My Amazing Songs & Other Delights #61 – The It Is All New edition a programme filled with novelties can now be listened to on mixcloud.
Monday, March 11th, 2024, 3-4pm (gmt) Running time: 60:01:12
Tracklist: 01 – The Black Keys – I Forgot To Be Your Lover 02 – Been Stellar – Passing Judgment 03 – Bodega – Tarkovski 04 – Crumbs – DIY SOS 05 – Blind Zero – Running Back To You 06 – P. S. Lucas – Black Sand 07 – James – Our World 08 – Pete Astor – Chinese Cadillac 09 – The Sex Organs – Sex Shop 10 – La Luz – Strange World 11 – Wolf Manhattan – You Can’t Always Win 12 – Nourished By Time – Hand On Me 13 – Girl and Girl – Hello 14 – Six Organs of Admittance – The Mission 15 – Liam Gallagher & John Squire – Make It Up As You Go Along 16 – JP Simões – Mariazinha 17 – The Libertines – Night Of The Hunter 18 – Corridor – Mon Angent
My Amazing Songs & Other Delights #61 – The It Is All New edition airs Monday, 11h, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com
This edition is a programme filled with 18 new, newish songs like You Can’t Always Win Wolf Manhattan single from the second upcoming album, and a cover of a decades long Portuguese song, Mariazinha by José Mário Branco here interpreted by JP Simões.
As is often the case with my radio shows, the selection is eclectic, from established to new names, from Portuguese to American songs.
Tracklist: 01 – The Black Keys – I Forgot To Be Your Lover 02 – Been Stellar – Passing Judgment 03 – Bodega – Tarkovski 04 – Crumbs – DIY SOS 05 – Blind Zero – Running Back To You 06 – P. S. Lucas – Black Sand 07 – James – Our World 08 – Pete Astor – Chinese Cadillac 09 – The Sex Organs – Sex Shop 10 – La Luz – Strange World 11 – Wolf Manhattan – You Can’t Always Win 12 – Nourished By Time – Hand On Me 13 – Girl and Girl – Hello 14 – Six Organs of Admittance – The Mission 15 – Liam Gallagher & John Squire – Make It Up As You Go Along 16 – JP Simões – Mariazinha 17 – The Libertines – Night Of The Hunter 18 – Corridor – Mon Argent
Here is the Family Affair programme. The songs my brother Renato and I sing along through technology – we’re over one thousand kilometers apart – including Canção de Embalar by José Afonso my niece’s favourite song.
Trackist: 01 – José Afonso – Canção de Embalar (Gaia) 02 – Manu Chao – Mi Vida (Renato) 03 – La Rue Ketanou – Sur Les Chemins De La Bohême (Gaia & Renato) 04 – Gojira – Born in Winter (Gaia) 05 – Faith No More – I Started a Joke (Raquel) 06 – Blur feat Noel Gallagher & Paul Weller – Tender live at Tennage Cancer Trust (R&R) 07 – McAlmont & Butler – Yes – 20 years live on Andrew Marr (Raquel) 08 – Muse – Darkshines (Renato) 09 – Blur – Coffee & TV (Gaia) 10 – Radiohead – Man Of War (Renato) 11 – Oasis – Don’t Look Back In Anger (R&R) 12 – Queens Of The Stone Age – Mosquito Song (Raquel) 13 – The Beatles – Eleanor Rigby (R&R) 14 – The Stranglers – Golden Brown (R&R) 15 – The Beatles – A Day In The Life (Renato)
Amazing Songs & Other Delights #60 The A Family Affair edition by Gaia, Renato & Raquel Pinheiro airs tomorrow Monday, 26th , 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com (or on the app).
The A Family edition programme has songs by brother Renato and I sing together, through WhatsApp, including my niece, Gaïa, favourite song: Canção de Embalar by José Afonso.
My brother and Iive over a thousand kilometers apart. We made good use of the fairies of technology. He is usually on speaker, strumming his Takamine or unplugged Les Paul model and singing, I’m not on speaker and or may not, be stunning my, unplugged, Strat model., and singing. Or humming the bass line.
The Beatles grace this post since they are a family affair. Our mum and her sisters, who were teenagers and young women in the 60s,lovec them. The first sing our parents dance to was a Beatles song. As a child I saw Yellow Submarine at least once a year on a movie theater,aming with every time it was shown on television. Help would be another much seen film.
