The Best Youth performance at the CCOP auditorium in Porto unfolded in two distinct parts — different in texture, yet beautifully complementary.
Part I – celebrating 10 years of Highway Moon
Best Youth are a breath of warm, gentle air drifting across a deserted beach on a spring morning still steeped in youth.
The atmospheres they summon almost allow us to levitate for a moment or two. The melodic, contemplative pop of this Porto duo sinks easily beneath the skin, thanks to the richness of the composition and the spell cast by Catarina Salinas’ performance. Her vocal nuances coexist harmoniously with her physical mannerisms, a perfect symbiosis.
Ed Gonçalves, the project’s creative soul, moves between guitar and synths, weaving in vocal melodies here and there. From Sunbird to Renaissance, this was the prevailing atmosphere — the audience yielding to the ritual through rhythmic swaying, sweat-slicked bodies, and joyful shouts.
When Mirrorball arrived, it felt like a prelude to what was coming next.
Part II – An open space for dance-driven rhythms
We stepped into a slightly more frenetic territory of Indie Pop, one that called everyone to the floor — danceable, sensual melodies that remained atmospheric in their pull, the hallmark of what Best Youth do so well.
From Rumba Nera to Midnight Rain, Back With a Bang, and, to finish in style: Cool Kids and Nightfalls. The night was won by all involved. It began well, and ended even better.
When Strength Isn’t Obvious the new post at The Listening Room HQ a reflection on the quiet forms of strength men carry and how real change often begins in the smallest, unseen inner shifts can be read here.
The Week When The Field Opens – The Super Full Moon in Gemini the new post at The Polymath is a clear, atmospheric look at the Gemini Super Full Moon of December 4/5, 2025 , a night of double-sight, thresholds, field shifts, and the quiet rearrangements before Sagittarius and the Solstice.
You can read The Week When The Field Opens – The Super Full Moon in Gemini here.
Europa is one of the largest moons of Jupiter. It’s part a large electro-acoustic piece I’m working on. It exists with, and without saxophone.
When Francisco Silva heard his bluesy guitar in it, he was surprised at the contrast between it and the colder background – the saxophone version came later. The bluesy guitar represents the cooperish “veins” that can be seen in the image.
Personnel: Raquel Pinheiro: composition, concept, effects, ambients, sounds, mixing, production Francisco Silva: guitar Rui Guerra: saxofone
Raquel Pinheiro – Europa w/ saxophone excerpt
On the programme I’m in excellent company: Rafael Anton Irisarri Holger Czukay Mark Spybey Jasmine Guffond & Robin Storey Mark Hjorthoy Euphotic Sonologyst Trod Kallevag Rafael Toral Annette Vande Gorne Giuseppe Ielasi + Jack Sheen @C Sandor Valy Illusion of Safety + Z’Ve Rushab Nandha Doris Dana Ma Estrella Peter Wullen Brandon Auger
words: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota
A welcome surprise on Maus Hábitos stage: Norway’s Mayflower Madame made their Portuguese debut.
Shunning any inflated posturing and maintaining all the discretion they could, the four musicians from Oslo delivered a strong concert, focused on a spotless performance that moved through all three of their albums to date, with a particular emphasis on the most recent, Insight.
Songs such as Lovesick, Paint It All Blue and A Foretold Ecstasy coloured the room with captivating atmospheres, blending – quite fluidly – the sweep of gothic-tinged epics with post-punk exaltation.
Trond Fagernes’s voice, the arrangements, and the rhythm section occasionally summoned cinematic moods, in an immersive performance that did not disappoint.
Decidedly, a band to keep in mind for any Michelin guide to post-sonorities.
It’s Sunday and we go with Rowland S. Howard and Lydia Lunch version of Lee Hazelwood’s Some Velvet Morning. The song was originally recorded in 1967 by Lee Hazelwood and Nancy Sinatra.
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.
There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.
The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.
Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.
Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.
Ficamos Por Aqui is from Enterro (Burial) Paus final album.
Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).
Mark Lanegan is present twice. In Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.
Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.
Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.
The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.
Tracklist: 01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S Howard – Autoluminescent
John Williams Waterhouse – The Lady of Shallot (1888)
The Lady of Shalott (1842) by Alfred, Lord Tennyson