Martin Scorsese – The Blues | The Blues A Musical Journey

The Blues and always the Blues! When I was putting together my Amazing Songs & Other Delights #71 The Desert Blues and Not Just edition Martin Scorsese’ The Blues documentary that I had seen two decades ago was on the back of my mind.

The Blues is a 2003 seven episodes  documentary film produced by Martin Scorsese. In each episode a different different director goes into a step of the history of the Blues. It’s worthy every second of footage, stories, music.

01: Feel Like Going Home.
directed by Martin Scorsese, featuring
Ali Farka Touré, Corey Harris, Salif Keita, Son House, Taj Mahal, John Lee Hooker, Keb’ Mo’, Willie King

02: The Soul of a Man.
directed by Wim Wenders with music by Skip James, Blind Willie Johnson and J. B. Lenoir.

03: The Road to Memphis.
directed by Richard Pearce, featuring B. B. King, Bobby Rush, Rosco Gordon,
Ike Turner.

04: Warming by the Devil’s Fire.
directed by Charles Burnett, featuring:
Tommy Hicks and Nathaniel Lee Jr., and performances by Big Bill Broonzy, Elizabeth Cotten, Reverend Gary Davis,
Ida Cox, Willie Dixon, Jesse Fuller, John Lee Hooker, Lightnin’ Hopkins, Son House, Mississippi John Hurt, Vasti Jackson, Bessie Smith, Mamie Smith, Victoria Spivey, Sister Rosetta Tharpe, Dinah Washington, Muddy Waters and Sonny Boy Williamson.

Sister Rosetta Tharpe

05: Godfathers and Sons
directed by Marc Levin, featuring
Marshall Chess and Chuck D.

06: Red, White and Blues.
directed by Mike Figgis. This episode is focused on the blues in Britain and the British Invasion effect on American blues.

07: Piano Blues.
directed Clint Eastwood, featuring
Marcia Ball, Dave Brubeck, Ray Charles and Pinetop Perkins.

The Blues wiki

The Blues A Musical Journey is a cd box-set companion of the documentary with recordings from August 10, 1920 to April 9, 2003. It’s over six hours of all sorts of blues! It goes from Othar Turner & the Rising Star Fife & Drum to Bonnie Raitt through Sun House, Jimmi Hendrix, Blind Willie McTell, Elvis Presley, Bob Dylan, Robert Johnson Howlin’ Wolf with dozens of blues players. The Blues A Musical Journey is more standard and geographically confined than my Amazing Songs & Other Delights #71 The Desert Blues and Not Just edition, but it’s an absolute joy.

Blind Willie McTell

My beloved Blind Willie McTell titles my favourite Bod Dylan song on Dylan’s voice because “… no one can sing the blues / Like Blind Willie McTell. Dylan is on piano and voice, Mark Knopfler on acoustic guitar. Blind Wille McTell, the song, has been providing endless hours of conversation with a musician friend. Is it a song? A poem? A criticism? A critique? An observation? What are the lyrics really about? To me, they’re about America and its History and ways. It’s also a testament to Dylan’s lyric brilliancy.

Blind Wille McTell
I seen the arrow on the doorpost
Saying this land is condemned
All the way from New Orleans
To Jerusalem
Well, I travel through east Texas
Where many martyrs fell
And I know no one can sing the blues
Like Blind Wille McTell

Mmm, I heard that hoot owl singing
As they were taking down the tents
The stars above the barren trees
Was his only audience
Them charcoal gypsy maidens
Can strut their feathers well
But nobody can sing the blues
Like Blind Willie McTell

See them big plantations burning
Hear the cracking of the whips
Smell that sweet magnolia blooming
See the ghosts of slavery ships
I can hear them tribes a moaning
Hear that undertaker’s bell
And I know no one can sing the blues
Like Blind Willie McTell

There’s a woman by the river
With some fine young handsome man
He’s dressed up like a squire
Bootleg whiskey in his hand
There’s a chain gang on the highway
I can hear them rebels yell
And I know no one can sing the blues
Like Blind Willie McTell

God is in His heaven
And we all want what’s His
But power and greed and corruptible seed
Seem to be all that there is
I’m gazing out the window
Of that old Saint James Hotel
And I know no one can sing the blues
Like Blind Willie McTell
(Bob Dylan)

Stealing from The Legendary Tiger Man – the blues, like folk, is all about inspiration and ideas passed around – don’t firetruck Christmas, but I’ve got the Blues!

