Guitar Wolf, Barracuda, Porto, 29.06.2025.

© Mondo Bizarre Magazine/Telma Mota

words: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota – reel on our insta @mondobizarremagazine

Punk is not dead in the land of the rising sun. Such was proved – and how proved it was! – by Guitar Wolf in a remarkable concert at the temple of Porto’s most daring sounds, Barracuda.

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The Japanese trio, formed in 1987 – of which original line-up only survivor is guitarist Seiji – presented themselves with an irreverent, captivating stance, invoking the country that bequeathed them tempura and arigato, before toppling the sonic reactors upon the human mass that seized up in a sea for extreme sweat and heat until the last chord.

Punk rock of the best origin, in an omnipresent tribute to the Ramones, provided a sound that transcends the more canonical formula, entwining a power noise with criative particularities able to sustain songs like Fujiyama Attack and Jet Generation.

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Acid Mothers Temple, Espaço Lovers & Lollypops, Porto, 30.04.2025.

words: Telma Mota (edited by Raquel Pinheiro); photos: Telma Mota

After selling out the schedule 7pm show, Japanese band Acid Mothers Temple performed a 5pm slot that we attended.

Acid Mothers Temple have a psychedelic edge and a strong influence from 60s garage rock. The band was celebrating their 30th career anniversary, showcasing the best of their portfolio—rich in Beatle-esque melodies interspersed with powerful drums, and guitar improvisations brilliantly delivered by their guitarist and leader, Makoto Kawabata.

Under the motto “Do what you want, don’t do what you don’t want,” Acid Mothers Temple played a series of memorable tracks that echoed freedom and their unique way of seeing the world.

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The band closed the concert in unison with an enthusiastic audience, performing a rendition of The Beatles’ Hey Jude in honor of their openly declared admiration for the British band. What a beautiful moment it was!

Jesus the Snake | All Them Witches, Hard Club, Porto, 24.06.2024.

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words: Marcos Leal (freely translated by Raquel Pinheiro); photos: Telma Mota

Jesus the Snake, a band from Vizela, ofereced a serene and contemplative cradle with their spacial pinkfloydesque melodies. Only the dense riffs of the last track broke the immersive state and awoke the audience for what was to follow.

When All Them Witches turn arrived the change of atmosphere in the room was palpable. The audience in constant uproar and ecstasy, at times contrasting with the here and there immersive melodies of the band. However, they also own beating riffs. All Them Witches manage to transport the listener to a road movie in which we travel through prairies, and the typical dinners and motels of American landscapes.

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The band played a setlist that reviewed several of their tracks such as the opener See You Next Fall, When God Comes Back, Alabaster, The Marriage of Coyote Woman and after effusive aplaus, on the encore, Bulls.In short, it was a happy return over here and a great welcome for All Them Witches.

Mondo Bizarre Magazine/Telma Mota

Sprints, Mouco, Porto, 15.06.2024.

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words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Telma Mota

I confess I’ve spend most of my life seeings attempts at burying rock-‘n’-roll for the most varied reasons and dantesc like premonitions. As if a chronicle of an announced demise.

It is bands like Sprints that show up giving the finger to those morbid mistrustfuls, holding a fluffy white bunny passport.What happened Saturday at Mouco was epic.

They arrived, they saw, they conquered. With a very energetic and lascivious garage/stoner punk rock this young band from Dublin grabbed the audience from the beginning to the end of the concert. No truces given drawing the audience to get involved with the band at song, at every charge.

Energetic and irreverent, well instrumentally sustained with drums supported (Jack Callan), bass and vocals (Sam McCann) guitar (Colm O’Reilly) and Karla Chubb (main vocals, guitar) doing everything else. Karla has an overwhelming power that leaves no one indifferent.

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The setlist played was everything the Sprints have to give and believe it is a lot. Heavy, Adore, Cathedral, Delia, Shadow and Letter and others, were part of the party that ended with Karla in a happy mosh among the audience.

I left belly filled and only felt like singing to myself: I know, it’s only rock’n’roll, but I like it, I like it… yes I do! How not to?

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The Legendary Tigerman, Hard Club, Porto, 23.03.2024.

© Mondo Bizarre Magazine/Daniela Tedim

words: Paulo Carmona (freely translated by Raquel Pinheiro); photos: Daniela Tedim

One thing is certain – Something new will happen. The Man is in constant innovation.
Is that cool? … It is. In this particular instance it is. There is a coherence in the manner and presentation in synchrony with the idyosincrasies of mi artist-performer. It is in aesthetics and the imaginary that Paulo Furtado’s art of music takes a different short cut, but the vanishing point between rock’n’roll evens goes away and returns to him. A dynamic present on Zeitgeist – the new album played at this concert.

© Mondo Bizarre Magazine/Daniela Tedim

The rebelious gentleman presented a well structured setlist, starting with Everyone, One More Time, Good girl and Naked Blues, wandering between the before and the now in a frenzy of contagious emotions that seethed throughout the room with shades of insolent eroticism that insists on watering our garden on a pouring rainy day. Motorcycle Boy was also played, and, towards, the end Fix of Rock’n’roll.

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Very well accompanied on stage by Filipe Rocha (bass), Cabrita (sax), Mike Ghost (drums) and Sara Badalo (vocals) who, with her remarkable and sensual voice has a highlighted role on Zeitgeist.
The show never stops because there is no time to waste. We’re on the last round and hips haven’t stop moving at the rhythm of such incendiary rock’n’roll. Guests Ray and Best Youth join the party adding colour to the scenery.

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Already among the audience Paulo Furtado punchily asks what is supreme glory. Until someone gets the right answer: Love! He ends up upon the back bar. No one wants a K.O. We all want a mutually agreed and quite sweaty satisfaction.
I maintain this Legendary Tigerman is our most genuine case of pure, raw, é o nosso caso mais genuíno de rock’n’roll, even on the latest record in which keyboards and samplers a la carte are enequivally present. With the bar raised quite high, in my view, he remains a rock’n’roll guru. Legendary, no doubt.
Vive le Rock!

© Mondo Bizarre Magazine/Daniela Tedim