Author: Mondo Bizarre Magazine

words: Guilherme Lucas; photos: Raquel Pinheiro

Cavalheiro

 

Tulsa, a new band from Porto (at least for me) were Cavalheiro’s opening act, in a short and brief concert, however leaving very positive and pleasant impressions about their sound and project for the near future. Haunted by a North American imaginary from Charles Bukowski’s poetry to sounds that could belong to Velvet Underground and, therefore, Cowboy Junkies or Mazzy Star, the band offered us a discrete sound of a fragile lightness that, at times, ravishingly impresses, always accompanied by an excellent vocalist/voice. It is a music of silences, of word, and that needs to be listened with the necessary attention to this typology. Passos Manuel stage, with a seated audience couldn’t be a better place for it.Tulsa gave a good concert and are recomendable.Lets, therefore , wait for new episodes from this very promising band.

While I write, I remarkably notice that Cavalheiro is the Portuguese musical project that I have been following for a longer time with the special attention of an assumed fan of a well-kept (desired by me) secret, without breaks or disappointments, since (practically) the dawn of this original project by Tiago Ferreira. Had originally known him as a Veados com Fome musician, a very interesting band I liked (I saw a good concert of them at Porto-Rio some ten years ago), it was with pleasant surprise that I reacted to Cavalheiro’s appearance. Surprise, because, since the first contact with the project, I considered it completely audacious and of an uncommon beauty, with truly fabulous songs, the best that have been made in this small corner since nearly a decade. Since 2011 that I see myself, like a pilgrim, attending its albums presentation concerts, always split between Passos Manuel or Maus Hábitos, in what already looks like a tradition.

Once more, there I was, this time on the release of its latest album called Falsa Fé. Cavalheiro (Tiago Ferreira) offered the audience and excellent concert, in its informal and intelligently ironic, but very professional way. Always supported by excellent musicians, the songs were played with spot on depth and intensity. Even with several backline problems along the show, the band never let on the nervousness that could come from it. Quite the opposite, it attacked each song with enlightenment and mastery. In Cavalheiro’s discography there are always gems; sometimes more, sometimes fewer and I think the new album is at the same level of the previous ones, which is always great to note, and, in that sense it also has three or four gems for my personal taste. This to say that differente tastes are not discussed, but that everything that now happens in Cavalheiro is the logic consequence and result of an excellent Primeiro (the project’s 1st album) where the future of the present time was already there.

We love bands because, somehow, they always offer us and in time, songs that are part of the soundtrack of our life. Each one, in different styles and genres, fill moments we will never forget; they are like a perfume: enliven our memory; reminding us of past people and contexts. In the repertoire of Cavalheiro there are some songs that are definetely part of the soundtrack of my life.

 

words: Guilherme Lucas; photos: Raquel Pinheiro

French singer-songwriter Raoul Vignal, ended his small tour of two weeks – with a couple of concerts in neighbouring Galiza – Sunday night at Salão do Círculo Católico de Operários do Porto, albeit have been playing across Europe since the beginning of the year that will still take him, in coming days, to the Czech Republic and, later, to a few more concerts in France.

Raoul Vignal is a new emerging talent in French music (and, therefore, global, since we live in an era of immediate contact through the Web). His musical style is, essentially, characterized by a solid and singular technique of classic guitar plucking, of a levity and frailty at times complex, but pleasantly impacting, always “drawing” fascinating sound landscapes of melancholy, loneliness and longing. Combined with an unusual, but captivating, voice timbre – that we can consider more as a lament or whisper – the final product is of undeniable quality and very interesting to be listened with deserving attention. In a wider and more encompassing sense the comparison in search of references that help us situate his musical style, Raoul Vignal is the artist closest to the mighty Nick Drake that I was able to hear of late. There are – obviously – differences between both, but it is also impossible not to ascertain the commonalities that are found in both artists’ music. When the comparison is to Nick Drake, we are always talking of exceptional quality. Always.

In a freezing hall, with an attentive audience, Raoul Vignal, managed to warm, as much as possible, our hearts and souls. Very nice and always in a constant interaction with the audience, speaking about his lasts days on tour or what the next song was about, the artist promised to return, but, the next time, with a band. It was an excellent concert, and, at the end, I took comfort in the idea (hopefully not daring), that I watched a concert of an artist that may still become important and a reference to many.