My radio show Amazing Songs & Other Delights is on edition #100 – The Poetry edition II is broadcasted Monday 05 & 12 October, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
I love poetry. Two recent birthday projects/presents by The Mild Ones. one for Brett Anderson’s birthday, the other for Richard Oakes’ birthday have me reading poetry. On the second instance The House Martin purpose written haiku by me for Richard.
There have been poems of mine put to music by among others, Francisco Silva (Old Jerusalem/The June Carriers/Velho Homem) and João Diogo Zagalo (Silver & Scout, Vox Mambo, Dead Violets, The Lone Ranger) and my Poem #80 turned into the song Lucid One by Francisco Silva.
Amazing Songs & Other Delights #100 – The Poetry edition II has my own poetry sang by others, said/read my me, changed into a song
The Latin word for poem is carmen, hence Bizet’s Carmen in the voice of Maria Callas.
William Blake serves the lyrics of The Doors’ End of the Night, is named in The The’s Some Days I Drink My Coffee By The Grave of William Blake, and the inspiration subject of Patti Smith’s My Blakean Year.
Lorca comes in Leonard Cohen’s adaptation of Lorca’s Pequeño vals vienés, Take This Waltz. One of my favourite poems T.S. Eliot’s The Lovesong of J. Alfred Prufrock is on Sibylle Baier’s Says Elliott.
Eminem’s Stan (Long Version) ft. Dido, and Rowland S Howard’s Autoluminescent gives another dimension of poetry and sounds.
Dietrich Fischer Dieskau singing Der Lindenbaum (The Linden Tree) from Schubert’s Die Winterreise (Winter Journey) a dark folk song by Wilhelm Müller arranged by Friedrich Silche, takes us back to the classical world.
The House Martin, and haiku for Richard Oakes by Raquel Pinheiro
In the cliff and the cave The House Martin nested Then, to the city it moved to
Tracklist: 01: Raquel Pinheiro – Autopsicografia (Fernando Pessoa) 02: Maria Callas – Carmen live (from Bizet’s Carmen) 03: Marianne Faithfull & Warren Ellis – Ozymandias (an adaptation of Shelley’s poem) 04: The Doors – End of the Night (lyrics from William Blake’s Auguries of Innocence) 05: Suede – Heroine (Byron’s She Walks in Beauty 1st lines) 06: Francisco Silva & Raquel Pinheiro – Lucid One 07: Eminem – Stan (Long Version) ft. Dido 08: Francisco Silva & Raquel Pinheiro – Poem 43 09: The The – Some Days I Drink My Coffee By The Grave of William Blake 10: Patti Smith – My Blakean Year 11: Leonard Cohen – Take This Waltz (an adaptation of Lorca’s Pequeño vals vienés) 12: Rowland S Howard – Autoluminescent 13: João Diogo Zagalo & Raquel Pinheiro – Poem 51 14: Sibylle Baier – Says Elliott (lines from T.S. Eliot’s The Lovesong of J. Alfred Prufrock) 15: Dietrich Fischer Dieskau sings Der Lindenbaum from Schubert’s Die Winterreise (Wilhelm Müller arranged by Friedrich Silche) 16: Johnny Marr – All in a Life 17: Raquel Pinheiro – The House Martin, an haiku for Richard Oakes
My radio show Amazing Songs & Other Delights is on edition #100 – The Poetry edition II is broadcasted Monday 05 & 12 October, 3-4pm (London time) on Yé Yé Radio: yeyeradio.com (or on the app).
I love poetry. Two recent birthday projects/presents by The Mild Ones. one for Brett Anderson’s birthday, the other for Richard Oakes’ birthday have me reading poetry. On the second instance The House Martin purpose written haiku by me for Richard.
There have been poems of mine put to music by among others, Francisco Silva (Old Jerusalem/The June Carriers/Velho Homem) and João Diogo Zagalo (Silver & Scout, Vox Mambo, Dead Violets, The Lone Ranger) and my Poem #80 turned into the song Lucid One by Francisco Silva.
