Mondo Bizarre Magazine

Percussion as Structure and Movement

words & photos: Ricardo Silva

On 16 June, the intimate venue operated by Lovers & Lollypops in Porto hosted a performance by percussionist Alex Lazaro, who presented material from Alocades, his first solo release.

The concert formed part of the venue’s ongoing programme dedicated to contemporary experimental and exploratory music, continuing the independent promoter’s long-standing commitment to emerging and unconventional artistic practices.

Lazaro approached the evening with a performance centred on percussion not merely as a rhythmic device but as a primary compositional language. Working with instruments including marimba, vibraphone and rototom, he constructed pieces that balanced repetition, texture and movement.

Rather than relying on conventional song structures, the performance unfolded through gradual developments in timbre and dynamics, creating a listening experience that emphasised detail and spatial awareness.

Throughout the set, the physical dimension of performance remained central. The relationship between body, instrument and sound became an integral part of the presentation, with gestures and movement contributing as much to the visual identity of the concert as the music itself. The result was a performance that occupied a space between concert, sound art and choreography, allowing audiences to engage simultaneously with sonic and physical forms of expression.

The acoustics and proximity offered by the Lovers & Lollypops venue proved particularly suited to the material. Subtle resonances, sustained tones and rhythmic shifts could be perceived with clarity, reinforcing the immersive character of the compositions. The setting encouraged attentive listening and highlighted the intricate relationships between the various percussive elements employed during the performance.

While Alocades serves as Lazaro’s first solo statement, the musician is already recognised for his collaborative work, most notably alongside Colombian composer and producer Lucrecia Dalt.

That experience is reflected in an approach that favours sonic exploration over genre conventions, combining contemporary percussion techniques with a broader interest in texture and atmosphere. The Porto performance demonstrated how those influences have been adapted into a distinct artistic language centred on percussion as both musical and performative expression.

The concert also reflected the broader curatorial identity of Lovers & Lollypops.

Alex Lazaro’s appearance in Porto was therefore more than a presentation of new material. It offered a focused exploration of percussion as a multidimensional practice, one in which sound, movement and space interact continuously.

In a programme increasingly defined by curiosity and experimentation, the concert stood as a concise example of the type of work that continues to find a home within Porto’s independent music community.

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