Silly Boy Blue – 33 Porto, Porto, 20.06.2026.

© Mondo Bizarre Magazine/Ricardo Silva

Swing on a Summer Afternoon, or the Great Panoply of Rock ‘n’ Roll

words: Paulo Carmona (edited by Raquel Pinheiro)
photos: Ricardo Silva

On 20 June, Silly Boy Blue took to the stage at number 33 on the iconic, almost mythical Rua de Sá da Bandeira, right in the heart of Porto, for what felt like an intimate yet celebratory gathering among friends, invited guests, their audience, and a handful of curious passers-by.

The musical landscape of the band inhabits is no stranger to us – indie rock with a healthy dose of Britpop, together with all the subgenres that naturally gravitate around it.

That said, Silly Boy Blue have its own sound, its own alchemy, and its own style, something that is by no means easy to achieve within the broad ecosystem of that musical universe.

I would like to highlight, from the outset, the vocal work of every member of the quartet. Their voices work together seamlessly, reaching a remarkably high standard of execution. Outstanding.

From Again and Again, through Away We Go, Did You Say Something, This City and Man on a Wire, to Jesus, Temptation and By The Window, the band remains cohesive throughout, navigating a melodic carousel of crescendos and diminuendos that are at times intense and abrasive, at others introspective and bittersweet.

If we close our eyes, we hear a band of gifted young musicians. If we open them, we see a group of grown men who still have all the mojo exactly where it belongs. Funny guys.

© Mondo Bizarre Magazine/Ricardo Silva

Sean Nicholas Savage, Lovers & Lollypops, Porto, 18.05.2026.

© Mondo Bizarre Magazine/António Carvalho

words: António Carvalho (edited by Raquel Pinheiro)
photos: António Carvalho

Attending a concert by Canadian singer-songwriter Sean Nicholas Savage is like discovering a hidden gem. The modest stage of Lovers & Lollypops seemed too small for everything he delivered in just over an hour.

His exuberant presence, his larger-than-life poetry, his attention towards the audience, his virtuoso and expressive voice are just parts of a larger whole that is difficult to describe. His electronic pop, heavily indebted to the eighties, reveals itself as confessional, honest and with a dose of apparent naivety, where joy and melancholy, loss and gain, mystery and revelation, pleasure and pain coexist, sometimes within the same song.

Whether in ballads or upbeat music, the classic themes of love – the euphoria of passion, the discovery of the other, the broken hearts – are dominant and served in catchy and well-crafted melodies, like many of the pop classics. Sean’s excellent technical mastery of his voice, including a delightful falsetto, doesn’t take away any of the moment’s authenticity, as if he were pouring his heart out and offering it to the audience.It was almost impossible to take your eyes off this magnetic, barefoot figure.

Besides the privileged ones in the audience, Clara Phends on synthesizers and Max-Elie Laroche on electronic drums joined him in this brief, intimate journey. Sean covered a representative sample of his prolific discography, with some emphasis on his latest album The Knowing, a record he is very proud of, so he told me after the concert.

He even granted a request from the audience, performing half of Chin Chin, and finished with one of his favourites, the single It’s Happening. Thank you, beautiful freak!

There’s a photo gallery of the concert on our Instagram

© Mondo Bizarre Magazine/António Carvalho