Amazing Songs & Other Delights #71 – The Desert Blues and Not Just edition by Raquel Pinheiro @ mixcloud

Amazing Songs & Other Delights #71 is the The Desert Blues and Not Just edition is now on mixcloud.

This edition opens with Imajighen by Mdou Moctar and closes with Tom Huddleston singing a live version on Hank Williams’ I Saw The Light. Once more, I’m travelling through connections, details, inspiration. I’ve wrote an essay for it that can be read here.

Imajighen means free men in Berber. Although the lyrics specifically, or more specifically, address the free men of the Desert, the song’s words can be transposed to encompass us all. The chorus goes:
“Imajighen, we can’t afford to be divided
Imajighen,
We can’t afford to be divided
Imajighen
We have no time for hate
Imajighen
Calling on you all wherever you are!
We are all Imajighen”
Full lyrics in English, Tamasheq and Tifinagh can be read here.  here.

What do Mdou Moctar and Hank Williams have in common? Everything, I venture. My essay about the programme further speaks about it.

Tracklist:
01 – Mdou Moctar – Imajighen
02 – ANOHNI & The Johnsons – Breaking
03 – Tiwiza – At u Azeka
04 – Bombino – Mahegagh (What Shall I Do)
05 – Rui Veloso – Sayago Blues
06 – R.L. Burnside – See My Jumper Hanging On the Line (live at home, 1978)
07 – Tarwa N-Tiniri – Taryet
08 – Tom Verlaine – 5 Hours From Calais
09 – Dead Combo – Lisboa Mulata
10 – Fatou Seidi Ghali (Les Filles de Illighadad) – Telilit (live from Story of Sahel Sounds)
11 – Manu Chao – Tu Te Vas Feat. Laeti
12 – Felt – The Stagnant Pool
13 – Boubacar Traoré & Ali Farka Touré – Duna Ma Yelema
14 – Buzz Ayaz – Buzzi Ayazi
15 – Soledad Brothers – This Guitar Says I’m Sorry
16 – The White Stripes – Suzy Lee
17 – Etran de L’Aïr – Imouha
18 – Ben Watt with Bernard Butler – New Year of Grace (Upstairs at the De La Warr Pavilion Bexhill 5th April 2016)
19 – The Legendary Tiger Man – Keep it Burning
20 – Majid Bekkas – Daymallah (feat. Rachid Zeroual, Khalid Kouhen, Paolo Radoni, Marc Lelangue)
21 – Tinariwen – Sastanàqqàm
22 – Tom Hiddleston – I Saw The Light (with Mark Kermode on double-bass, live in the Wittertainment studio)

All previous shows on mixcloud: Yé Yé Radio mixcloud/ | Mondo Bizarre Magazine mixcloud

Amazing Songs & Other Delights #71 – The Desert Blues and Not Just edition por Raquel Pinheiro @ Yé Yé Radio, Monday 7

Amazing Songs & Other Delights #71 is the The Desert Blues and Not Just edition airs Monday 7th, 3-4:30pm (gmt+1) on Yé Yé Radio:  yeyeradio.com (or on the app). This a longer, special edition.

This programme opens with Imajighen by Mdou Moctar and closes with Tom Huddleston singing a live version on Hank Williams’ I Saw The Light. Once more, I’m travelling through connections, details, inspiration. And writing an essay.

Imajighen means free men in Berber. Although the lyrics specifically, or more specifically, address the free men of the Desert, the song’s words can be transposed to encompass us all. The chorus goes: “Imajighen, we can’t afford to be divided
Imajighen,
We can’t afford to be divided
Imajighen
We have no time for hate
Imajighen
Calling on you all wherever you are!
We are all Imajighen” Full lyrics in English, Tamasheq and Tifinagh can be read here. Tom Hiddleston plays Hank Williams in the film I Saw The Light.

What do Mdou Moctar and Hank Williams have in common? Everything, I venture. Amazing Songs & Other Delights #71 the The Desert Blues and Not Just edition could be said to be part of my “self taught” guitar schooling, mostly related to what Grupo Operário do Ruído, of which I’m part of, have been working on music wise.

Desert and African blues often have clapping. Clapping, including Arab clapping, a dry, hand palm against hand palm, clap, along with the fat clapping, is also something we have been exploring on Grupo Operário do Ruído. The same goes for rhythm, space, speed, rests, tone, intensity, ambient, emotions, silence, continuous, abrupt or smooth changes.