Amazing Songs & Other Delights #100 – The Poetry edition II has my own poetry sang by others, said/read my me, changed into a song
The Latin word for poem is carmen, hence Bizet’s Carmen in the voice of Maria Callas.
William Blake serves the lyrics of The Doors’ End of the Night, is named in The The’s Some Days I Drink My Coffee By The Grave of William Blake, and the inspiration subject of Patti Smith’s My Blakean Year.
Lorca comes in Leonard Cohen’s adaptation of Lorca’s Pequeño vals vienés, Take This Waltz. One of my favourite poems T.S. Eliot’s The Lovesong of J. Alfred Prufrock is on Sibylle Baier’s Says Elliott.
Eminem’s Stan (Long Version) ft. Dido, and Rowland S Howard’s Autoluminescent gives another dimension of poetry and sounds.
Dietrich Fischer Dieskau singing Der Lindenbaum (The Linden Tree) from Schubert’s Die Winterreise (Winter Journey) a dark folk song by Wilhelm Müller arranged by Friedrich Silche, takes us back to the classical world.
The House Martin, and haiku for Richard Oakes by Raquel Pinheiro
In the cliff and the cave The House Martin nested Then, to the city it moved to
Tracklist: 01: Raquel Pinheiro – Autopsicografia (Fernando Pessoa) 02: Maria Callas – Carmen live (from Bizet’s Carmen) 03: Marianne Faithfull & Warren Ellis – Ozymandias (an adaptation of Shelley’s poem) 04: The Doors – End of the Night (lyrics from William Blake’s Auguries of Innocence) 05: Suede – Heroine (Byron’s She Walks in Beauty 1st lines) 06: Francisco Silva & Raquel Pinheiro – Lucid One 07: Eminem – Stan (Long Version) ft. Dido 08: Francisco Silva & Raquel Pinheiro – Poem 43 09: The The – Some Days I Drink My Coffee By The Grave of William Blake 10: Patti Smith – My Blakean Year 11: Leonard Cohen – Take This Waltz (an adaptation of Lorca’s Pequeño vals vienés) 12: Rowland S Howard – Autoluminescent 13: João Diogo Zagalo & Raquel Pinheiro – Poem 51 14: Sibylle Baier – Says Elliott (lines from T.S. Eliot’s The Lovesong of J. Alfred Prufrock) 15: Dietrich Fischer Dieskau sings Der Lindenbaum from Schubert’s Die Winterreise (Wilhelm Müller arranged by Friedrich Silche) 16: Johnny Marr – All in a Life 17: Raquel Pinheiro – The House Martin, an haiku for Richard Oakes
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.
There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.
The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.
Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.
Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.
Ficamos Por Aqui is from Enterro (Burial) Paus final album.
Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).
Mark Lanegan is present twice. In Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.
Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.
Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.
The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.
Tracklist: 01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S Howard – Autoluminescent
John Williams Waterhouse – The Lady of Shallot (1888)
The Lady of Shalott (1842) by Alfred, Lord Tennyson
There’s a repeat of my 5th Amazing Songs & Other Delights #5 – The Poetry edition tomorrow, Monday 2nd, 3-4pm (gmt) on Yé Yé Radio: yeyeradio.com (or on the app).
