The Legendary Tigerman, Casa da MĆŗsica, 01.04.2025

Mondo Bizarre Magazine/Marcos Leal

words: Paulo Carmona (edited by Raquel Pinheiro); photos: Marcos Leal

A gentleman is always a gentleman, and rock’n’roll is no exception.The Legendary Tigerman, Paulo Furtado’s pseudonym, is a well of talent. He is a performance artist par excellence and has the ability to surpass himself. We see it again and again, but we always expect something magical to happen. And it did!

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An almost sold out Sala Suggia, dressed up to welcome the hottest rocker Portugal and his much-cherished women from Femina, on the 15th anniversary of the iconic album. A memorable evening that moved me to the limits of the most insolent glamour of my youth. This wonderful ability of rock’n’roll never ceases to seduce and amaze.

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Phoebe Killdeer, Maria de Medeiros, Rita Red Shoes, Claudia Efe and her partner – Sara Badalo – brought the intended charm and sensuality only within the reach of the Ladies of rock.Helena Coelho, who will be the mother of Paulo’s child in a few months, was also called to the stage to perform Summertime, alongside Ray.

The songs of Femina were played in full with an enviable technical rigor, with adjustments here and there. There was still room left for songs such as Keep it Burning, New Love and Ghost Rider, from the album Zeitgeist (2023).

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April Fools’ Day was rammed by the truth of rock’n’roll, which continues to be the fountain of youth for many like Paulo Furtado.The bar was risen again. This year is promising!

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MĆ£o Morta, Casa da MĆŗsica, Porto, 30.03.2025

Ā© Mondo Bizarre Magazine/Telma Mota

words: Marcos Leal (edited by Raquel Pinheiro); photos: Telma Mota

“Good evening. Welcome to the spectrum of fascism” – This is how Adolfo LuxĆŗria Canibal greeted the audience at Casa da MĆŗsica, after several songs from Viva La Muerte, their new conceptual nine songs album being performed.

Adolfo, the band, and male choir were dressed as if part of a revolutionary movement. Adolfo, with an assertive stance, standing on a platform, gestured, and, with his deep, hoarse voice, recited the songs’ lyrics like a speech, akin to a political rally.

Mondo Bizarre Magazine/Telma Mota

It was, undoubtedly, a highly political concert. That is not new for MĆ£o Morta, but not in the fashion of Viva La Muerte. In reality we live in, with, the rise of far-right movements, and the establishment of oligarchies and totalitarian regimes. With Viva La Muerte MĆ£o Morta reaffirm themselves even more as a band of political and social intervention.

The band perfectly reproduced the stylistic variations of the album, ranging from the folk/jazz influences of Liberdade to the doom-like tones of Pensamento Único. Between songs, various recordings of thinkers, philosophers, and revolutionaries, such as Tim Leary and Angela Davis, further emphasized the political context of the show.

The concert followed the album’s sequence, opening with Deus PĆ”tria Autoridade with its choral voices, and closing with Viva La Muerte!, the title track. Thus, the finale echoed with the sentence “NinguĆ©m nasceu para ser servil e morrer” (“Nobody was born to be servile and die”)repeated until the last chord—a final message to take home and into life.

Viva La Muerte:
01: Deus PƔtria Autoridade
02: Corre Corre Corre
03: Ɖ Proibido
04: Ressentidos e Ressabiados
05: A Liberdade
06: Pensamento Único
07: Líder Povo Nação
08: Ratoeira BƩlica
09: Viva La Muerte!

MĆ£o Morta are:
Adolfo LuxĆŗria Canibal (vocals)
Miguel Pedro (drums, electronics)
Antonio Rafael (keyboards, electronics)
Vasco Vaz (guitar)
Ruca Lacerda (guitar, percussion, drums)
Rui Leal (bass, double bass)

Choir:
Fernando Pinheiro (conductor)
Jorge Barata
Lucas Lopes
Paulo Santos Silva
Tiago Regueiras

Amazing Songs & Other Delights # 77 –   The Spring is Here edition by Raquel Pinheiro @ mixcloud

My radio show Amazing Songs & Other Delights # 77 – The Spring is Here edition is now on mixcloud. Amazing Songs & Other Delights airs every other Monday, 3-4pm (gmt+1) on YĆ© YĆ© Radio: yeyeradio.com (or on the app).

Tracklist:
01: The Learning Station – Spring Is Here
02: Bill Callahan – Spring
03: Elis Regina & Tom Jobim – Ɓguas de MarƧo
04: Everything But The Girl – I Don’t Want To Talk About It
05: Glazyhaze – Not Tonight
06: Henry Silence – Gamble
07: Jonathan Richman – Springtime in New York
08: M.Ward – Here Comes The Sun Again
09: Manic Street Preachers – Raindrops Keep Falling On My Head
10: Morcheeba – I Am The Spring
11: Now – In Pathécolor
12: Pale Blue Eyes – Travel Day
13: Rufus Wainwright – Rebel Prince
14: Saint Etienne – Spring
15: Stereolab – Pop Quiz
16: The Beach Boys – Be Still (2001 remastered)
17: The Gentle Spring – Sugartown
18: The Bunch – The Locomotion

All previous shows on mixcloud: https://www.mixcloud.com/infoyeye/playlists/amazing-songs-other-delights | www.mixcloud.com/MondoBizarreMagazine

Gavin Friday, Hard Club, Porto, 21.03.2025

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words: Paulo Carmona (edited by Raquel Pinheiro); photos: Marcos Leal

The dark, rainy night seemed to have been ordered on purpose for the recital of strong emotions and deep feelings that would adorn room Sala Dois of Hard Club.

And who better than an experience, talented and, above all, theatrical musician to deliver.

Gavin Friday was thar man. Coming from the late 70s the post-punk, founding member of the legendary Virgin Prunes – pioneer band that inspired many alternative music projects – Gavin presented Ecce Homo, his most recent solo work.

Ecce Homo is impregnated with love, longing, loss, lamentations, anguish and strong experiences. An ellipse of throbbing emotions.

However, despite this lyrical density, the musicality is exciting. Curious!

Electro rock’n’roll, with many hints of liturgical music and traces of industrial experimentalism, delivered with very different dynamics. Be it powerful and melodic rises, or accentuated descents, at times abrupt, at times contemplative. It makes your skin crawl several times, and forces to you to stretch your neck and close your eyes to feel all of its refined and majestic enchantment.

It was a magnificent performance, in which songs from Ecce Homo predominating, such as: Lovesubzero, Ecce Homo and Lamento, an intense song, in which he recalls the loss of his mother. Virgin Prunes songs like such Sandpaper Lullaby and Caucasian Walk were also played.

I left there thinking that the bar was too high for this year. What next?…