Johnny Marr – The Age of Everything

by Raquel Pinheiro

The Age of Everything, Johnny Marr’s fifth solo studio album came out a week ago.

It’s the first album in a very long time I felt like writing about. Even more surprising, because it’s the first of Johnny’s solo albums I fully click and resonate with.

I danced to it from beginning to end. Sang along to it. Picked up the guitar and strummed something out of pure joy. Played air drums again.

The Age of Everything made me to want to write pop, catchy songs and have a band again.

I like everything on the album. The  music, the voice, the production, the mix, the lyrics, the backing vocals – they are absolutely stunning – the cover, the fact that if not all, many or most of the guitars Johnny plays were gone on his Christie’s auction held September 17.

I like that as Johnny put it “Sharp, fast and dynamic, filled with ideas and possibilities.” Particularly the full of possibilities part.

The songs on The Age Of Everything were written in London – you can feel the city bursting through them – developed on the road on tour on the East Coast of North America – there’s a certain East Coast flavour too – and recorded in Manchester at Crazy Face Factory – Johnny’s custom build studio and creative space.

The Age Of Everything is a fresh, danceable, guitar driven with great drums and bass, elegant,  pop album with a big sound. Not exactly a wall of sound, more of an expansive fell-good vibe of sound.

There are very audible guitar nudges and lines to Johnny’s trademark guitar playing in The Smiths. Particularly in It’s Time, Ophelia, In And Out of Love,  But they are layered with other guitars, and instruments transforming them into their own thing.

My favourite song from the album is the final one, All in a Life.

I deliberately wanted my words about The Age of Everything to be published after the official release. I wanted to let it wrap me, feel it, absorb it. Give it time. The Age of Everything is not an album for a day, or week, or a month. I suspect it’s an album I will be returning to often.

Which fits the idea behind the album, that in the age of everything is immediately available. Which can be overwhelming, and asking for an immediate response. There’s endless benefits of technology, but there’s also value in taking our time.

The Age of Everything
Tracklist:
1. Spin
2. Beyond the Rain
3. It’s Time
4. How Come
5. Ophelia
6. That Feeling
7. In and Out of Love
8. Just Once More
9. Fire with Fire
10. All in a Life

Personnel:
Johnny Marr: vocals, guitars, songwriting, production
James Doviak,: guitar, keyboards, co-writing, production
Iwan Gronow: bass
Jack Mitchell: drums
Meredith Sheldon: backing vocals
Nile Marr: backing vocals
Claudius Mittendorfer: mix
Frank Arkwright: mastering

Recorded at Crazy Face Factory, Manchester; and Mastered at Abbey Road Studios, London.

The Age of Everything is released by
New Voodoo Limited/BMG

Amazing Songs & Other Delights #99 – The Luminous edition by Raquel Pinheiro on Yé Yé Radio Monday 21 & 28 September

Johnny Marr photo © Andrew Cotterill

My radio show Amazing Songs & Other Delights #99 – The Luminous edition edition is broadcasted Monday 21 and 28 September, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).

After a pause and repeat shows I’m back to new editions.

As soon as I became aware Johnny Marr was having an auction of his guitars, amps, and memorabilia at Christie’s 17 September I knew how the snow begun. Spin is taken from Johnny’s upcoming album The Age of Everything.

The last song, Bernard Butler singing The Irish Goodbye – one of his new songs live from the Irish Embassy in London for RTE (the Iris national broadcaster) 100th anniversary – was also decided.

The other songs, aside from Lucinda Williams version of The Beatles’ While My Guitar Gently Weeps that I have played before – appeared from different sources and fitted the programme flow and imaginary.

There’s a second Johnny Marr presence. He plays the guitars on Meredith Sheldon’s Once We Were Dust album which I found through his Instagram.

The guitars, or most of them, Johnny plays on Spin and Diamonds Like are no longer his, have changed hands at the auction.

The songs vary in gente, in age, in being from lost albums, or just released. Together they form a diverse tapestry I like.

Tracklist:
01: Johnny Marr – Spin
02: Velcro Dog – The Gonzo Futurist Manifesto
03: The Pineapple Thief – God Knows
04: Susanna Hoffs – Casablanca
05: Bikini Body – Leipzig (ft. Ben Katzman)
06: Meredith Sheldon – Diamonds Like
07: Soft Science – Spinning
08: Cesária Evora – Sonsente
09: Filipe Karlsson – Rota
10: The Go – Secular Century Man
11: Lucinda Williams – While My Guitar Gently Weeps
12: Garcia – Quando Não Estás
13: Railcard – Flannelette
14: Yoko Ono – Never Say Goodbye (2026 Remaster)
15: Ex_Re – Radio Station
16: Prince – I Am You
17: Bernard Butler – The Irish Goodbye (live at RTE 100)

All previous shows on mixcloud: Yé Yé Radio mixcloud | Mondo Bizarre Magazine mixcloud