Amazing Songs & Other Delights # 87 – The To Remember Who I Am edition airs Monday 3 November 2025, 3-4pm (London time) and repeats Monday November 10 on Yé Yé Radio: yeyeradio.com (or on the app).
This edition title is both a reminder to myself and a words play with Tracy Vandal & John Mercy’s song.
Lammergeiers’ ITB is the band’s – a little hard to spot – version of Suede’s Introducing The Band.
Alicia Edelweiss is a suggestion by Bettina Korn and Ruth Lyon a suggestion by Martin Swarbrick. Their respective songs, Leonie and November were picked by me.
My beloved Sugar are back with a new single, House of Dead Memories, their first in thirty years. There’s also Tracy Vandal & John Mercy with Alex Kapranos of Franz Ferdinand and much more.
Tracklist: 01: Lammergeiers – ITB 02: Alicia Edelweiss – Leonie 03: Ruth Lyon – November 04: Sugar – House of Dead Memories 05: Jesse Sykes & The Sweet Hereafter – Dead End Pools 06: Guided By Voices – (You Can’t Go Back To) Oxford Talawanda 07: Miranda – I Wish 09: Brian Bilston and The Catenary Wires – Might Have, Might Not Have 10: Oliver Sim – Telephone Games 11: Bela Noia – Não quero mais 12: AUA Drop – Painkiller No. 2 13: Leatherette – Hey There (x) 14: Tracy Vandal & John Mercy – To Remember Who You Were feat Alex Kapranos 15: Cass McCombs – Missionary Bell
My radio show Amazing Songs & Other Delights # 85 – The Of Love & Loss edition can now be listened to on mixcloud. Of Love & Loss is a self-explanatory title. Originally, that was not how this edition was going to be called. You can read about the programme here.
Amazing Songs & Other Delights airs 3-4pm (London time) and has new editions every first and third Monday of each month, respective repeats on second and fourth Monday of each month on Yé Yé Radio: yeyeradio.com (or on the app).
Tracklist: 01: The Handsome Family – Far From Any Road 02: A 90s new man called Stan – Disco Dystopian Blues 03: The Auteurs – Show Girl 04: Bettina Korn – Annie’s Song (John Denver cover) 05: Chimehours – Underneath The Earth 06: The Mercury Rev – Goodness on a Highway 07: Maitland – Einstein-Rosen Bridge 08: Ricardo Reis Soares – Qualquer Coisa 09: Suede – Daddy’s Speeding 10: The Vinegar Tasters – Smokestack 11: The Radio Field – It’s Alright 12: Bill MacKay & Ryley Walker – Land of Plenty 13: Thee Headcoatees – You’re Gonna Lose That Boy 14: Lour – Outro Lado 15: Zea & Drumband Hallelujah Makkum – In lichem fol beloften(feat. Tsead Bruinja) 16: Mark Eitzel – The Last Ten Years
My radio show Amazing Songs & Other Delights # 85 – The Of Love & Loss edition airs Monday October 6, and repeats Monday October 13, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
Of Love & Loss is a self-explanatory title. Originally, that was not how this edition was going to be called. Maybe it would have been called The Mild Ones edition. The Mild Ones are a wonderful Suede fan group of which I am part of, and there are several Mild Ones on this edition – Mark Robin White (A 90s new man called Stan), Bettina Korn, James Mediocre (The Vinegar Tasters), Simon Gilbert (Suede).
Or maybe it was going to be called something else. Bettina’s cover of John Denver’s Annie’s Song was certain, regardless of the name thos edition of Amazing Songs & Other Delights would have. Monday, September 30, Ian Pye posted Suede’s Daddy’s Speeding to the group.
I was reminded of how great the song is, and listened to it a few times, because the song has a very interesting musical change, and selected as one of my International Music Day for The Polymath.
A couple of days latter I was listening to it on repeat for very different reasons. Curve balls. Life, love, loss. The other songs were already in though for this edition, or came as soundscape of feelings and emotions.
Most of the songs aren’t necessarily about love. Or loss. They aren’t all gloomy, far from it. Daddy’s Spending does sits at the center, with its music, vocal, words, highly charged emotional landscape, but the songs before and after offer a full picture of a week filled with changes.
