words: Neno Costa (freely translated by Raquel Pinheiro); photos: Telma Mota
A welcome surprise on Maus Hábitos stage: Norway’s Mayflower Madame made their Portuguese debut.
Shunning any inflated posturing and maintaining all the discretion they could, the four musicians from Oslo delivered a strong concert, focused on a spotless performance that moved through all three of their albums to date, with a particular emphasis on the most recent, Insight.
Songs such as Lovesick, Paint It All Blue and A Foretold Ecstasy coloured the room with captivating atmospheres, blending – quite fluidly – the sweep of gothic-tinged epics with post-punk exaltation.
Trond Fagernes’s voice, the arrangements, and the rhythm section occasionally summoned cinematic moods, in an immersive performance that did not disappoint.
Decidedly, a band to keep in mind for any Michelin guide to post-sonorities.
It’s Sunday and we go with Rowland S. Howard and Lydia Lunch version of Lee Hazelwood’s Some Velvet Morning. The song was originally recorded in 1967 by Lee Hazelwood and Nancy Sinatra.
My radio show Amazing Songs & Other Delights # 89 – Of Mist & Metaphysics is broadcasted Monday 1 December, 3-4pm (London time), repeating Monday December 8, same hour on Yé Yé Radio: yeyeradio.com (or on the app).
The title comes from a series of coincidences, synchronicities. As well as of waking up to thick, misty days. The kind you would think yourself in the Scottish Highlands, or, according to the legend, the foggy day Arthur and D. Sebastião will return.
There are several obvious Arthurian references on the choices, others are more metaphorical, threshold or, somehow fitting the theme.
The programme opens with a short excerpt of Richard Wagner’s Parsifal, Act II: Prelude – Die Zeit ist da, that leads to Led Zeppelin’s Stairway To Heaven.
Loreena McKennitt sings Alfred, Lord Tennyson’s The Lady of Shalott. The Lady Of Challot is inspired in Elaine of Elaine of Astolat, a maiden who dies of unrequited love for Lancelot. The poem can be read below the tracklist.
Another of the women of the Arthurian world, The Lady Of The Lake, also known as Viviane or Nimuë, who bestows Excalibur to Arthur, also makes an appearance.
Ficamos Por Aqui is from Enterro (Burial) Paus final album.
Echo & The Bunnymen’s is performed by the Paraorchestra (with Brett Anderson and Charles Nodier).
Mark Lanegan is present twice. In Dave Gahan & Soulsavers’ Kingdoms of Rain, and Queens of The Stone Age’s In the Fade.
Einstürzende Neubauten are preset with Stella Maris, that means Star of the Sea. Our Lady, Star of the Sea, the name Mary, Mother of Christ/The Virgin Mary was/is called by people of the sea. Stella Maris was also the Roman name for the Egyptian goddess Isis.
Mcalmont & Butler’s Although, from the Sound Of… – a wonderful album that has just turned 30, but is timeless – gained a very special meaning for me nine years ago.
The final song is Autoluminescent by Rowland S. Howard. In the Northern Hemisphere we’re on the pathway to Winter Solstice, the beginning of the return of the light.
Tracklist: 01: Richard Wagner – Parsifal, Act II Prelude – Die Zeit ist da (excerpt) 02: Led Zeppelin – Stairway To Heaven 03: Paus – Ficamos Por Aqui 04: Roxy Music – Avalon 05: Loreena McKennitt – The Lady of Shalott (Live) 06: Queens Of The Stone Age – In the Fade 07: José Cid – A Lenda D’el Rei D. Sebastião 08: Opeth – In The Mist She Was Standing (excerpt) 09: Paraorchestra – The Killing Moon (with Brett Anderson and Charles Nodier) 10: Nick Cave & The Bad Seeds – Red Right Hand 11: Mcalmont & Butler – Although 12: Dave Gahan & Soulsavers – Kingdoms of Rain (live Mark Lanegan 60th celebration) 13: Crown Lands – Lady Of The Lake 14: Einstürzende Neubauten – Stella Maris 15: Die Among Strangers – Lancelot & Elaine 16: Rowland S Howard – Autoluminescent
John Williams Waterhouse – The Lady of Shallot (1888)
The Lady of Shalott (1842) by Alfred, Lord Tennyson
The Listening Field: Creativity as Navigation is the new post on The Polymath.
A luminous, subtle guide to creativity as navigation. Learn how artists, polymaths, and creators can open, listen, and translate inspiration without forcing output. Presence, resonance, and subtle alignment guide the process. You can read it here.
The Listening Field: Creativity as Navigation pairs with The Listening Field: How Men Heal When They Are Truly Heard at The Listening Room HQ.
My radio show Amazing Songs & Other Delights # 88 – We’re in Autumn edition is now on mixcloud. Amazing Songs & Other Delights airs new editions the first and third Monday of the month, 3-4pm (London time), respective repeats second and fourth Monday of the month, same hour, on Yé Yé Radio: yeyeradio.com (or on the app).
We’re in Autumn in a simple, mostly gentle an autumnal programme, mixing genres, but essentially staying with songs of the indie-alternative and folk universe. You can read more about the programme here.
Tracklist: 01: Bill Callahan – The Man I’m Supposed to Be 02: Citizen – Yellow Love 03: Duncan Browne – A Dwarf In A Tree (A Cautionary Tale) 04: Guns N’ Roses – November Rain 05: Iron & Wine – Autumn Town Leaves 06: Karen Dalton – How Sweet It Is 07: Moe Bandy – Hank Williams, You Wrote My Life 08: New Order – Blue Moon 09: The Greenhorns – There Is An End 10: R.E.M. – So. Central Rain 11: The Kinks – Autumn Almanac 12: The Tears – Two Creatures 13: Xico Gaiato ft. Rossana | Roda da Máscara 14: Yo La Tengo – Autumn Sweater
The Listening Field: How Men Heal When They Are Truly Heard is the new post on The Listening Room HQ.
The Listening Field: How Men Heal When They Are Truly Heard is about deep listening, emotional clarity, and grounded presence, how men heal when they are truly heard. You can read The Listening Field: How Men Heal When They Are Truly Heard here.