My radio show Amazing Songs & Other Delights # 85 – The Of Love & Loss edition can now be listened to on mixcloud. Of Love & Loss is a self-explanatory title. Originally, that was not how this edition was going to be called. You can read about the programme here.
Amazing Songs & Other Delights airs 3-4pm (London time) and has new editions every first and third Monday of each month, respective repeats on second and fourth Monday of each month on Yé Yé Radio: yeyeradio.com (or on the app).
Tracklist: 01: The Handsome Family – Far From Any Road 02: A 90s new man called Stan – Disco Dystopian Blues 03: The Auteurs – Show Girl 04: Bettina Korn – Annie’s Song (John Denver cover) 05: Chimehours – Underneath The Earth 06: The Mercury Rev – Goodness on a Highway 07: Maitland – Einstein-Rosen Bridge 08: Ricardo Reis Soares – Qualquer Coisa 09: Suede – Daddy’s Speeding 10: The Vinegar Tasters – Smokestack 11: The Radio Field – It’s Alright 12: Bill MacKay & Ryley Walker – Land of Plenty 13: Thee Headcoatees – You’re Gonna Lose That Boy 14: Lour – Outro Lado 15: Zea & Drumband Hallelujah Makkum – In lichem fol beloften(feat. Tsead Bruinja) 16: Mark Eitzel – The Last Ten Years
My radio show Amazing Songs & Other Delights # 85 – The Of Love & Loss edition airs Monday October 6, and repeats Monday October 13, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
Of Love & Loss is a self-explanatory title. Originally, that was not how this edition was going to be called. Maybe it would have been called The Mild Ones edition. The Mild Ones are a wonderful Suede fan group of which I am part of, and there are several Mild Ones on this edition – Mark Robin White (A 90s new man called Stan), Bettina Korn, James Mediocre (The Vinegar Tasters), Simon Gilbert (Suede).
Or maybe it was going to be called something else. Bettina’s cover of John Denver’s Annie’s Song was certain, regardless of the name thos edition of Amazing Songs & Other Delights would have. Monday, September 30, Ian Pye posted Suede’s Daddy’s Speeding to the group.
I was reminded of how great the song is, and listened to it a few times, because the song has a very interesting musical change, and selected as one of my International Music Day for The Polymath.
A couple of days latter I was listening to it on repeat for very different reasons. Curve balls. Life, love, loss. The other songs were already in though for this edition, or came as soundscape of feelings and emotions.
Most of the songs aren’t necessarily about love. Or loss. They aren’t all gloomy, far from it. Daddy’s Spending does sits at the center, with its music, vocal, words, highly charged emotional landscape, but the songs before and after offer a full picture of a week filled with changes.
To lighten things a bit, in the spirit of Wally, can you spot Bernard Butler, (other than in Suede)?…
Tracklist: 01: The Handsome Family – Far From Any Road 02: A 90s new man called Stan – Disco Dystopian Blues 03: The Auteurs – Show Girl 04: Bettina Korn – Annie’s Song (John Denver cover) 05: Chimehours – Underneath The Earth 06: The Mercury Rev – Goodness on a Highway 07: Maitland – Einstein-Rosen Bridge 08: Ricardo Reis Soares – Qualquer Coisa 09: Suede – Daddy’s Speeding 10: The Vinegar Tasters – Smokestack 11: The Radio Field – It’s Alright 12: Bill MacKay & Ryley Walker – Land of Plenty 13: Thee Headcoatees – You’re Gonna Lose That Boy 14: Lour – Outro Lado 15: Zea & Drumband Hallelujah Makkum – In lichem fol beloften(feat. Tsead Bruinja) 16: Mark Eitzel – The Last Ten Years
There is another set of twin posts on The Polymath and The Listening Room HQ. Both speak of Equity and Equality, The Round Table, The Grail. Of seeds, of side by side.
Equality & Equity – Round Table & Grail: Planting Seeds of Balance at The Polymath The Polymath and Equality & Equity – Round Table & Grail: Living Side by Side The Listening Room HQ.