To lighten things a bit, in the spirit of Wally, can you spot Bernard Butler, (other than in Suede)?…
Tracklist: 01: The Handsome Family – Far From Any Road 02: A 90s new man called Stan – Disco Dystopian Blues 03: The Auteurs – Show Girl 04: Bettina Korn – Annie’s Song (John Denver cover) 05: Chimehours – Underneath The Earth 06: The Mercury Rev – Goodness on a Highway 07: Maitland – Einstein-Rosen Bridge 08: Ricardo Reis Soares – Qualquer Coisa 09: Suede – Daddy’s Speeding 10: The Vinegar Tasters – Smokestack 11: The Radio Field – It’s Alright 12: Bill MacKay & Ryley Walker – Land of Plenty 13: Thee Headcoatees – You’re Gonna Lose That Boy 14: Lour – Outro Lado 15: Zea & Drumband Hallelujah Makkum – In lichem fol beloften(feat. Tsead Bruinja) 16: Mark Eitzel – The Last Ten Years
Today is International Music Day. I selected three songs from different time periods and genres. Cantigas do Maio by José Afonso, Der Erlkönig by Franz Schubert, and my favourite song Will You Love Me Tomorrow sung by the Shirelles.
Cantigas do Maio is from the fifth album by Portuguese musician, composer, singer, songwriter 1971 album Cantigas do Maio. A beautiful song, in which the voice starts gentle, develops a frantic tone, then quiets, then rises again, and ends quiet.
Cantigas do Maio: Eu fui ver a minha amada Lá p’rós baixos dum jardim Eu fui ver a minha amada Lá p’rós baixos dum jardim Dei-lhe uma rosa encarnada Para se lembrar de mim Dei-lhe uma rosa encarnada Para se lembrar de mim
Eu fui ver o meu benzinho Lá p’rós lados dum passal Eu fui ver o meu benzinho Lá p’rós lados dum passalFeatures Dei-lhe o meu lenço de linho Que é do mais fino bragal Dei-lhe o meu lenço de linho Que é do mais fino bragal
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
Eu fui ver uma donzela Numa barquinha a dormir Eu fui ver uma donzela Numa barquinha a dormir Dei-lhe uma colcha de seda Para nela se cobrir Dei-lhe uma colcha de seda Para nela se cobrir
Eu fui ver uma solteira Numa salinha a fiar Eu fui ver uma solteira Numa salinha a fiar Dei-lhe uma rosa vermelha Para de mim se encantar Dei-lhe uma rosa vermelha Para de mim se encantar
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
Eu fui ver a minha amada Lá nos campos, eu fui ver Eu fui ver a minha amada Lá nos campos, eu fui ver Dei-lhe uma rosa encarnada Para de mim se prender Dei-lhe uma rosa encarnada Para de mim se prender
Verdes prados, verdes campos Onde está minha paixão? Verdes prados, verdes campos Onde está minha paixão? As andorinhas não param Umas voltam, outras não As andorinhas não param Umas voltam, outras não
Minha mãe, quando eu morrer Minha mãe, quando eu morrer Ai, chore por quem muito amargou Ai, chore por quem muito amargou Para então dizer ao mundo Para então dizer ao mundo Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou Ai Deus m’o deu Ai Deus m’o levou
My favourite song Will You Love Me Tomorrow, also known as Will You Still Love Me Tomorrow, written by Carole King and Gerry Goffin, first recorded by The Shirelles in 1960.
Will You Love Me Tomorrow: Tonight you’re mine completely You give your love so sweetly Tonight the light of love is in your eyes But will you love me tomorrow? Is this a lasting treasure Or just a moment’s pleasure? Can I believe the magic of your sighs? Will you still love me tomorrow? Tonight with words unspoken You say that I’m the only one But will my heart be broken When the night (when the night) Meets the morning (meets the morning) sun? I’d like to know that your love Is a love I can be sure of So tell me now, and I won’t ask again Will you still love me tomorrow? So tell me now, and I won’t ask again Will you still love me tomorrow? Will you still love me tomorrow? Will you still love me?
And Der Erlkönig by Franz Schubert, with a ballade written by Johann Wolfgang in 1782. Here sung by baritone Dietrich Fischer-Dieskau accompanied by pianist Gerald Moore. Haunting, chilling, Dietrich sings the three voices, child, father, Erlkönig with deep emotion and such tonal variation it leaves you mesmerized. And the final line, In seinen Armen das Kind war tot (In your arms the child is lies dead) is arrowing.