Tracklist: 01 – Marianne Faithfull with Warren Ellis – Ode to a Nightingale (Keats poem) 02 – Suede – Heroine (Byron She Walks in beauty 1st lines) 03 – The Cranberries – Yeats Grave 04 – Amália Rodrigues – Barco Negro (David Mourão-Ferreira poem) 05 – Secos Molhados – Não não digas nada (Fernando Pessoa poem) 06 – Annie Lennox – Live With Me And Be My Love (Christopher Marlowe poem) 07 – The Waterboys – Stolen Child (Yeats poem) 08 – Bob Dylan – On the Road Again (Bob Dylan poem) 09 – Radio Bukowski – The Genius of The Crowd (Charles Bukowski poem) 10 – Carla Bruni – If You Were Coming In The Fall (Emily Dickinson poem) 11 – Rufus Wainwright – When, in disgrace with fortune and men’s eyes (William Shakespeare, Sonnet 29th) 12 – Fagner – Fanatismo (Florbela Espanca poem) 13 – Ralph Schuckett and Richard Butler – Alabama song (Bertolt Brecht poem, Kurt Weill music) 14 – Patti Smith – Changing of the Guards (Bob Dylan cover and poem) 15 – Phil Ochs – The Bell (Edgar Allan Poe poem) 16 – Quilapayun – Complainte de Pablo Neruda 17 – The Smiths – Cemetery Gates (Keats, Yeats, Wilde came to play)
My Amazing Songs & Other Delights #64 – The Grandeur of Ghosts edition can now be listened to on mixcloud. It is a good soundtrack for today, 25 de Abril (April 25), is the day my country stopped being a dictatorship 50 years ago. April 25 is also Anzac (Australian and New Zealand Army Corps) Day. The programme includes Portuguese songs connected to 25 de Abril, an instrumental track from Mick Harvey’s Waves of Anzac and other anti war songs, instrumentals and poems from Siegfried Sassoon and Federico Garcia Lorca. You can read more about the programme here: https://mondobizarremagazine.com/2024/04/21/amazing-songs-other-delights-64-the-grandeur-of-ghosts-edition-by-raquel-pinheiro-radio-ye-ye-monday-22nd/
Tracklist: 01 – Johnny Mandel – Suicide is Painless (from M.A.S.H.) 02 – Credence Clearwater Revival – Fortunate Son 03 – The Cranberries – Zombie 04 – Golpe de Estado – Rev 25 05 – JP Simões – Mudam-se os Tempos Mudaram-se as Vontades feat. Ruca Rebordão, Nuno Ferreira, Márcio Pinto, Pedro Pinto (José Mario Branco song) 06 – Mick Harvey – Vietnam 07 – José Afonso – Grândola Vila Morena 08 – Vivian Kubrick – Ruins (Full Metal Jacket soundtrack) 09 – New Order – Love Vigilantes 10 – Jimi Hendrix – Machine Gun (live at the Filmore East,1st night, 31.12.1969) 11 – Jacques Brel – La colombe 12 – Siegfried Sassoon – Suicide in the Trenches read by Stephen Graham 13 – Paulo de Carvalho – E Depois do Adeus 14 – The Libertines – Shiver 15 – Federico Garcia Lorca – Balada de la gran guerra by Joan Mora 16 – Amália Rodrigues – Zé Soldado, Soldadinho 17 – R.E.M. – Orange Crush 18- Elvis Costello – Shipbuilding 19 – Tom Waits – Day After Tomorrow 20 – Manic Street Preachers – Suicide is Painless, Theme for M.A.S.H.
The Grandeur of Ghosts by Siegfried Sassoon
When I have heard small talk about great men I light my two candles; climb to bed; then Consider what was said; and put aside What Such-a-one remarked, and Someone-else replied.
They have spoken lightly of my deathless friends, (Lamps for my gloom, hands guiding where I stumble,) Quoting, for shallow conversational ends, What Shelley shrilled, what Blake once wildly muttered…
How can they use such names and be not humble ? I have sat silent; angry at what they uttered. The dead bequeathed them life; the dead have said What these can only memorise and mumble.