Since I elected the electric guitar as my main instrument in Grupo do Ruído, I have been paying a different kind of attention to the many faces, possibilities, approaches of the instrument.

This year, on Grupo Operário do Ruído we even created our own blues. A not so standard one, nonetheless, a blues.

Which take us to, what is the blues, what is a standard blues? The answers may require a many volumes encyclopedia. Or music theory explanations. I’ll leave both aside. As my choices for this Amazing Songs & Other Delights show, the blues is many things, everything, often not what a rigid blues school would call blues. Yet, it’s precisely the richness, the uniqueness, the emotions, feeling, sentiment that make the blues. Not being a never-miss-a-note-i-can-play-it-at-1000-miles-per-second master of the mimor blues pentatonic scale, proper chords progression, and on. If that’s all you got, you don’t have the blues, you have technique.

On these blues choices of mine we go on a journey with stops on Niger to Portugal, through the United States, Argelia-France, Marocco, United Kingdom, France-Spain, Mali, Cyprus, Algeria. Or, as sang Mdou Moctar’s Imajighen “We can’t afford to be divided”. Therefore, let’s have, sing and play the blues!

Tracklist:
01 – Mdou Moctar – Imajighen
02 – ANOHNI & The Johnsons – Breaking
03 – Tiwiza – At u Azeka
04 – Bombino – Mahegagh (What Shall I Do)
05 – Rui Veloso – Sayago Blues
06 – R.L. Burnside – See My Jumper Hanging On the Line (live at home, 1978)
07 – Tarwa N-Tiniri – Taryet
08 – Tom Verlaine – 5 Hours From Calais
09 – Dead Combo – Lisboa Mulata
10 – Fatou Seidi Ghali (Les Filles de Illighadad) – Telilit (live from Story of Sahel Sounds)
11 – Manu Chao – Tu Te Vas Feat. Laeti
12 – Felt – The Stagnant Pool
13 – Boubacar Traoré & Ali Farka Touré – Duna Ma Yelema
14 – Buzz Ayaz – Buzzi Ayazi
15 – Soledad Brothers – This Guitar Says I’m Sorry
16 – The White Stripes – Suzy Lee
17 – Etran de L’Aïr – Imouha
18 – Ben Watt with Bernard Butler – New Year of Grace (Upstairs at the De La Warr Pavilion Bexhill 5th April 2016)
19 – The Legendary Tiger Man – Keep it Burning
20 – Majid Bekkas – Daymallah (feat. Rachid Zeroual, Khalid Kouhen, Paolo Radoni, Marc Lelangue)
21 – Tinariwen – Sastanàqqàm
22 – Tom Hiddleston – I Saw The Light (with Mark Kermode on double-bass, live in the Wittertainment studio)

All previous shows on mixcloud: Yé Yé Radio mixcloud / | Mondo Bizarre Magazine mixcloud

Amazing Songs & Other Delights #70 – The True Love edition by Raquel Pinheiro @ mixcloud

My Amazing Songs & Other Delights #70 – The True Love edition can now be listened to at mixcloud.

The name of this editon comes from the opening and closing songs, True Love the new song by Jane’s Addiction, and True Love Will Find You In The End by Daniel Johnson. You can read more about Amazing Songs & Other Delights here.

Tracklist:
01: Jane’s Addiction – True Love
02: A 90s new man called Stan – Sushi feat. Adamski
03: Anthony Moore – Earthbound Misfit
04: Black Toska – Three Silver Nails
05: Cosmic Room 99 – E Corp
06: Fernando Triste – Escuro
07: Franz Ferdinand – Audacious
08: Good Sad Happy Bad – Shaded Tree
09: Jonas – Bato À Porta
10: Kingbird – There Were Things That Needed Forgiven
11: Laurie Anderson – Road to Mandalay
12: Primal Scream – Love Insurrection
13: Terry Gross – Sales Pitch
14: The Heavy Heavy – Feel
15: Tindersticks – Always a Stranger
16: Virgem Suta – Amor Ao Avesso
17: Daniel Johnston – True Love Will Find You In The End

All previous shows on mixcloud: Yé Yé Radio mixcloud | Mondo Bizarre Magazine mixcloud

Winten & Maple Glider, Socorro, Porto, 20.09.2024. | Piquenique Dançante Sobre a Relva, Parque de São Roque, Porto, 22.09.2024.