Der Erlkönig: Wer reitet so spät durch Nacht und Wind? Es ist der Vater mit seinem Kind; Er hat den Knaben wohl in dem Arm, Er fasst ihn sicher, er hält ihn warm.
Mein Sohn, was birgst du so bang dein Gesicht? – Siehst, Vater, du den Erlkönig nicht? Den Erlenkönig mit Kron’ und Schweif? – Mein Sohn, es ist ein Nebelstreif. –
„Du liebes Kind, komm, geh mit mir! Gar schöne Spiele spiel’ ich mit dir; Manch’ bunte Blumen sind an dem Strand, Meine Mutter hat manch gülden Gewand.“ –
Mein Vater, mein Vater, und hörest du nicht, Was Erlenkönig mir leise verspricht? – Sei ruhig, bleibe ruhig, mein Kind; In dürren Blättern säuselt der Wind. –
„Willst, feiner Knabe, du mit mir gehn? Meine Töchter sollen dich warten schön; Meine Töchter führen den nächtlichen Reihn Und wiegen und tanzen und singen dich ein.“ –
Mein Vater, mein Vater, und siehst du nicht dort Erlkönigs Töchter am düstern Ort? – Mein Sohn, mein Sohn, ich seh’ es genau: Es scheinen die alten Weiden so grau. –
„Ich liebe dich, mich reizt deine schöne Gestalt; Und bist du nicht willig, so brauch’ ich Gewalt.“ – Mein Vater, mein Vater, jetzt fasst er mich an! Erlkönig hat mir ein Leids getan! –
Dem Vater grauset’s; er reitet geschwind, Er hält in Armen das ächzende Kind, Erreicht den Hof mit Mühe und Not; In seinen Armen das Kind war tot.
More or my favourite songs can be read about here Amazing Songs & Other Delights #80 – The These Are a Few of My Favourite Songs edition and listened to here.
I have also written about this three songs plus Daddy’s Spending by Suede on The Polymath
I’m sometimes asked what a Mayan Soul Map looks like, or what to expect from a reading that includes Mayan. I’m a member of The Mild Ones, a Suede fan community. Today, is Brett Anderson’s birthday, and I share a Mayan Soul Map Synthesis, exploring his Birth Kin, current cycle, Venus phase, and more on The Polymath’s site.
Here’s an excerpt of my Brett Anderson Mayan Soul Map Synthesis: “Brett’s birth essence holds a deep, crystalline clarity: the need to question, to refuse easy answers, and to stand as a voice of integrity for the collective. His life path is not solitary. Warrior at Crystal tone suggests that his strength is found in weaving himself into group purpose, holding vision within a wider band of seekers. Brett’s full Mayan Soul Map Synthesis can be read here.
My 4th anniversary radio show is now available on mixcloud.
This year, the anniversary programme is a little different than usual. Trials and tribulations didn’t allow for the several costumary purpose composed pieces, aside from mine and Francisco Silva’s Lucid One.
The lyrics of Lucid One have my poem 80 as starting point, adapted to song by Francisco’s chatgpt, then, on a second round of singing the song, by him. It was a very interesting creative experience. Francisco and I also both this very different impromptu versions of Suede’s The Asphalt World.
You can read more about the show, the Astro Travellers, my “band” contributions and it’s creative process here. The lyrics of Lucid One and poem 80 are below, along with the show tracklist.
