resurrection

All previous shows on mixcloud: Yé Yé Radio mixcloud | Mondo Bizarre Magazine mixcloud

Noiserv, Casa da Música, 06.12.2025.

© Nuno Lopes/Mondo Bizarre Magazine

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Nuno Lopes

Noiserv is a brilliant project, conceived by a brilliant artist gifted with an unusual, multifaceted creative capacity.

David Santos, the driving force and sole member of the project, is a talented multi-instrumentalist who manages to capture an audience’s full attention, despite barely being able to move, far too occupied playing instruments, recording, sequencing, and performing all at once, offering his audience live music that almost always grows in dynamic range until it reaches its melodic peak.

Sala Suggia of Casa da Música, though not sold out, was very respectably filled to welcome Noiserv, and David delivered exactly what was expected, or even more.

The concert revolved around his new album, 7305, the artist’s fifth full-length record. Another remarkable work whose spacious, contemplative sound carries us into landscapes with the atmosphere of a northern lights sky.

© Nuno Lopes/Mondo Bizarre Magazine

All one had to do was close one’s eyes and let the sound take us anywhere. Long Journey and Resumidamente opened the way for older pieces such as The Sad Story Of a Little Town and Don’t Say Hi, If You Don’t Have Time For A Nice Goodbye. The set list moved fluidly between tracks from the new album and selections from earlier periods.

Special note must go to A Self-Conversation Is To Loud For An Empty Room, singular and unsettling in its beauty, performed entirely on acoustic guitar.

Noiserv also presented tracks featuring collaborations with A Garota Não (Cátia Oliveira) and Milhanas, the latter appearing onstage to perform A Casa das Rodas Quadradas, where their two voices intertwined in perfect synergy. The staging and lighting were superb, fully worthy of that iconic Porto hall.

It was a warm, celebratory evening, not least because David is an excellent storyteller with a wonderful sense of humour. We all left happy.

© Nuno Lopes/Mondo Bizarre Magazine

Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics edition by Raquel Pinheiro now @ mixcloud

Led Zeppelin

My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is now available on mixcloud.

Amazing Songs & Other Delights new editions are broadcasted on Yé Yé Radio: yeyeradio.com (or on the app) first and third Monday of the Month 3-4pm (London time), respective repeats second and fourth Monday of the month.

Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics edition title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return. You can read more about the programme here.

Tracklist:
01: Richard Wagner – Parsifal, Act II: Prelude – Die Zeit ist da (excerpt)
02: Led Zeppelin – Stairway To Heaven
03: Paus – Ficamos Por Aqui
04: Roxy Music – Avalon
05: Loreena McKennitt – The Lady of Shalott (Live)
06: Queens Of The Stone Age – In the Fade
07: José Cid – A Lenda D’el Rei D. Sebastião
08: Opeth – In The Mist She Was Standing (excerpt)
09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier)
10: Nick Cave & The Bad Seeds – Red Right Hand
11: Mcalmont & Butler – Although
12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration)
13: Crown Lands – Lady Of The Lake
14: Einstürzende Neubauten – Stella Maris
15: Die Among Strangers – Lancelot & Elaine
16: Rowland S. Howard – Autoluminescent

All previous shows on mixcloud: Yé Yé Radio mixcloudMondo Bizarre Magazine mixcloud

Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics edition by Raquel Pinheiro Monday 1, repeat Monday 8 @ Yé Yé Radio

Led Zeppelin

My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).

The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.

There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.

The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.

Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.

Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.

Ficamos Por Aqui is from Enterro (Burial) Paus final album.

Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).

Mark Lanegan is present twice. In
Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.

Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.

Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.

The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.

Tracklist:
01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt)
02: Led Zeppelin – Stairway To Heaven
03: Paus – Ficamos Por Aqui
04: Roxy Music – Avalon
05: Loreena McKennitt – The Lady of Shalott (Live)
06: Queens Of The Stone Age – In the Fade
07: José Cid – A Lenda D’el Rei D. Sebastião
08: Opeth – In The Mist She Was Standing (excerpt)
09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier)
10: Nick Cave & The Bad Seeds – Red Right Hand
11: Mcalmont & Butler – Although
12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration)
13: Crown Lands – Lady Of The Lake
14: Einstürzende Neubauten – Stella Maris
15: Die Among Strangers – Lancelot & Elaine
16: Rowland S Howard – Autoluminescent

John Williams Waterhouse – The Lady of Shallot (1888)

The Lady of Shalott (1842) by Alfred, Lord Tennyson

Part I

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro’ the field the road runs by

       To many-tower’d Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

       The island of Shalott.