Winten © Raquel Pinheiro

words, photos & videos: Raquel Pinheiro

Walking blind into concerts is something I enjoy a lot. I was neither familiar with Winten or Maple Glider songs. My reason to go to their respective concerts at Socorro was to meet a old friend I hadn’t seen in over a decade.

Winted © Raquel Pinheiro
Maple Glider © Raquel Pinheiro

I was pleasantly surprised with Winten and Maple Glider gentle songs and music. Winten more inclined towards heartbreak and love sceneries and scenario in a frail, tone; Maple Glider, although not dissimilar, has a more sober and mature tone.

Maple Glider © Raquel Pinheiro
Piquenique Dançante Sobre a Relva © Raquel Pinheiro

Piquenique Dançante Sobre a Relva (Dancing Picnic on the Lawn) is an event held yearly at a park or garden in Porto. This year it was near by me at the wonderful Parque de São Roque on Saturday 21 and Sunday 22 September.

I only attended on Sunday. It was the first time I went to Parque de São Roque dressed up. And it was joyous and fun. Lots of people on the lawn and labyrinth area, seated on blankets, kids running and playing around – the monitors turned to the audience provided a great racing and dancing track for children that were freely allowed to run upon them. Since I also stood on them during Wolf Manhattan, I can attest it’s great fun.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro

It was great to see friends, acquaintances, so many new faces and watch friends playing.

West 11 © Raquel Pinheiro
Population 5 © Raquel Pinheiro

West 11 share Phil King (guitar) and Mark Kingston (bass with) Population 5 and have Beth Hirsch on vocals. They are, or were in this instance, a serene band. Heavily contrasting with the raucous, electric in every sense, groovy surfy Population 5. Children played a part again when a very young guitarist with his toy guitar took to the stage having Phil and Fernando Barbedo (Population 5’s other guitarist) as his wing men.

Population 5 © Raquel Pinheiro
Wolf Manhattan © Raquel Pinheiro

Wolf Manhattan are João Viera’s latest incantation. The sad, happy story of a singer-songwriter, lonely in his bedroom that takes his show on the road, accompanied with several eye catching guitars, hair colour and clothes. Cool songs, entertaining atmosphere.

Wolf Manhattan © Raquel Pinheiro

Between bands André Rio played cover on a small stage on the middle of the lawn’s fountain, leading to a sing-a-long.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro
André Rio © Raquel Pinheiro

I didn’t stay to see Irmãos Catita. Home and my guitar were calling.

Piquenique Dançante Sobre a Relva © Raquel Pinheiro

Amazing Songs & Other Delights #70 – The True Love edition by Raquel Pinheiro, Monday 23

Hello! My radio programme Amazing Songs & Other Delights is back with new editions. The first one, called The True Love Edition airs Monday 23, 3-4pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).

The name of this editon comes from the opening and closing songs, True Love the new song by Jane’s Addiction, and True Love Will Find You In The End by Daniel Johnston. Between them there are fifteen other songs some of which also mention love. As often in my Amazing Songs & Other Delights there is a variety of genres, well known bands and artists along newcomers and hidden gems.

Tracklist:
01: Jane’s Addiction – True Love
02: A 90s new man called Stan – Sushi feat. Adamski
03: Anthony Moore – Earthbound Misfit
04: Black Toska – Three Silver Nails
05: Cosmic Room 99 – E Corp
06: Fernando Triste – Escuro
07: Franz Ferdinand – Audacious
08: Good Sad Happy – Shaded Tree
09: Jonas – Bato À Porta
10: Kingbird – There Were Things That Needed Forgiven
11: Laurie Anderson – Road to Mandalay
12: Primal Scream – Love Insurrection
13: Terry Gross – Sales Pitch
14: The Heavy Heavy – Feel
15: Tindersticks – Always a Stranger
16: Virgem Suta – Amor Ao Avesso
17: Daniel Johnston – True Love Will Find You In The End

All previous shows on mixcloud: Yé Yé Radio mixcloud/ | Mondo Bizarre Magazine mixcloud

Grupo Operário do Ruído, Open Rehearsal, Associação de Moradores da Bouça, Porto, 13.09.2024.