There are two bands with two songs on the programe. The Beatles and Blur. We sing many Beatles and Blur songs. My niece loves Coffee & TV and its video. There is also the most Beatlesnesque song ever, not written by the Beatles, Oasis’ Don’t Look Back In Anger.
Trackist: 01 – José Afonso – Canção de Embalar (Gaia) 02 – Manu Chao – Mi Vida (Renato) 03 – La Rue Ketanou – Sur Les Chemins De La Bohême (Gaia & Renato) 04 – Gojira – Born in Winter (Gaia) 05 – Faith No More – I Started a Joke (Raquel) 06 – Blur feat Noel Gallagher & Paul Weller – Tender live at Tennage Cancer Trust (R&R) 07 – McAlmont & Butler – Yes – 20 years live on Andrew Marr (Raquel) 08 – Muse – Darkshines (Renato) 09 – Blur – Coffee & TV (Gaia) 10 – Radiohead – Man Of War (Renato) 11 – Oasis – Don’t Look Back In Anger (R&R) 12 – Queens Of The Stone Age – Mosquito Song (Raquel) 13 – The Beatles – Eleanor Rigby (R&R) 14 – The Stranglers – Golden Brown (R&R) 15 – The Beatles – A Day In The Life (Renato)
words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Paulo Carmona
Many went to Mouco to New Castle band Lanterns On The Lake first concert in Porto.
The band started with The Likes Of Us, Real Life and Every Atom. Right there it shows the band is instrumentaly very competent. Be it 9n the rhythm or the melodic section. The harmonic sequences are irreproachable.
Hazel Wilde’s lead vocals are impregnated with loud, vibrating sounds that perfectly dress the songs, fully tailored for her vocal range. As it is said, it fit like a glove. Indie rock set Mouco’s the room on fire with Blue Screen Beams, When It All Comes True and Rich Girls. Paul Gregory’s guitar is so intense that it is impossible for bodies not to vibrate with its riffs.
Before the encore, Hazel jokes a little with the cliché saying they will no behind that door and be right back with a few more song, which generates laughter. After the show, I wandered around and was left with the impression of a friend’s gathering in which between people who did not knew each other well. Music does such things.
My radio show Amazing Songs & Other Delights #54 – The Ascend-Descend edition is now on mixcloud. You can read about the show here.
Tracklist: 01: Rafael Toral – Intro + Changes (except) 02: Cabrita – Todo Torto 03: Helado Negro – I Just Want To Wake Up With You 04: J. Masis – Can’t Believe We’re Here 05: King John – The Water 06: Mary Timony – Dominoes 07: MOORIS -04 08: O Gajo – Corrosão 09 – Swansea Sound – Paradise 10: The Lemonheads – Fear of Living 11: The Smile – Wall Of Eyes 12: Ty Segall -My Room 13: Vince Clarke – The Lamentations of Jeremiah 14: youbet – Carsick 15: Francisco Sassetti – Sara Is Happy
American composer Charlemagne Palestine’s performarnce, , as part of Across Ø Around: Mika Vainio A Tribute was a mesmerizing experience of about 50 minutes.
Imersive is a beaten, too worn word, yet, here, for someone like me, who kept closed eyes, pretty much all the time, it is fitting. And quite descriptive.
Palestine start playing before the audience took its place in the pews. At first, a low, tremble leaning continuous hum. Given Igreja de Cedofeita seating seating, most people had their back turned to the pipe organ balcony, facing the empty altar. Having entering the empty room a little earlier, on the side pew, by the altar, that allows to turn and face the pipe organ and player, I had a prime location for allowing the sound, the music to lead and do its magic.
And its magic was a wonder world of tonal variations complementing, overlapping, at times almost making disappear, at others leaving it fully raw, a continuous hum. A hum, in itself, the same and diverse. The inflections, the detours, the shades, the sounds, the whispers, the tumoultous, all had its place in a linear-nonlinearsublime performance that included words of prayer in a language only known to Charlemagne Palestine’s and a short percutive moment with a couple of filled whisky glasses clacking against it other. A night to remember.
Amazing Songs & Other Delights #54 – The Ascend-Descend edition is tomorrow, Monday 20th, 3-4pm (gmt) on Yé Yé Radio:https://yeyeradio.com/ (or on the app).
The title refers to the flow of the very eclectic musical selection, comprasse of recent or just out instrumentals and songs, of this edition of the programme.
