Bill MacKay, Understage – Rivoli, Porto, 13.09.2024.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP

Guitar Poetry

words & video by Raquel Pinheiro; photos: João Octávio Peixoto/TMP

To say Bill MacKay’s concert was extraordinary, would be underwhelming. Sublime is a better word. Transcendental, another good one. Those words still don’t do justice to the music, guitar, playing, singing. In fact, being there is the only thing that would do it justice.

Beauty, poetry spoken with an electric guitar as I’ve seldom heard it. Bill sings too, and tells little stories about the songs, however, his visual, sound, poetic mastery of the guitar is the domain of few.

The songs from MacKay’s latest album Locus Land (by the way it’s Terra do Gafanhoto, Bill 🙂 ) gain a different, spiritual, otherworldly dimension live. They become a time within time. A time of gentleness, until the final piece served: Arcadia. Bill stood up to play Arcadia in full, distortion mode adding a sharp dramatic contrast to the tone of the concert.

Bill MacKay @ Rivoli © Raquel Pinheiro
© João Octávio Peixoto/TMP

GOR – Grupo Operário do Ruído Open Reharsal, Friday September 13

Come and see me and my colleagues from GOR – Grupo Operário do Ruído – a large experimental-exploratory-avant ensemble – on our Open Reharsal, Friday, 13 at Associação de Moradores da Bouça in Porto, 9:30pm. Entry is free (2 tickets per person, at the door, from 8:30pm).

I’ll be on electric guitar, prepared, bass like or otherwise, and, most likely, on a few peculiar instruments too.

© Raquel Pinheiro
© Renato Cruz Santos