Here I am, still looking like an internationally woman of mystery on cold, windy late afternoon by the salt marshes. My radio programme Amazing Songs & Other Delights now airs new editions the first and third Monday, 3-4pm (London time) of the month, respective repeats, second and fourth Monday of the month, on Yé Yé Radio: https://yeyeradio.com/ (or on the app)
Today is International Music Day. I selected three songs from different time periods and genres. Cantigas do Maio by José Afonso, Der Erlkönig by Franz Schubert, and my favourite song Will You Love Me Tomorrow sung by the Shirelles.
Cantigas do Maio is from the fifth album by Portuguese musician, composer, singer, songwriter 1971 album Cantigas do Maio. A beautiful song, in which the voice starts gentle, develops a frantic tone, then quiets, then rises again, and ends quiet.
Cantigas do Maio: Eu fui ver a minha amada Lá p’rós baixos dum jardim Eu fui ver a minha amada Lá p’rós baixos dum jardim Dei-lhe uma rosa encarnada Para se lembrar de mim Dei-lhe uma rosa encarnada Para se lembrar de mim
Eu fui ver o meu benzinho Lá p’rós lados dum passal Eu fui ver o meu benzinho Lá p’rós lados dum passalFeatures Dei-lhe o meu lenço de linho Que é do mais fino bragal Dei-lhe o meu lenço de linho Que é do mais fino bragal
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
Eu fui ver uma donzela Numa barquinha a dormir Eu fui ver uma donzela Numa barquinha a dormir Dei-lhe uma colcha de seda Para nela se cobrir Dei-lhe uma colcha de seda Para nela se cobrir
Eu fui ver uma solteira Numa salinha a fiar Eu fui ver uma solteira Numa salinha a fiar Dei-lhe uma rosa vermelha Para de mim se encantar Dei-lhe uma rosa vermelha Para de mim se encantar
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
Eu fui ver a minha amada Lá nos campos, eu fui ver Eu fui ver a minha amada Lá nos campos, eu fui ver Dei-lhe uma rosa encarnada Para de mim se prender Dei-lhe uma rosa encarnada Para de mim se prender
Verdes prados, verdes campos Onde está minha paixão? Verdes prados, verdes campos Onde está minha paixão? As andorinhas não param Umas voltam, outras não As andorinhas não param Umas voltam, outras não
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
My favourite song Will You Love Me Tomorrow, also known as Will You Still Love Me Tomorrow, written by Carole King and Gerry Goffin, first recorded by The Shirelles in 1960.
Will You Love Me Tomorrow: Tonight you’re mine completely You give your love so sweetly Tonight the light of love is in your eyes But will you love me tomorrow? Is this a lasting treasure Or just a moment’s pleasure? Can I believe the magic of your sighs? Will you still love me tomorrow? Tonight with words unspoken You say that I’m the only one But will my heart be broken When the night (when the night) Meets the morning (meets the morning) sun? I’d like to know that your love Is a love I can be sure of So tell me now, and I won’t ask again Will you still love me tomorrow? So tell me now, and I won’t ask again Will you still love me tomorrow? Will you still love me tomorrow? Will you still love me?
And Der Erlkönig by Franz Schubert, with a ballade written by Johann Wolfgang in 1782. Here sung by baritone Dietrich Fischer-Dieskau accompanied by pianist Gerald Moore. Haunting, chilling, Dietrich sings the three voices, child, father, Erlkönig with deep emotion and such tonal variation it leaves you mesmerized. And the final line, In seinen Armen das Kind war tot (In your arms the child is lies dead) is arrowing.
Der Erlkönig: Wer reitet so spät durch Nacht und Wind? Es ist der Vater mit seinem Kind; Er hat den Knaben wohl in dem Arm, Er fasst ihn sicher, er hält ihn warm.
