Sonic Blast 2026 – Day 3, 08.08.2026, Praia da Duna dos Caldeirões,Vila Praia de Âncora.

High On Fire © Mondo Bizarre Magazine/Ricardo Silva

This is our final daily coverage of Sonic Blast 2026 at Praia da Duna dos Caldeirões,Vila Praia de Âncora.

words: Joana Coelho
photos: Ricardo Silva

Opening the First Stage on the final day of Sonic Blast Fest, Summer Of Hate took on the challenge of kicking off the afternoon, stepping in for the previously announced Levitation Room. Performing to a smaller, early crowd that was clearly feeling the physical toll of a three-day marathon, the band gradually warmed up the audience as more festivalgoers trickled in, closing their set on a lively, high-energy note.

Over on the Second Stage, Primitive Ring drew a noticeably larger turnout. Bringing a potent mix of heavy, groove-driven riffs, their catchy hooks got the afternoon crowd moving and setting a more active pace for the day.

Margarita Witch Cult © Mondo Bizarre Magazine/Ricardo Silva

Margarita Witch Cult then took over the First Stage, greeted by a strong and eager crowd. Delivering their signature blend of heavy, fuzz-drenched stoner doom and classic heavy metal riffs, the band brought a noticeably more powerful sound to the stage. The frontman persistently encouraged the crowd to start headbanging, and the audience delivered in full force throughout the set.

Things took a dark and ferocious turn as Necrot stormed the Second Stage, unleashing a wave of dark, heavy energy that proved to be the exact wake-up call the crowd needed. Bringing an intense brand of old-school death metal deeply rooted in early underground crust punk, the band’s sonic weight hit with maximum impact.

Luca Indrio, their frontman, made a nostalgic nod to their 2018 show in Porto before driving the audience into wild circle pits, continuous mosh pits, and constant crowd surfing. Joking that the security guards hadn’t done anything all day and needed some work to do, the band proved that despite their style standing out from the rest of the festival line-up, extreme metal fits right into Sonic Blast’s diverse celebration of heavy music.

1000mods © Mondo Bizarre Magazine/Ricardo Silva

As the sun began to set, 1000mods hit the First Stage with maximum energy, instantly getting the crowd jumping to their infectious stoner-rock anthems. The Greek outfit commanded a massive response, with the audience singing along to every guitar riff in unison, throwing down wild circle pits, and crowding the front row with non-stop crowdsurfing.

Dani Go. (bass and vocals) jokingly claimed it was their very first time at the festival, later paying homage to Ozzy Osbourne during the track Overthrown, accompanied by a cross bearing the legendary musician’s name displayed on the background screen, before wrapping up a set packed with roaring singalongs.

Facing a brief ten-minute delay due to pedalboard technical difficulties, Teen Mortgage made their Portuguese debut on the Second Stage. Wasting no time, the duo opened their high-velocity garage-punk set with strong political statements, shouting “Free Palestine” and voicing clear support for women’s rights before blasting through a fast, aggressive performance that earned loud, enthusiastic cheers from the audience at the end.

Elder © Mondo Bizarre Magazine/Ricardo Silva

As the grounds reached absolute capacity, Elder took the First Stage for one of the most anticipated sets of the entire festival. Without relying on lengthy public interaction, the progressive heavy psych titans unleashed a wave of colossal, earth-shaking riffs and soaring melodies, captivating the spellbound audience in a sprawling sonic journey that seemed to transcend the space-time vortex itself.

The sheer weight of their performance ignited a constant flow of crowdsurfers riding over the sea of hands, firmly positioning the set as a top contender for the best show of the day.

That battle for the day’s podium was fiercely shared with High On Fire, who delivered a pulverising, unstoppable performance on the First Stage. Featuring Converge drummer Ben Koller behind the kit, the metal titans didn’t need much stage banter as their crushing heavy riffs spoke for themselves. The crowd went wild – quite literally on fire – triggering intense mosh pits and a constant wave of crowdsurfers throughout the entire set.

Offering a complete change of pace on the Second Stage, Adult brought their dark electronic wave sound to the night. Featuring a dynamic duo of a female vocalist and a synthesizer player, their driving industrial beats had the late-night crowd dancing and moving to a completely different rhythm.

Adult © Mondo Bizarre Magazine/Ricardo Silva

Past 2:00am on the First Stage, Early Moods made another memorable debut in Portugal, with the frontman immediately hyping up the crowd the moment he stepped into the spotlight. The doom/heavy metal band didn’t stop moving for a single second, also taking a moment to voice “Free Palestine.” Midway through their set, an unexpected burst of rain sent the majority of the audience running toward the covered Third Stage tent, but the shower was short-lived and the late-night party quickly resumed.