Lucid One lyrics Sleepless nights, stuck in motion Elevators fade, no clear emotion Crex crex crex — the artach calls Lucid tiles in echo halls
The megaphone speaks, louder than books Slogans win where no one looks Moral weight too hard to lift We float inside this aimless drift
The empire of futility Masqueraded as ability Symbols fail, the noise gets loud We vanish slowly in the crowd
Resperidone, the new tea brew
Quiet minds in static view Fork in the road, by the sea we stand Bathymetry traced in soul and sand
Invisible paths, the labyrinth sings We mistook noise for gravity’s rings You want the house still, free of harm But the woman bangs the pots — her charm
The empire of futility Attired in nobility Mirrors turn, the spiral grows Stagnant waters, no one knows (Francisco Silva & Raquel Pinheiro)
poem 80 sleepless nights, stuck perpetual movement fading through the elevator crex crex crex crex makes the artach hearth and home lucid tiles echoing the megaphone is easier than read serious books slogans are easier than moral inventory. the empire of futility disguised as art, intellectualism the sound mirrors, a spiral a stagnant pool of nothingness resperidone, the new chamomile there’s a road with a fork for you and me by the sea bathymetry of the soul invisible pathways labyrinth, the song mistaken noise for gravity symbols for substance brought us here you want the house quiet but a woman bangs the pots monks don’t worry about money terror dreams, rage somatic overload the lucid one in a house of somnambulists fog can’t be fought, what it erases is watched don’t go back to sleep the messiness of desire recycle, renewal, redemption like a benediction all the plants are watered (Raquel Pinheiro)
Tracklist: 01: Francisco Silva & Raquel Pinheiro – When Joe Came By 02: Raquel Pinheiro – Loss 03: Pixies – Hey (Manuel Carvalho) 04: Sérgio Rocha – Seclusões (excerpt) 05: Francisco Silva & Raquel Pinheiro – Lucid One 06: digei de bairro – MG B GT (pre-master) 07: Suki Waterhouse – Supersad (António Cunha) 08: Boxmonsters – Holligans 09: Francisco Silva – The Asphalt World (acoustic excerpt) 10: Talking Heads – Burning Down the House (Raquel Pinheiro) 11: caroline – Tell Me I Never New That feat. Caroline Polachek (Paulo Navarro) 12: Raquel Pinheiro – The Asphalt World 13: Oh Bobby – Sweet Peace 14: Lyn Collins – Think (About It) (Matt Hutchison) 15: Ned Swarbrick – Mr. O’Brien (mix 1.1) 16: João Diogo Zagalo – Lotar n.º 4 17: Boxmonsters – Car Crash 18: Raquel Pinheiro – December: Death 19: American Music Club – Why Don’t You Stay (Rui Pimenta)
My radio show Amazing Songs & Other Delights turned. The 4th anniversary edition airs Monday 14th, 3-4:10pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).
This year, the anniversary programme is a little different than usual. Trials and tribulations didn’t allow for the several costumary purpose composed pieces, aside from mine and Francisco Silva’s Lucid One. The lyrics of Lucid One have my poem 80 as starting point, adapted to song by Francisco’s chatgpt, then, on a second round of singing the song, by him. It was a very interesting creative experience.
My Loss and December: Death, Sérgio Rocha’s Seclusões (excerpt), digei de bairro’s MG B GT (pre-master), Ned Swarbrick’s Mr. O’Brien (mix 1.1), João Diogo Zagalo’ Lotar n.º 4 and Boxmonsters’ Holligans and Car Crash fall under that umbrella.
I picked two songs composed on purpose for previous anniversary editions. Mine and Francisco’s When Joe Came By, from the 1st anniversary edition, and Sweet Peace, by Bill Rivers and I, from last year’s anniversary show, here on Oh Bobby (Bill Rivers & Simon Wayward) version, from their album Swim The Universe.
There’s the usual assortment of songs, another round of surprises, picked for me by a few friends.
Because the songs represent me, because I may like them… Because…
Manuel Carvalho picked The Pixies’ Hey; António Cunha Suki Waterhouse’s Supersad, Paulo Navarro caroline’sTell Me I Never New That (feat. Caroline Polachek), Matt Hutchison Lyn Collins’ Think (About It) and Rui Pimenta Why Don’t You Stay by American Music Club.
As for both Francisco’s instrumental acoustic version of The Asphalt World and my soft instrumental electric stripped down version of The Asphalt World. Francisco thought it a odd choice for me to plays as far as Suede’s covers go, and sent me an impromptu short version of it.
At 0:55 it’s most likely the world’s shortest version of The Asphalt World. Mine runs past 10 minutes. It’s a one go, raw, unfiltered, no effects, aside from a little vibrato arm, and my micro jack amp distortion, no solos, also impromptu, played on a kitchen bench, purely for the joy of it version. Most of what seems effects, it’s my fretting fingers.