The Grandeur of Ghosts is the name of a poem by Sigfried Sassoon, one of World War One (WWI) poets. As WWI continue, Siegfried start to see it as conflict prolonged by those in power who had no regard for everyone else, soldiers or civilians. A reality that has been repeated before and since.My country, Portugal, was a dictatorship from 1928 to April 25 1974. This year 50 years of democracy are celebrated. During the dictatorship Portugal was engaged in a Colonial war from 1961 to 1974. Many young men, my dad included were sent to it. Many men, my dad included, would leave the war and go to exile, only being allowed to return a few years after the end of the dictatorship.The songs and poems on this programme are from various countries, in different languages, addressing different wars or connected to the coup d’etat that ended Estado Novo, the Portuguese dictatorship.E Depois do Adeus that had won Festival da Canção in 1974 had no censurable lyrics and was the first signal for the troops to know it was ok to star move towards Lisboa and depose the regimen. It was played at 22:25 hours on April 24 on Emissores Associados de Lisboa. Grândola Vila Morena, the second signal, greenlighting the go ahead was played at 00:20 hours on Rádio Renascença. Red carnations are the symbol of 25 de Abril commonly called A Revolução dos Cravos (The Carnations Revolution).
Tracklist:
01 – Johnny Mandel – Suicide is Painless (from M.A.S.H.)
02 – Credence Clearwater Revival – Fortunate Son
03 – Cranberries – Zombie
04 – Golpe de Estado – Rev 25
05 – JP Simões – Mudam-se os Tempos Mudaram-se as Vontades feat. Ruca Rebordão, Nuno Ferreira, Márcio Pinto, Pedro Pinto
(José Mario Branco song)
06 – Mick Harvey – Vietnam
07 – José Afonso – Grândola Vila Morena
08 – Vivian Kubrick – Ruins (Full Metal Jacket soundtrack)
09 – New Order – Love Vigilantes
10 – Jimi Hendrix – Machine Gun (live at the Filmore East,1st night, 31.12.1969)
11 – Jacques Brel – La colombe
12 – Siegfried Sassoon – Suicide in the Trenches read by Stephen Graham
13 – Paulo de Carvalho – E Depois do Adeus
14 – The Libertines – Shiver
15 – Federico Garcia Lorca – Balada de la gran guerra by Joan Mora
16 – Amália Rodrigues – Zé Soldado, Soldadinho
17 – R.E.M. – Orange Crush
18- Elvis Costello – Shipbuilding
19 – Tom Waits – Day After Tomorrow
20 – Manic Street Preachers – Suicide is Painless, Theme for M.A.S.H.Tracklist: 01 – Johnny Mandel – Suicide is Painless (from M.A.S.H.) 02 – Credence Clearwater Revival – Fortunate Son 03 – Cranberries – Zombie 04 – Golpe de Estado – Rev 25 05 – JP Simões – Mudam-se os Tempos Mudaram-se as Vontades feat. Ruca Rebordão, Nuno Ferreira, Márcio Pinto, Pedro Pinto (José Mario Branco song) 06 – Mick Harvey – Vietnam 07 – José Afonso – Grândola Vila Morena 08 – Vivian Kubrick – Ruins (Full Metal Jacket soundtrack) 09 – New Order – Love Vigilantes 10 – Jimi Hendrix – Machine Gun (live at the Filmore East,1st night, 31.12.1969) 11 – Jacques Brel – La colombe 12 – Siegfried Sassoon – Suicide in the Trenches read by Stephen Graham 13 – Paulo de Carvalho – E Depois do Adeus 14 – The Libertines – Shiver 15 – Federico Garcia Lorca – Balada de la gran guerra by Joan Mora 16 – Amália Rodrigues – Zé Soldado, Soldadinho 17 – R.E.M. – Orange Crush 18- Elvis Costello – Shipbuilding 19 – Tom Waits – Day After Tomorrow 20 – Manic Street Preachers – Suicide is Painless, Theme for M.A.S.H.
The Grandeur of Ghosts by Siegfried Sassoon
When I have heard small talk about great men I light my two candles; climb to bed; then Consider what was said; and put aside What Such-a-one remarked, and Someone-else replied.
They have spoken lightly of my deathless friends, (Lamps for my gloom, hands guiding where I stumble,) Quoting, for shallow conversational ends, What Shelley shrilled, what Blake once wildly muttered…
How can they use such names and be not humble ? I have sat silent; angry at what they uttered. The dead bequeathed them life; the dead have said What these can only memorise and mumble.