Closing out the festival at the Third Stage around 3:30am, Ungraven brought the marathon to an end. However, their slow, crushing sludge pace left some in the audience questioning whether it was the ideal choice to wrap up three days of non-stop, heavy concert endurance, as many fatigue-stricken festivalgoers struggled to keep up with the slow-tempo finish.

As the final amps powered down and the crowd began their slow trek home, another memorable chapter of Sonic Blast Fest drew to a close. Leaving behind a trail of ringing ears, ocean breezes, and unmatched memories, this edition laid the perfect groundwork for what lies ahead: next year, the festival will celebrate its landmark 15th anniversary, promising an unforgettable milestone edition that will undoubtedly bring the heavy music community together once again on the coast.

There are photo galleries of Sonic Blast 2026 on our Instagram: http://www.instagram.com/mondobizarremagazine/

Reviews: Day 0 – Warm Up, 05.08.2026; Day 1, 06.08.2026; Day 2, 07.08.2026: Recap

Turbonegro Fans at Sonic Blast 2026 on Mondo’s Instagram

© Mondo Bizarre Magazine/Ricardo Silva

Sonic Blast 2026 – Day 2, 07.08.2026, Praia da Duna dos Caldeirões,Vila Praia de Âncora.

Turbonegro © Mondo Bizarre Magazine/Ricardo Silva

Our coverage of Sonic Blast 2026 continues. Tomorrow we will bring you the report of the festval’s last day.

words: Joana Coelho
photos: Ricardo Silva

Day 2 of Sonic Blast 2026 kicked off at the Second Stage with Jesus The Snake, who mesmerized the early afternoon crowd with their hypnotic blend of progressive synth-rock and spacey passages. A decent crowd gathered to take in the performance, with many festivalgoers taking the opportunity to ease into the afternoon while still recovering from the intense marathon of Day 1.

Offering an immediate contrast, Hög took the stage with a barrage of fast riffs and heavy rock, injecting a burst of energy that quickly invigorated the fans as they arrived. Confirming that a new album is right around the corner, the band treated the crowd to a brand-new track from the upcoming record.

Over on the First Stage, the afternoon brought a sudden lineup change due to a last-minute cancellation by Dead Meadow. Stepping in on short notice were Australia’s Clamm, returning for their second performance of the festival after playing Day 1.

With the crowd initially taking advantage of the shaded areas to rest – and having already caught their set the day before – the turnout started modest, but the grounds filled up significantly as their punk-rock set unfolded, culminating in a well-deserved encore, devilering a performance that was considered by many as better than the day before.

Voivod drew a massive turnout, with the Canadian sci-fi thrash veterans instantly warming up the audience as they launched into a set that quickly generated headbanging and loud singalongs across the Second Stage. Despite the vocalist mentioning he was dealing with a headache, the band delivered a relentless performance, and energy peaked near the end with the musicians sharing fistbumps with fans in the front row.

Up next, Conan delivered a massive, intensely packed set. Bringing their trademark caveman battle-doom with crushing weight and agonizingly heavy vocals, the British trio had the crowd completely engaged from the first note. The performance triggered massive headbanging, continuous crowdsurfing, and a massive circle pit that tore through the crowd towards the end, all set against mesmerizing visuals projected on the backdrop.

Kylesa © Mondo Bizarre Magazine/Ricardo Silva

Despite brief sound issues right at the start, street-punk legends The Casualties wasted no time tearing the Second Stage apart the moment they kicked off. Demanding movement from the get-go, the band ignited a wild circle pit by their second song, greeting the audience in Portuguese with a loud “Como vocês estão?”. The crowd responded with overwhelming enthusiasm as the frontman leaped off the stage, plunging directly into the middle of the pit before climbing back up to finish the chaotic set.

Hailing as one of the most anticipated acts of the entire festival, Kylesa made a triumphant return, hitting the stage with pure heavy sludge power. Delivering their charismatic, dual-drum-driven sound, the band marked the festival’s first performance led by a female vocalist. Expectedly for a Friday night, attendance peaked dramatically during their set, with the grounds feeling noticeably more packed than on any previous day.

Crowd at Turbonegro © Mondo Bizarre Magazine/Ricardo Silva

Following a minor ten-minute delay – the first real schedule bump of the day – Turbonegro took the stage as the night’s absolute headliner. Dressed in their signature glam-punk style, surrounded by a sea of fans wearing sailor hats, the Norwegian deathpunk icons were met with an explosive reception. The band shared a brief nod to their history, with Thomas Seltzer recalling his first visit to Portugal 40 years ago, before tearing through a set that reached absolute euphoria when the entire crowd sang All My Friends Are Dead in unanimous chorus. Delivering an encore, the band delivered what was considered by the majority to be the best show of the day.