Willows whiten, aspens quiver,

Little breezes dusk and shiver

Thro’ the wave that runs for ever

By the island in the river

       Flowing down to Camelot.

Four gray walls, and four gray towers,

Overlook a space of flowers,

And the silent isle imbowers

       The Lady of Shalott.

By the margin, willow veil’d,

Slide the heavy barges trail’d

By slow horses; and unhail’d

The shallop flitteth silken-sail’d

       Skimming down to Camelot:

But who hath seen her wave her hand?

Or at the casement seen her stand?

Or is she known in all the land,

       The Lady of Shalott?

Only reapers, reaping early

In among the bearded barley,

Hear a song that echoes cheerly

From the river winding clearly,

       Down to tower’d Camelot:

And by the moon the reaper weary,

Piling sheaves in uplands airy,

Listening, whispers ” ‘Tis the fairy

       Lady of Shalott.”

Part II

There she weaves by night and day

A magic web with colours gay.

She has heard a whisper say,

A curse is on her if she stay

       To look down to Camelot.

She knows not what the curse may be,

And so she weaveth steadily,

And little other care hath she,

       The Lady of Shalott.

And moving thro’ a mirror clear

That hangs before her all the year,

Shadows of the world appear.

There she sees the highway near

       Winding down to Camelot:

There the river eddy whirls,

And there the surly village-churls,

And the red cloaks of market girls,

       Pass onward from Shalott.

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd-lad,

Or long-hair’d page in crimson clad,

       Goes by to tower’d Camelot;

And sometimes thro’ the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

       The Lady of Shalott.

But in her web she still delights

To weave the mirror’s magic sights,

For often thro’ the silent nights

A funeral, with plumes and lights

       And music, went to Camelot:

Or when the moon was overhead,

Came two young lovers lately wed:

“I am half sick of shadows,” said

       The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling thro’ the leaves,

And flamed upon the brazen greaves

       Of bold Sir Lancelot.

A red-cross knight for ever kneel’d

To a lady in his shield,

That sparkled on the yellow field,

       Beside remote Shalott.

The gemmy bridle glitter’d free,

Like to some branch of stars we see

Hung in the golden Galaxy.

The bridle bells rang merrily

       As he rode down to Camelot:

And from his blazon’d baldric slung

A mighty silver bugle hung,

And as he rode his armour rung,

       Beside remote Shalott.

All in the blue unclouded weather

Thick-jewell’d shone the saddle-leather,

The helmet and the helmet-feather

Burn’d like one burning flame together,

       As he rode down to Camelot.

As often thro’ the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

       Moves over still Shalott.

His broad clear brow in sunlight glow’d;

On burnish’d hooves his war-horse trode;

From underneath his helmet flow’d

His coal-black curls as on he rode,

       As he rode down to Camelot.

From the bank and from the river

He flash’d into the crystal mirror,

“Tirra lirra,” by the river

       Sang Sir Lancelot.

She left the web, she left the loom,

She made three paces thro’ the room,

She saw the water-lily bloom,

She saw the helmet and the plume,

       She look’d down to Camelot.

Out flew the web and floated wide;

The mirror crack’d from side to side;

“The curse is come upon me,” cried

       The Lady of Shalott.

Part IV

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

       Over tower’d Camelot;

Down she came and found a boat

Beneath a willow left afloat,

And round about the prow she wrote

       The Lady of Shalott.

And down the river’s dim expanse

Like some bold seër in a trance,

Seeing all his own mischance—

With a glassy countenance

       Did she look to Camelot.

And at the closing of the day

She loosed the chain, and down she lay;

The broad stream bore her far away,

       The Lady of Shalott.

Lying, robed in snowy white

That loosely flew to left and right—

The leaves upon her falling light—

Thro’ the noises of the night

       She floated down to Camelot:

And as the boat-head wound along

The willowy hills and fields among,

They heard her singing her last song,

       The Lady of Shalott.