Old Jerusalem – Breeding angels – drawing by Francisco Silva
My Amazing Songs & Other Delights #63 – The Say Hello, Wave Goodbye edition is tomorrow Monday, 8th, 3-4pm (gmt+1) on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from the Soft Cell song of the same name, here on a cover by David Gray. The meaning refers to saying hello to something new, goodbye to an old, beloved one. In this case, the old beloved one is Old Jerusalem that Francisco Silva is retiring with a last concert on the 20th, at Socorro here in Porto. Old Jerusalem’s farewell includes Breeding angels, a demos album that contains Red sun over the interstate – that is also on this week’s programme – a song I have the previledge of known, and often sing on my own home, for a couple of years.
If Francisco is retiring Old Jerusalem, he is bringing, given birth, to The June Carriers that release their debut album Equanimity on the 10th. And now, beginnings and endings, and metting, and journeys, and the same thing, that yet is, but isn’t, become even more interesting.
My track Big Bang, that opens the show, has the exact same guitar line as The June Carriers’s Pastoral Epigraph, that closes the show. It is a travel from the The Big Bang, from the ends, or beginnings, of The Universe to Earth. The guitar, of course, is played be Francisco on both instrumentals. As for the why and how Francisco’s guitar line ended up on my track, on both tracks, that is for another day.
What my Big Bang and Then June Carriers’ Pastoral Epigraph shows is how the exact same guitar line, although easily recognisable, can feel so different depending of its surrounding, of the musical ambience and creation. Of how two people compose differently with the same guitar line (or any other same musical bit). Other than knowing I was going to use his guitar line, Francisco had no say, nor knew, what I was going to do with it. I didn’t have a clue how he was going to use it on what become The June Carriers’ first album.
My 16 choices for this The Say Hello, Wave Goodbye edition are all about travel, journeys, inner and outer, out in space, on our planet, far from home, standing still. The Modern Lovers’ Dodge Veg o-matic is probably the best going nowhere song ever. Bartleby, the immovable, “I prefer not to” scrivener of Henry Melville’s tale as his very fixed ideais regarding is life, his views, doing, moving, changing in ways others find normal is not for him.
Some journeys don’t end well. Like in the Erlkönig a Schubert lieder, with lyrics by Goethe, in which a father rides madly through the night, on horseback, with his son, whistle the Erlking is enticing the child, that tries to draw dad’s attention. The lieder ends with the blunt “In seinen Armen das Kind war tod” (roughly “in your arms the child is dead”.
Others have twist and turns. Diferentes in perspective, depending where we find ourselves. My photos of the maze from my favourite local park are taken from inside it and I know my way around it because I know from where the whole maze can be seen. However, on a foggy day, I may, and still get lost in it. The colour and black and photo illustrate the same thing seen in two different ways.
Tracklist: 01 – Raquel Pinheiro – Big Bang (radio edit) 02 – Old Jerusalem – Red sun over the interstate 03 – Franz Schubert – Erlkönig (Op. 1, D. 328 – Wer reitet so spät sung by Dietrich Fischer-Dieskau) 04 – The Modern Lovers – Dodge Veg o-matic 05 – Bernard Butler – Camber Sands 06 – The Fugs – Bartleby The Scrivener 07 – Elton John – Goodbye Yellow Brick Road 08 – David Gray – Say Hello, Wave Goodbye (Soft Cell cover) 09 – The Beatles – Drive My Car 10 – The Clash – Lost In The Supermarket 11 – Kings of Leon – Going Nowhere (live in Nashville) 12 – Siouxie & The Banshees – The Passenger (Iggy Pop cover) 13 – The Proclaimers – I’m Gonna Be (500 Miles) (2011 remaster) 14 – Aaron Copland – Going to Heaven! (Emily Dickinson poem, sung by Sanford Sylvan) 15 – Little Eve – The Loco-Motion (remaster) 16 – The June Carriers – Pastoral Epigraph