Deathchant kept the adrenaline at a maximum, stepping out to a fully packed Sonic Blast grounds. Pushing the crowd to give everything they had left, the heavy rock outfit delivered an explosive, raw set, highlighting their brand-new single Enemy – released that very day from their upcoming album Kova. Calling Sonic Blast their “home away from home,” the band fed off the audience’s unmatched energy.

Moving to the Third Stage at around 2:00 AM, Goya delivered heavy, fuzz-laden stoner doom to a remarkably large and surprisingly energized late-night crowd, keeping the festival’s heavy momentum rolling well past midnight.

Closing out the night at 3:00 AM, N8NOFACE delivered a wildly unique finale, blasting the grounds with a chaotic fusion of industrial electronic beats, synth-punk, and raw, growling vocals. Despite the extreme hour, the energy remained sky-high, turning the front of the stage into a massive, late-night dance party to wrap up an unforgettable Day 2.

There are photo galleries of Sonic Blast 2026 on our Instagram: http://www.instagram.com/mondobizarremagazine/

Reviews:
Day 0 Warm-Up, 05.08.2026; Day 1, 06.08.2026; Day 3, 08.08.2026; Recap

Turbonegro Fans at Sonic Blast 2026 gallery at Mondo’s Instagram

© Mondo Bizarre Magazine/Ricardo Silva

Silly Boy Blue – 33 Porto, Porto, 20.06.2026.

© Mondo Bizarre Magazine/Ricardo Silva

Swing on a Summer Afternoon, or the Great Panoply of Rock ‘n’ Roll

words: Paulo Carmona (edited by Raquel Pinheiro)
photos: Ricardo Silva

On 20 June, Silly Boy Blue took to the stage at number 33 on the iconic, almost mythical Rua de Sá da Bandeira, right in the heart of Porto, for what felt like an intimate yet celebratory gathering among friends, invited guests, their audience, and a handful of curious passers-by.

The musical landscape of the band inhabits is no stranger to us – indie rock with a healthy dose of Britpop, together with all the subgenres that naturally gravitate around it.

That said, Silly Boy Blue have its own sound, its own alchemy, and its own style, something that is by no means easy to achieve within the broad ecosystem of that musical universe.

I would like to highlight, from the outset, the vocal work of every member of the quartet. Their voices work together seamlessly, reaching a remarkably high standard of execution. Outstanding.

From Again and Again, through Away We Go, Did You Say Something, This City and Man on a Wire, to Jesus, Temptation and By The Window, the band remains cohesive throughout, navigating a melodic carousel of crescendos and diminuendos that are at times intense and abrasive, at others introspective and bittersweet.

If we close our eyes, we hear a band of gifted young musicians. If we open them, we see a group of grown men who still have all the mojo exactly where it belongs. Funny guys.

© Mondo Bizarre Magazine/Ricardo Silva

I’A’V – Lovers & Lollypops, Porto, 18.06.2026.

© Mondo Bizarre Magazine/Ricardo Silva

I’A’V – Lovers & Lollypops, Porto, 18.06.2026.

words: Paulo Carmona (edited by Raquel Pinheiro)
photos: Ricardo Silva

Everything seemed suited to the project’s sound. The atmosphere, the space, the audience, and the time of the show.

It was just after 7.45pm when I’A’V entered the venue to present one of the most original Portuguese projects I have heard in recent years.

They came to present their first work: Volatile Poem, and I want to begin with the instruments used: cello, transverse flute, samplers and voice.

The sonic world of this project, featuring Inês Malheiro, Arianna Casellas and Violeta Azevedo, brings us fresh, atmospheric, spiritual and soothing environments. They navigate calm waters of musical poetry, blended with soft colours and gentle breezes.

Very well prepared and perfectly coordinated with each other, they create a symbiosis of musicality, with richly crafted arrangements and beautifully explored silences where the music breathes and lives by itself. The vocalisations evoke the songs of sirens: calm and seductive.

At the end of the enchantment, I had the opportunity to speak with the members of the project, who shared with me that when they came together to create this work, they were aware that they were three people with different musical structures and distinct languages. It was through this fusion of experiences and life journeys that they naturally connected, creating their own identity.

Without pressure, without preconceived ideas. They allowed the music to flow naturally, and the project’s sound took shape.

A toast to symbiosis! It is from ideas and fearless experimentation that things like this emerge.

There’s a photo gallery on our Instagram: http://www.instagram.com/mondobizarremagazine/

© Mondo Bizarre Magazine/Ricardo Silva