Mein Sohn, was birgst du so bang dein Gesicht? – Siehst, Vater, du den Erlkönig nicht? Den Erlenkönig mit Kron’ und Schweif? – Mein Sohn, es ist ein Nebelstreif. –
„Du liebes Kind, komm, geh mit mir! Gar schöne Spiele spiel’ ich mit dir; Manch’ bunte Blumen sind an dem Strand, Meine Mutter hat manch gülden Gewand.“ –
Mein Vater, mein Vater, und hörest du nicht, Was Erlenkönig mir leise verspricht? – Sei ruhig, bleibe ruhig, mein Kind; In dürren Blättern säuselt der Wind. –
„Willst, feiner Knabe, du mit mir gehn? Meine Töchter sollen dich warten schön; Meine Töchter führen den nächtlichen Reihn Und wiegen und tanzen und singen dich ein.“ –
Mein Vater, mein Vater, und siehst du nicht dort Erlkönigs Töchter am düstern Ort? – Mein Sohn, mein Sohn, ich seh’ es genau: Es scheinen die alten Weiden so grau. –
„Ich liebe dich, mich reizt deine schöne Gestalt; Und bist du nicht willig, so brauch’ ich Gewalt.“ – Mein Vater, mein Vater, jetzt fasst er mich an! Erlkönig hat mir ein Leids getan! –
Dem Vater grauset’s; er reitet geschwind, Er hält in Armen das ächzende Kind, Erreicht den Hof mit Mühe und Not; In seinen Armen das Kind war tot.
More or my favourite songs can be read about here Amazing Songs & Other Delights #80 – The These Are a Few of My Favourite Songs edition and listened to here.
I have also written about this three songs plus Daddy’s Spending by Suede on The Polymath
I conclude the The Listening Room HQ triad exploring the hidden physiology behind men’s patterns, choices, and resilience. The third post, Adrenaline Cycles and the Crash, looks at how high-intensity states and the following recovery shape the nervous system, emotional patterns, and capacity for integration.
This note follows the first two posts in the series on the magazine:
My radio show Amazing Songs & Other Delights that airs every other Monday, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app). Amazing Songs & Other Delights #84 – The It Resonates edition can now be listened to on mixcloud.
You can read more about Amazing Songs & Other Delights #84 – The It Resonates edition here.
From Monday October 6 onwards Amazing Songs & Other Delights new editions are every 1st and 3rd Monday of each month, repeats every 2nd and 4th Monday of each month. The hour remains the same: 3-4pm (London time).
Tracklist: 01: Sigtryggur Berg Sigmarsson – Resilience 02: Liz Hogg – Curl 03: The Divine Comedy – Invisible Thread 04: Ned Swarbrick – When The Wind Blows (Live at City Varieties Music Hall) 05: Trademark Issues – Song for a Non-Touring Band 06: Massimo Silverio – Zoja 07: Tulpa – Let’s Make A Tulpa! 08: Miguel Feraso Cabral – Cenografia 09: Swimming Pools And Movie Stars – Never Let Go 10: The Cords – When You Said Goodbye 11: Noiserv – A casa das rodas quadradas feat. Milhanas 12: Glo-Worm – Change of Heart 13: Holly Golightly – Miss Fortune 14: Senhor Vulcão feat The Legendary Tiger Man – Rock N Roll 15: AVTT/MPTN – The Avett Brothers · Mike Patton – Eternal Love 16: Glyders – Shadow Stone 17: Anthony Moore – No Parlez 18: Hidrogenesse – A la Muerte 19: Umlaut – Grumpy Library
I’m sometimes asked what a Mayan Soul Map looks like, or what to expect from a reading that includes Mayan. I’m a member of The Mild Ones, a Suede fan community. Today, is Brett Anderson’s birthday, and I share a Mayan Soul Map Synthesis, exploring his Birth Kin, current cycle, Venus phase, and more on The Polymath’s site.
Here’s an excerpt of my Brett Anderson Mayan Soul Map Synthesis: “Brett’s birth essence holds a deep, crystalline clarity: the need to question, to refuse easy answers, and to stand as a voice of integrity for the collective. His life path is not solitary. Warrior at Crystal tone suggests that his strength is found in weaving himself into group purpose, holding vision within a wider band of seekers. Brett’s full Mayan Soul Map Synthesis can be read here.
Mondo Bizarre Magazine 