Lucid One lyrics Sleepless nights, stuck in motion Elevators fade, no clear emotion Crex crex crex — the artach calls Lucid tiles in echo halls
The megaphone speaks, louder than books Slogans win where no one looks Moral weight too hard to lift We float inside this aimless drift
The empire of futility Masqueraded as ability Symbols fail, the noise gets loud We vanish slowly in the crowd
Resperidone, the new tea brew
Quiet minds in static view Fork in the road, by the sea we stand Bathymetry traced in soul and sand
Invisible paths, the labyrinth sings We mistook noise for gravity’s rings You want the house still, free of harm But the woman bangs the pots — her charm
The empire of futility Attired in nobility Mirrors turn, the spiral grows Stagnant waters, no one knows (Francisco Silva & Raquel Pinheiro)
Poem #80 poem 80 sleepless nights, stuck perpetual movement fading through the elevator crex crex crex crex makes the artach hearth and home lucid tiles echoing the megaphone is easier than read serious books slogans are easier than moral inventory. the empire of futility disguised as art, intellectualism the sound mirrors, a spiral a stagnant pool of nothingness resperidone, the new chamomile there’s a road with a fork for you and me by the sea bathymetry of the soul invisible pathways labyrinth, the song mistaken noise for gravity symbols for substance brought us here you want the house quiet but a woman bangs the pots monks don’t worry about money terror dreams, rage somatic overload the lucid one in a house of somnambulists fog can’t be fought, what it erases is watched don’t go back to sleep the messiness of desire recycle, renewal, redemption like a benediction all the plants are watered (Raquel Pinheiro)
Tracklist: 01: Francisco Silva & Raquel Pinheiro – When Joe Came By 02: Raquel Pinheiro – Loss 03: Pixies – Hey (Manuel Carvalho) 04: Sérgio Rocha – Seclusões (excerpt) 05: Francisco Silva & Raquel Pinheiro – Lucid One 06: digei de bairro – MG B GT (pre-master) 07: Suki Waterhouse – Supersad (António Cunha) 08: Boxmonsters – Holligans 09: Francisco Silva – The Asphalt World (acoustic excerpt) 10: Talking Heads – Burning Down the House (Raquel Pinheiro) 11: caroline – Tell Me I Never New That feat. Caroline Polachek (Paulo Navarro) 12: Raquel Pinheiro – The Asphalt World 13: Oh Bobby – Sweet Peace – (*) 14: Lyn Collins – Think (About It) (Matt Hutchison) 15: Ned Swarbrick – Mr. O’Brien (mix 1.1) 16: João Diogo Zagalo – Lotar n.º 4 17: Boxmonsters – Car Crash 18: Raquel Pinheiro – December: Death 19: American Music Club – Why Don’t You Stay (Rui Pimenta)
Tracklist: 01 – The Beatles – While My Guitar Gently Weeps (Raquel) 02 – Dillard and Clark – Don’t Let Me Down (Bill) 03 – George Harrison – My Sweet Lord (Raquel) 04 – Junior Parker – Tomorrow Never Knows (2024 remastered version) (Bill) 05 – Bryan Ferry – Jealous Guy (Raquel) 06 – George Harrison – Try Some Buy Some (2024 mix) (Bill) 07 – Suede – A Day In The Life (MTV intro (Raquel) 08 – The Beatles – You Can’t Do That (Bill)l 09 – John Lennon – Gimme Some Truth (Bill) 10 – Paul McCartney – Waterfalls (Bill) 11 – George Harrison – Wah-Wah (2014 Remaster) (Raquel) 12 – The Beatles – Octopus Garden (Raquel)p 13 – The Carpenters – Ticket To Ride (Bill) 14 – The Beatles – Norwegian Wood (This Bird Has Flown) (Raquel) 15 – The Beatles – Yellow Submarine (Raquel) 16 – Robert Wyatt – Love (Bill) 17 – Ringo Starr – It Don’t Come Easy (Bill) 18 – Lucinda Williams – While My Guitar Gently Weeps (Raquel)
Amazing Songs & Other Delights # 74 – The Beatles edition by Bill Rivers & Raquel Pinheiro airs Monday 16, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com (or on the app).
Amazing Songs & Other Delights # 74 – The Beatles edition is, once more a collaborative programme between me and Bill Rivers. We both love The Beatles. As a child, around Christmas tv would show The Beatles films and I would be taken to see Yellow Submarine on the big screen. Bill and I picked Beatles songs, assorted covers , songs from solo fab four. You can see who picked out on the tracklist below the text. I love to do shows with Bill. He always comes up with songs, covers, I either didn’t knew or had forgotten.