© Renato Cruz Santos

A View From Within

words: Raquel Pinheiro; photos: Renato Cruz Santos/Cultura em Expansão

A week ago me and my colleagues from Grupo Operário do Ruído, a parte experimental-exploratory-avant ensemble connect to Sonoscopia were in the depths of our Open Rehearsal, after months of hours long reharsals.

© Renato Cruz Santos

Being part of the group has been a very interesting experience. I elected the electric guitar as my main instrument, in itself a challenge. I’m far more familiar with an electric bass than with an electric guitar. Most of my other instruments are as peculiar and unique as Grupo Operário do Ruído: a couple of plastic beads necklaces, a children’s melodica, mismatched drum sticks, empty spices bottles, and more, and our claribones, what I call our odd purpose build mix of trombone and clarinet.

© Renato Cruz Santos

Many instruments we use were build on previous years of the existence of Grupo Operário do Ruído, some like my guitar, the traditional drums, the tambourine are convencional. My use of the electric guitar is anything but convencional. We’re often asked what we do, what we play. We’re still working on the musical piece directed by António Serginho and Carlos Guerreiro, to which we all contribute.

I would say we’re much close to an orchestra than a rock band. The musical, sound, and other approaches are wide. As you can see on the photos we do not use staves. There are structured rhythm parts, solo and free style parts, corporal movement, a bit of singing. Each of us, one more than others depending of what we play, swap our instruments, according to the section we’re playing.

None of the above explains much other than a little of the mechanics of this year in Grupo Operário do Ruído. It’s not easy to explain as it is a sound experience composed of a million details.

© Renato Cruz Santos

I’ve been asked if I felt nervous playing in front of an audience. I didn’t. I didn’t even notice the audience that surrounded us. We’re concentrated on what we’re playing as well as in the hand instructions of António Serginho tailor made for us, and therefore different than standard conductor instructions.

© Renato Cruz Santos

No, I’m not letting our music out. 😉 Not right now. 🙂 We sound brilliant!

We have our Final Presentation at Conservatório de Música do Porto, December 8, 7pm. Come see us!

© Renato Cruz Santos

Bill MacKay, Understage – Rivoli, Porto, 13.09.2024.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP

Guitar Poetry

words & video by Raquel Pinheiro; photos: João Octávio Peixoto/TMP

To say Bill MacKay’s concert was extraordinary, would be underwhelming. Sublime is a better word. Transcendental, another good one. Those words still don’t do justice to the music, guitar, playing, singing. In fact, being there is the only thing that would do it justice.

Beauty, poetry spoken with an electric guitar as I’ve seldom heard it. Bill sings too, and tells little stories about the songs, however, his visual, sound, poetic mastery of the guitar is the domain of few.

The songs from MacKay’s latest album Locus Land (by the way it’s Terra do Gafanhoto, Bill 🙂 ) gain a different, spiritual, otherworldly dimension live. They become a time within time. A time of gentleness, until the final piece served: Arcadia. Bill stood up to play Arcadia in full, distortion mode adding a sharp dramatic contrast to the tone of the concert.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP

GOR – Grupo Operário do Ruído Open Reharsal, Friday September 13

Come and see me and my colleagues from GOR – Grupo Operário do Ruído – a large experimental-exploratory-avant ensemble – on our Open Reharsal, Friday, 13 at Associação de Moradores da Bouça in Porto, 9:30pm. Entry is free (2 tickets per person, at the door, from 8:30pm).

I’ll be on electric guitar, prepared, bass like or otherwise, and, most likely, on a few peculiar instruments too.

© Raquel Pinheiro
© Renato Cruz Santos

Wave-Gotik-Treffen, Leipzig, 2024 – photolog 4

© Mondo Bizarre Magazine/Gustavo Hochman

We conclude our photo view of Wave-Gotik-Treffen, Leipzig, 2024 portraited by Gustavo Hochman with the fourth photolog of the series. Links for previous photologs below the photos. We will bring you Wave-Gotik-Treffen again next year.

© Mondo Bizarre Magazine/Gustavo Hochman
© Mondo Bizarre Magazine/Gustavo Hochman
© Mondo Bizarre Magazine/Gustavo Hochman
© Mondo Bizarre Magazine/Gustavo Hochman

Wave-Gotik-Treffen 2024 photolog 1

Wave-Gotik-Treffen 2024 photolog 2

Wave-Gotik-Treffen 2024 photolog 3

Wave-Gotik-Treffen 2023 photolog

Wave-Gotik-Treffen 2019 photolog