Heard a carol, mournful, holy,

Chanted loudly, chanted lowly,

Till her blood was frozen slowly,

And her eyes were darken’d wholly,

       Turn’d to tower’d Camelot.

For ere she reach’d upon the tide

The first house by the water-side,

Singing in her song she died,

       The Lady of Shalott.

Under tower and balcony,

By garden-wall and gallery,

A gleaming shape she floated by,

Dead-pale between the houses high,

       Silent into Camelot.

Out upon the wharfs they came,

Knight and burgher, lord and dame,

And round the prow they read her name,

       The Lady of Shalott.

Who is this? and what is here?

And in the lighted palace near

Died the sound of royal cheer;

And they cross’d themselves for fear,

       All the knights at Camelot:

But Lancelot mused a little space;

He said, “She has a lovely face;

God in his mercy lend her grace,

       The Lady of Shalott.”

All previous shows on mixcloud: Yé Yé Radio mixcloudMondo Bizarre Magazine mixcloud

Amazing Songs & Other Delights # 88 – We’re in Autumn edition by Raquel Pinheiro @ mixcloud

New Order

My radio show Amazing Songs & Other Delights # 88 – We’re in Autumn edition is now on mixcloud. Amazing Songs & Other Delights airs new editions the first and third Monday of the month, 3-4pm (London time), respective repeats second and fourth Monday of the month, same hour, on Yé Yé Radio: yeyeradio.com (or on the app).

We’re in Autumn in a simple, mostly gentle an autumnal programme, mixing genres, but essentially staying with songs of the indie-alternative and folk universe. You can read more about the programme here.

Tracklist:
01: Bill Callahan – The Man I’m Supposed to Be
02: Citizen – Yellow Love
03: Duncan Browne – A Dwarf In A Tree (A Cautionary Tale)
04: Guns N’ Roses – November Rain
05: Iron & Wine – Autumn Town Leaves
06: Karen Dalton – How Sweet It Is
07: Moe Bandy – Hank Williams, You Wrote My Life
08: New Order – Blue Moon
09: The Greenhorns – There Is An End
10: R.E.M. – So. Central Rain
11: The Kinks – Autumn Almanac
12: The Tears – Two Creatures
13: Xico Gaiato ft. Rossana | Roda da Máscara
14: Yo La Tengo – Autumn Sweater

Yé Yé Radio mixcloud  | Mondo Bizarre Magazine mixcloud

Amazing Songs & Other Delights # 87 – The To Remember Who I Am edition by Raquel Pinheiro

Alicia Edelweiss

Amazing Songs & Other Delights # 87 –  The To Remember Who I Am edition airs Monday 3 November 2025, 3-4pm (London time) and repeats Monday November 10 on Yé Yé Radio: yeyeradio.com (or on the app).

This edition title is both a reminder to myself and a words play with Tracy Vandal & John Mercy’s song.

Lammergeiers’ ITB is the band’s – a little hard to spot –  version of Suede’s Introducing The Band. 

Alicia Edelweiss is a suggestion by Bettina Korn and Ruth Lyon a suggestion by Martin Swarbrick. Their respective songs, Leonie and November were picked by me.

My beloved Sugar are back with a new single, House of Dead Memories, their first in thirty years. There’s also
Tracy Vandal & John Mercy with Alex Kapranos of Franz Ferdinand and much more.

Tracklist:
01: Lammergeiers – ITB
02: Alicia Edelweiss – Leonie
03: Ruth Lyon – November
04: Sugar – House of Dead Memories
05: Jesse Sykes & The Sweet Hereafter – Dead End Pools
06: Guided By Voices – (You Can’t Go Back To) Oxford Talawanda
07: Miranda – I Wish
09: Brian Bilston and The Catenary Wires – Might Have, Might Not Have
10: Oliver Sim – Telephone Games
11: Bela Noia – Não quero mais
12: AUA Drop – Painkiller No. 2
13: Leatherette – Hey There (x)
14: Tracy Vandal & John Mercy – To Remember Who You Were feat Alex Kapranos
15: Cass McCombs – Missionary Bell

All previous shows on mixcloud: Yé Yé Radio mixcloud | Mondo Bizarre Magazine mixcloud