The first record my parents to me dance to was a German Beatles compilation. The Beatles were mum and her sisters band. Like me, mum is partial to George (Harrison), having a special place in her heart for the by all, myself included, beloved Ringo. Bill’s favourite Beatle is also George. Paul comes second for Bill. No wonder there’s so much George being played on the show. 🙂 Solo George, Beatles George. While My Guitar Gently Weeps by The Beatles opens the show, While My Guitar Gently Weeps covered by Lucinda Williams closes it. I’ve been fascinated by Lucinda’s version since I heard it a few weeks ago.
Interestingly, my favourite Beatles song is Norwegian Wood (This Bird Has Flown) that was written by Lennon. Norwegian Wood (This Bird Has Flown) wasn’t always by favourite Beatles song. As a child it would be any from the mentioned German compilation. Or from the first album. Or a few from Yellow Submarine that, for years, for me was only an animated film. Rubber Soul ended up become by favourite Beatles album. Bill’s favourite Beatles current album is Magical Mystery Tour.Why is George pretty much everyone favourite Beatle? I don’t know. I always loved George and Ringo. I’m the person who plays bass and forgets Paul McCartney plays bass. I see Paul as a songwriter, which he, of course, is.
Back to George. George brought many Innovations to The Beatles. He was always on the look out for new things. It was George’s idea of having Eric Clapton play the guitar solo on While My Guitar Gently Weeps. George has the best solo album of the four Beatles, All Things Must Pass. There’s a great documentary about George as well, George Harrison: Living In The Material World.
Tracklist: 01 – The Beatles – While My Guitar Gently Weeps (Raquel) 02 – Dillard and Clark – Don’t Let Me Down (Bill) 03 – George Harrison – My Sweet Lord (Raquel) 04 – Junior Parker – Tomorrow Never Knows (2024 remastered version) (Bill) 05 – Bryan Ferry – Jealous Guy (Raquel) 06 – George Harrison – Try Some Buy Some (2024 mix) (Bill) 07 – Suede – A Day In The Life (MTV intro (Raquel) 08 – The Beatles – You Can’t Do That (Bill)l 09 – John Lennon – Gimme Some Truth (Bill) 10 – Paul McCartney – Waterfalls (Bill) 11 – George Harrison – Wah-Wah (2014 Remaster) (Raquel) 12 – The Beatles – Octopus Garden (Raquel)p 13 – The Carpenters – Ticket To Ride (Bill) 14 – The Beatles – Norwegian Wood (This Bird Has Flown) (Raquel) 15 – The Beatles – Yellow Submarine (Raquel) 16 – Robert Wyatt – Love (Bill) 17 – Ringo Starr – It Don’t Come Easy (Bill) 18 – Lucinda Williams – While My Guitar Gently Weeps (Raquel)
There’s a repeat of my 5th Amazing Songs & Other Delights #5 – The Poetry edition tomorrow, Monday 2nd, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com (or on the app).
Tracklist: 01 – Marianne Faithfull with Warren Ellis – Ode to a Nightingale (Keats poem) 02 – Suede – Heroine (Byron She Walks in beauty 1st lines) 03 – The Cranberries – Yeats Grave 04 – Amália Rodrigues – Barco Negro (David Mourão-Ferreira poem) 05 – Secos Molhados – Não não digas nada (Fernando Pessoa poem) 06 – Annie Lennox – Live With Me And Be My Love (Christopher Marlowe poem) 07 – The Waterboys – Stolen Child (Yeats poem) 08 – Bob Dylan – On the Road Again (Bob Dylan poem) 09 – Radio Bukowski – The Genius of The Crowd (Charles Bukowski poem) 10 – Carla Bruni – If You Were Coming In The Fall (Emily Dickinson poem) 11 – Rufus Wainwright – When, in disgrace with fortune and men’s eyes (William Shakespeare, Sonnet 29th) 12 – Fagner – Fanatismo (Florbela Espanca poem) 13 – Ralph Schuckett and Richard Butler – Alabama song (Bertolt Brecht poem, Kurt Weill music) 14 – Patti Smith – Changing of the Guards (Bob Dylan cover and poem) 15 – Phil Ochs – The Bell (Edgar Allan Poe poem) 16 – Quilapayun – Complainte de Pablo Neruda 17 – The Smiths – Cemetery Gates (Keats, Yeats, Wilde came to play)
Mondo Bizarre Magazine 