Tracklist: 01: Rafael Toral – Intro + Changes (except) 02: Cabrita – Todo Torto 03: Helado Negro – I Just Want To Wake Up With You 04: J. Masis – Can’t Believe We’re Here 05: King John – The Water 06: Mary Timony – Dominoes 07: MOORIS – 04 08: O Gajo – Corrosão 09 – Swansea Sound – Paradise 10: The Lemonheads – Fear of Living 11: The Smile – Wall Of Eyes 12: Ty Segall -My Room 13: Vince Clarke – The Lamentations of Jeremiah 14: youbet – Carsick 15: Francisco Sassetti – Sara Is Happy
The 26 issues of print Mondo Bizarre Magazine that run November 1999 to June 2006 are now part of the collection of Fanzineteca de Aveiro and are available for public consultation.
Fanzineteca de Aveiro https://fanzinetecadeaveiro.fanzine.pt/is a physical space dedicate to alternative magazines, newspapers and “fanzines” within the library of José Estêvão Secundary School in Aveiro.
Mondo Bizarre Magazine #09 – November 2001 – first colour issue
The alternative magazines, newspapers and “fanzines” collection of Fanzineteca de Aveiro is the personal collection ofMiguel Alexandre Simões Correia.
Mondo Bizarre Magazine #10 – February 2002
The purpose of Fanzineteca de Aveiro is to preserve important documents of alternative, independent and underground documents and to make them available to the general public.
Mondo Bizarre Magazine #13 – 3rd Anniversary – John Parish cover
Print Mo do started as a black and white magazine. By issue 09 the front page and some inner pages were in colour. By issue 11Mondo had so many pages I couldn’t carry the packages. We had to back track. For issue 13 three different covers were printed, corresponding to three major intervirws. One cover featuringJohn Parish, one with The Hellocpters, that had fronted our first cover, and one dedicated to Dischord Records to go along Ian Mackaye’s interview.
Mondo Bizarre Magazine #17 – 4th anniversary – Art Chantry coverMondo Bizarre Magazine #23 – July 2005
My deepest thank you to Miguel Correia for putting making available the 26 issues of print Mondo available to everyone a D for his extraordinary work with Fanzineteca de Aveiro.
words: Guilherme Lucas (freely translated by Raquel Pinheiro); photos: Raquel Pinheiro
Famous British composer, musician and producer John Parish was in Portugal, to present live, in two concerts – Porto and Lisboa – his film-concert, called Screenplay. Thursday he was at Hard Club in Porto and Friday at Culturgest in Lisboa, the last as part of IndieLisboa International Film Festival programme.
Screenplay, a Parish album released in 2013, made of soundtracks for a movie that does not really exist. The concept is based on the selection of several scenes from various films (nine altogether), of the musician ‘s taste, who decided to compose sequentially with the aim to produce soundtrack for all those excerpts, resulting in nineteen themes. The idea is curious, very valid and the proof is that, after being listened to, it works well in musical terms,.
John Parish performed on Hard Club’s stage accompanied by his private band made up of accomplices (I immediately recognized drummer and multi-instrumentalist Jean Marc Butty, who was part of Mick Harvey’s support band, since he played in Portugal, in 2015). Butty is the service drummer, along with Parish and Jeremy Hogg (another of the guitarists present) of PJ Harvey’s). Marta Collica (keys and vocals) and Giorgia Poli (bass and vocals), the other band members, also are usual musicians from John Parish Band.
In a conceptual and intimate concert, as was the, where fifteen of the nineteen songs were played (not on the album’s line-up), I have clearly and very objectively retained two points to comment:
– Although the projection of some of the film sequences is understandable, in order to provide the audience with more engagement and clarity about the music being played for that very footage, the fact is that in most cases it did not work effectively. If it is visually pleasing to see a band silhouetted in front of a film screen with films projection running, in this case there were many moments when the intensity of the music, and even its volume, could not harmoniously connect with the images, losing kinematic beam. Not always, but most times. Many of the band’s best musical moments happened when it played without the footage projection.
– The John Parish Band is a luxury band, made up of musicians that create excellent music, with extremely elegant and impeccable good taste. It is, therefore, always able to play variable quality material with the same commitment. All that to say that it was obvious to ascertainment that some of the album’s themes are quality rather inferior composition wise when compared to others that are simply excellent, of a touching melancholic beauty. It is, however, understandable that this oscillation (possibly caused by of Parish’s different moods during the creative act that brought them into being, certainly always variable and circumstantial), in the sense that there does not always have to be a perfect album with huge themes. The point is that Screenplay has excellent themes, but also offers so many that are only understood as Parish’s experimental approaches (or even reveries), possibly very valid for him … but that do not reach the greatness and depth of some of the others.
John Parish is a very friendly musician with the audience and was quite pleased with the warm reception he was receiving with clapping at the end of each theme. After the performance, the band returned once again to stage, as a farewell and encore, to play another composition called Buffalo.
In short, I will say that it was, without a doubt, a good concert, but with my best expectations were somewhat disappointed, because from John Parish I only expect nothing less than excellence.
O famoso compositor, músico e produtor britânico, John Parish está em Portugal, para apresentar ao vivo, em duas datas – Porto e Lisboa – o seu filme-concerto, de nome Screenplay. Ontem esteve no Hard Club, no Porto e hoje estará na Culturgest, em Lisboa, fazendo este último concerto parte da programação da IndieLisboa International Film Festival.
Screenplay é um álbum de Parish lançado em 2013, feito de bandas sonoras para um filme que não existe na realidade. O conceito parte da seleção de várias cenas de vários filmes (nove ao todo), da preferência do músico, que decidiu compor em forma sequencial com vista à realização de uma banda sonora totalizadora desses excertos, resultando em dezanove temas. A ideia é curiosa e muito válida e a prova é que resulta bem em termos musicais, após escuta.
John Parish apresentou-se no palco do Hard Club acompanhado da sua banda privativa feita de amizades cúmplices (reconheci de imediato o baterista e multinstrumentista Jean Marc Butty, que fez parte da banda de apoio de Mick Harvey, desde a última vez que este tocou no nosso país, em 2015). Butty é o baterista de serviço, conjuntamente com Parish e Jeremy Hogg (outro dos guitarristas presentes), de PJ Harvey). Marta Collica (teclas e voz) e Giorgia Poli (baixo e voz), os restantes elementos da banda, são também elas músicos habituais na John Parish Band.
Num concerto conceptual e de pendor intimista, como foi o caso deste, onde foram tocados quinze dos dezanove temas (fora do alinhamento do álbum), retive, clara e muito objetivamente, dois aspetos para comentar:
– Embora seja entendível a projeção de algumas das sequências dos filmes de forma a dar mais envolvência e esclarecimento ao público da música que era interpretada para essas mesmas cenas, o facto é que na maior parte das vezes não resultou de forma eficaz. Se visualmente é sempre agradável ver uma banda em silhueta à frente de um ecrã de cinema com projeção de filmes a decorrer, neste caso existiram muitos momentos em que a intensidade da música, e até o seu volume, não conseguiram ligar-se harmoniosamente com as imagens, perdendo fulgor cinemático. Não em todos os momentos, mas na maior parte deles. Muitos dos melhores registos musicais da banda, ocorreram quando a mesma atuava sem a projeção das cenas.
– A John Parish Band é uma banda de luxo, feita de instrumentistas que fazem excelente música, de forma extremamente elegante e de irrepreensível bom gosto. É, por isso, sempre capaz de interpretar material de qualidade variável com o mesmo empenho. Tudo isto para dizer que foi óbvia a constatação de que alguns dos temas do álbum são de qualidade composicional bastante inferior a outros que são simplesmente excelentes e de uma beleza melancólica tocante. Entende-se contudo esta oscilação (eventualmente por diferentes estados de espírito de Parish aquando do ato criativo que lhes deu origem, e que certamente são sempre variáveis e circunstanciais), no sentido de que não tem de haver sempre um álbum perfeito de enormes temas. A questão é que Screenplay tem excelentes temas, mas também oferece outros tantos que só se entendem como abordagens experimentais de Parish (ou até devaneios), eventualmente muito válidos para o músico… mas que não alcançam a grandeza e a profundidade de alguns outros.
John Parish é um músico muito simpático com o público e mostrou-se bastante contente com a receção calorosa que ia recebendo deste, em forma de aplausos no final de cada tema. Finalizada a atuação, a banda regressou mais uma vez a palco para, em jeito de despedida e de encore, interpretarem mais uma composição, Buffalo de seu nome.
Resumindo: direi que foi, sem sombra de dúvida, um bom concerto, mas com as minhas melhores expetativas algo defraudadas, pois de um John Parish só espero nada menos que a excelência.
Mondo Bizarre Magazine 